An ex-cop turned con threatens to jump to his death from a Manhattan hotel rooftop. The nearest New York Police officer immediately responds to a screaming woman and calls dispatch. More Officers arrive with SWAT and tactical command along with fire-fighters. The police then dispatch a police psychologist personally requested to talk him down from the ledge. However, things aren't as they seem. Written by
Sam Worthington helped kick start Man on a Ledge into production when he expressed early interest in the script. Worthington partially admits to being intrigued by the role because of his fear of heights, and the majority of the scenes on the ledge were set to be shot on the real ledge of the Roosevelt Hotel, over 200 feet above 45th Street in midtown Manhattan. See more »
After Joey opens the panel beside the vault door, Angie looks into it and we see the vent beyond goes on for a fair distance. However, later in the movie, we see into the vault itself and it's evident the layout of the vault and corridor couldn't possibly accommodate a vent of the length shown. See more »
Good morning, sir.
Last name's Walker.
Yes. Mr. Walker. Room 2105, South Tower. Great view. We also have a larger unit available on the east side, I can offer you at the same price.
No, I think I'll stick with the view.
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The Summit logo at the beginning has a background of New York skyscrapers on it. See more »
A decent thriller/heist movie. Full of the usual plot-holes though!
As you'd expect, "Man on a Ledge" is a Swiss-cheese plotted heist and "prove his innocence" movie but taken as just that, it's quite an enjoyable movie. I suppose after having seen enough of these kinds of movies, I shouldn't expect perfection in how every plot thread is tied up since very few movies manage it. However, what the movie does excellently is setup the plot and build up the situation perfectly. Just starting as a literal man on a ledge, we see subtle layers added until we get this full on crescendo of diamond heists, negotiators, cops, convicts, bad guys, good guys all happening on in a single block in New York. So, given that you're willing to suppress your tingling plot-hole sense, it can be an enjoyable movie.
The cast is quite good and the acting and tension is par for the course. The leads Sam Worthington and Elizabeth Banks do a great job. Seeing Worthington as an ex-NY cop, ex-convict and Banks as a negotiator/psychologist with a past is surprising on paper but they manage to pull it off very well. However, Jamie Bell is one of the heist-team but his opposite who plays Angie make for some cringe-worthy comedy, like some Sofia Vergara slapstick in the middle of a tense situation. Ed Harris looks emaciated but equally sinister as the villain and there are a host other minor NY characters.
I can hear the Hollywood pitch for the movie in my head, "it's like The Negotiator combined with The Italian Job but happens in NY and instead of a hostage situation we have a jumper." And, essentially it's just that a movie that heavily recalls other movies from the past except perhaps for the man on ledge. On a side note, it seems that every NY movie nowadays has a reference to the OWS movement and what a typical OWS protester might look like.
The movie is at its best when it clamors for our hero who desperate and is fighting all odds to clear his name as he shouts from his ledge, "I am innocent and this is my retrial." The movie is at its worst when it's ungainly roping in all the plot threads it cast out but can't seem to put it together. Overall, it's a good enough movie for people who like these kinds of movies. If you've caught yourself bitterly berating the many plot holes in heist movies, maybe this isn't for you.
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