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Directed by | |||
| David Fincher | |||
Writing credits | ||
| Steven Zaillian | (screenplay) | |
| Stieg Larsson | (novel "Män som hatar kvinnor") | |
Produced by | |||
| Eli Bush | .... | co-producer | |
| Ceán Chaffin | .... | producer | |
| Jim Davidson | .... | associate producer | |
| Anni Faurbye Fernandez | .... | executive producer | |
| Malte Forssell | .... | line producer: Sweden | |
| Ryan Kavanaugh | .... | executive producer | |
| Berna Levin | .... | co-producer | |
| Scott Rudin | .... | producer | |
| Søren Stærmose | .... | producer | |
| Ole Søndberg | .... | producer | |
| Mikael Wallen | .... | executive producer | |
| Steven Zaillian | .... | executive producer | |
Original Music by | |||
| Trent Reznor | |||
| Atticus Ross | |||
Cinematography by | |||
| Jeff Cronenweth | |||
Film Editing by | |||
| Kirk Baxter | |||
| Angus Wall | |||
Casting by | |||
| Laray Mayfield | |||
Production Design by | |||
| Donald Graham Burt | |||
Art Direction by | |||
| Frida Arvidsson | |||
| Adam Davis | |||
| Linda Janson | |||
| Pernilla Olsson | |||
| Tom Reta | |||
| Patrick Rolfe | |||
| Kajsa Severin | |||
| Mikael Varhelyi | (supervising art director) | ||
Set Decoration by | |||
| K.C. Fox | |||
Costume Design by | |||
| Trish Summerville | |||
Makeup Department | |||
| Mattias Berg | .... | prosthetic sculptor: Sweden | |
| Sharisse Fine | .... | key hair stylist | |
| Jenny Fred | .... | makeup and hair artist: Sweden | |
| Love Larson | .... | special effects makeup and hair artist: Sweden | |
| Donald Mowat | .... | makeup artist: Daniel Craig | |
| Angel Radefeld | .... | assistant department head makeup: Los Angeles | |
| Zoe Tahir | .... | hairstylist: Daniel Craig | |
| Eva Von Bahr | .... | makeup and hair department head: Sweden | |
| Torsten Witte | .... | makeup & hair department head | |
Second Unit Director or Assistant Director | |||
| Florian Engelhardt | .... | third assistant director: Switzerland | |
| Pontus Klänge | .... | second assistant director: Sweden | |
| Allen Kupetsky | .... | key second assistant director | |
| Hanna Nilsson | .... | additional second assistant director: Sweden | |
| Niklas Siöström | .... | second second assistant director: Sweden | |
| Rhys Summerhayes | .... | second second assistant director: London | |
| Bob Wagner | .... | first assistant director | |
| Pete Waterman | .... | second second assistant director | |
| Maileen Williams | .... | second second assistant director | |
Visual Effects by | |||
| Tim Alexander | .... | digital effects artist | |
| Carlos A. Alfaro Jr. | .... | lead rotoscope artist: DDMG | |
| Omaikel Alfaro | .... | rotoscope artist: DDMG | |
| Christopher S. Allen | .... | digital painter | |
| Elizabeth Asai | .... | bidding producer | |
| Viviane Assaad | .... | rotoscoper: DDMG | |
| Eric Barba | .... | visual effects supervisor | |
| Lluis Barcelo | .... | visual effects artist | |
| Eric M. Beaver | .... | lead compositor | |
| Aaron Beebe | .... | production coordinator: DDMG | |
| Joel Behrens | .... | compositor: Digital Domain | |
| Gustavo Bellon | .... | digital compositor: Ollin Studio | |
| Mattias Bergbom | .... | visual effects consultant | |
| Lisa Beroud | .... | visual effects producer: Digital Domain | |
| Vincent Blin | .... | Flame artist | |
| Charlie Bolwell | .... | visual effects coordinator | |
| Christopher Boylan Jr. | .... | character rigger: Blur Studio | |
| William Bronner | .... | production coordinator | |
| Daniel Buck | .... | digital artist | |
| Lersak Bunupuradah | .... | model/texture artist: Method Studios | |
| Howard Cabalfin | .... | senior roto/paint artist: Digital Domain | |
| Christine Carnegie | .... | rotoscoping artist: DDMG | |
| Enrique Sandoval Castro | .... | digital compositor: Ollin VFX Studio | |
| Trent Claus | .... | flame artist | |
| Ian Clemmer | .... | fluid fx artist | |
| Oscar Collazos | .... | rotoscoper: DDMG | |
| Alexander Costa | .... | digital paint: DDMG | |
| Andrea D'Amico | .... | visual effects producer: Eden FX | |
| Robin L. D'Arcy | .... | visual effects producer: Ollin Studio | |
| Natalia de la Garza | .... | compositing supervisor: Ollin Studio | |
| Michael DeBeer | .... | integration artist: Digital Domain | |
| Karl Denham | .... | digital artist | |
| Tim Donlevy | .... | matchmove artist | |
| Daniel Dupre | .... | digital painter | |
| Edgar Díaz | .... | digital artist: Digital Domain | |
| Eric Ebling | .... | visual effects artist | |
| Brett Ellis | .... | technical director: digital domain | |
| Thomas Esmeralda | .... | senior matte painter: Digital Domain | |
| Jack Evans | .... | hair/fur artist | |
| Sean Andrew Faden | .... | visual effects supervisor: Method | |
| Steven Fagerquist | .... | digital compositor | |
| Victor Manuel Fernandez | .... | digital paint: DDMG | |
| Aaron Franks | .... | rotoscope artist: DDMG | |
| Thomas H. Frederick | .... | 3D integration camera assistant: Digital Domain | |
| Mathias Frodin | .... | special photographic effects | |
| Antonio Gallardo | .... | visual effects editor | |
| Erik Gamache | .... | animator | |
| Danny Garcia | .... | integration artist | |
| Omar García | .... | digital compositor: Ollin Studio | |
| Assunta Garruto | .... | rotoscope artist: DDMG | |
| Rizza Go | .... | digital production manager: Digital Domain | |
| Juan S. Gomez | .... | lighting / technical director | |
| Claudio Gonzalez | .... | digital painter: DDMG | |
| Carlos Guillén | .... | digital compositor: Ollin Studio | |
| Holly Gunn | .... | lead rotoscope artist: DDMG | |
| Jeremy Hampton | .... | effects lead artist: Digital Domain | |
| Alex Hatfield | .... | technical artist | |
| Jason Hearne | .... | visual effects artist | |
| Jennifer Hendrich | .... | rigger | |
| Richard Hirst | .... | flame artist: A52 | |
| David Hochstadter | .... | digital compositor: a52 | |
| Konstantin Hristozov | .... | compositing technical director: Digital Domain | |
| Chris Ingersoll | .... | digital compositor | |
| Charlie Iturriaga | .... | visual effects supervisor: Ollin Studio | |
| Ebrahim Jahromi | .... | character technical director: Digital Domain | |
| Patrick Jarvis | .... | digital paint and rotoscope supervisor: DDMG | |
| Mark Justison | .... | roto/paint artist: Digital Domain | |
| Jeffrey I. Kaplan | .... | compositor: Eden FX | |
| Thomas Kernan | .... | modeler: Digital Domain | |
| George Krauter | .... | digital artist | |
| Paul Lambert | .... | compositing supervisor | |
| Alvado Landaberde | .... | compositor | |
| Jeremy Landman | .... | art director: A52 | |
| Kevin LaNeave | .... | visual effects editor: Digital Domain | |
| Les Lanphere | .... | digital painter: DDMG | |
| Brent Le Blanc | .... | rotoscoper: DDMG | |
| Alexander Lee | .... | visual effects artist | |
| Juan Carlos Lepe | .... | digital compositor: Ollin Studio | |
| Dave Levine | .... | flame artist: Lola VFX | |
| Linghao Li | .... | technical director: Digital Domain | |
| Brice Liesveld | .... | visual effects producer | |
| Victor Lizarraga | .... | cg supervisor: Ollin VFX | |
| Tarin Lucas | .... | rotoscoper: DDMG | |
| Kenneth Lui | .... | digital effects artist | |
| Jake Maymudes | .... | digital compositor | |
| Chris McLeod | .... | visual effects coordinator | |
| Luis Jorge Medina | .... | rotoscoping artist | |
| Alejandro Miranda Palombo | .... | digital compositor: Ollin Studio | |
| Jim Moorhead | .... | digital artist | |
| Yabin Morales | .... | lead compositor | |
| Tim Nassauer | .... | lead lighter: Digital Domain | |
| Daniel Naulin | .... | visual effects artist | |
| Vinh Nguyen | .... | compositor | |
| Christopher Nichols | .... | lighting supervisor: Digital Domain | |
| Ian Northrop | .... | vfx compositor | |
| Michael Hugh O'Donnell | .... | assistant visual effects editor | |
| Damian O'Farrill | .... | visual effects coordinator: Ollin VFX | |
| Ruslan Ogorodnik | .... | visual effects on set supervisor | |
| Ruslan Ogorodnik | .... | visual effects supervisor on location | |
| Stephen J. Parker | .... | technical director | |
| Clark Parkhurst | .... | flame artist | |
| Ian Parra | .... | digital compositor: Ollin Studios | |
| James Pastorius | .... | visual effects supervisor: Savage Visual Effects | |
| Edgar Patron | .... | digital compositor | |
| Carlos Pedroza | .... | previs artist: digital domain | |
| Patrick Perez | .... | animation lead | |
| Dawrath Phoue | .... | roto/paint artist: Digital Domain | |
| Fred Pienkos | .... | compositing supervisor: Eden FX | |
| Fred Pienkos | .... | visual effects supervisor: Eden FX | |
| Daniel Pomares González | .... | digital compositor | |
| Raul Prado | .... | digital compositor | |
| Steve Preeg | .... | digital fx supervisor | |
| Alex Martin Proebius | .... | visual effects supervisor: Proebius | |
| Francis Puthanangadi | .... | digital compositor: Digital Domain | |
| Kim Quiroz | .... | digital production assistant | |
| Nick Reid | .... | digital paint: DDMG | |
| Victor Rodriguez | .... | visual effects artist | |
| Alex Roman | .... | visual effects supervisor: The Third & The Seventh | |
| Olivier Sarda | .... | senior compositor | |
| Elizabeth Schafer | .... | digital production manager | |
| John Christopher Scott | .... | production coordinator: DDMG | |
| Ryan Seaward | .... | rotoscope artist: DDMG | |
| Rene Segura | .... | lead integration artist: Digital Domain | |
| Jason Selfe | .... | senior compositor: Digital Domain | |
| Rasha Shalaby | .... | matte painter | |
| Hameed Shaukat | .... | visual effects producer: a52 | |
| Philip Sisk | .... | compositor | |
| Philip Sisk | .... | digital compositor | |
| Maciek Sokalski | .... | digital compositor | |
| Andrew Stillinger | .... | digital paint: DDMG | |
| Carrie Stula | .... | vfx assistant editor: Eden FX | |
| Hirofumi Takeda | .... | compositor: Digital Domain | |
| Brian L. Tan | .... | visual effects camera assistant | |
| Greg Teegarden | .... | cg supervisor: Digital Domain | |
| Daniel Thron | .... | texture artist | |
| Gabriel Lozano Tijerina | .... | digital compositor | |
| Alexis Torres | .... | associate vfx producer | |
| Emerito Trevino | .... | lighting artist: Digital Domain | |
| John Vanderbeck | .... | technical artist | |
| Val Wardlaw | .... | visual effects | |
| Anastasia Watson | .... | rotoscoper: DDMG | |
| Joe Wein | .... | additional visual effects | |
| Cliff Welsh | .... | flame compositor | |
| Kelly Wescott | .... | rotoscope artist: DDMG | |
| Andrew Wood | .... | visual effects | |
| Anthony Zalinka | .... | effects artist: Digital Domain | |
| Estívaliz Zaragoza | .... | digital production assistant | |
| Wei Zheng | .... | visual effects art director | |
| Holli Alvarado | .... | flame artist (uncredited) | |
| Ian Holland | .... | flame artist: Method Studios (uncredited) | |
| Chelsea Kammeyer | .... | visual effects coordinator (uncredited) | |
| Desiree Lunsford | .... | modeler: Blur Studios (uncredited) | |
| Todd Napier | .... | rotoscope supervisor: DDMG (uncredited) | |
| Eddie Offermann | .... | software developer (uncredited) | |
| Eddie Offermann | .... | visual effects color (uncredited) | |
| Dan Platt | .... | modeler (uncredited) | |
| Mark Prusten | .... | lead sequence fluid effects technical director (uncredited) | |
| Carey Len Smith | .... | elements producer (uncredited) | |
| Carlos Zappen | .... | rotoscoper: DDMG (uncredited) | |
Stunts | |||
| Todd Bryant | .... | stunt double: Stellan Skarsgård | |
| Jeff Chumas | .... | utility stunts | |
| Ben Cooke | .... | stunt coordinator | |
| Jacob Dewitt | .... | head stunt rigger | |
| Jacob Dewitt | .... | stunts | |
| Per Dunder | .... | stunt player | |
| Lars Hjelm | .... | stunt team | |
| Liina Jaska | .... | stunt assistant | |
| Sid Karne | .... | stunts | |
| Jürgen Klein | .... | stunt player | |
| Malosi Leonard | .... | stunt double: Yorick Van Wageningen (re-shoots) | |
| Albrecht Marco | .... | stunt player | |
| Alice Naigeon | .... | stunt double: Rooney Mara | |
| Pernilla Ribeiro Novais | .... | stunt team | |
| Björn Persson | .... | stunt double: Stellan Skarsgård | |
| Kimmo Rajala | .... | stunt double | |
| Kimmo Rajala | .... | stunts coordinator: Sweden | |
| Victor Rajala | .... | stunt team | |
| Scotty Richards | .... | stunt safety coordinator (as Scott Richards) | |
| Myke Schwartz | .... | stunt driver | |
| Matti Tepsa | .... | motorcycle stunts | |
| Mark Aaron Wagner | .... | stunt driver | |
| Thom Williams | .... | stunt double: Yorick van Wageningen | |
Animation Department | |||
| Patrick Perez | .... | animation lead | |
Casting Department | |||
| Sande Alessi | .... | extras casting | |
| Kristan Berona | .... | extras casting | |
| Corinna Glaus | .... | casting: Switzerland | |
| Maddy Hinton | .... | casting associate: UK | |
| Jeanette Klintberg | .... | casting: Sweden | |
| Martin Lima de Faria | .... | additional extras casting: Uppsala | |
| Patty Majorczak-Connolly | .... | adr voice casting | |
| Sabyn Mayfield | .... | casting associate | |
| Frida Mårtensson | .... | casting assistant | |
| Sasha Robertson | .... | casting: UK | |
| Mark Sussman | .... | adr voice casting | |
| Jola Wieczorek | .... | casting assistant: Zurich | |
Editorial Department | |||
| Matthew Blackshear | .... | digital intermediate assist | |
| Des Carey | .... | digital intermediate manager | |
| Michael Cioni | .... | digital intermediate supervisor | |
| Monique Eissing | .... | digital intermediate finishing artist | |
| Katie Fellion | .... | digital intermediate producer | |
| Desirae Ferrer | .... | post-production assistant | |
| Carsten Kurpanek | .... | assistant editor | |
| Kevin London | .... | digital intermediate engineer | |
| Tyler Nelson | .... | assistant editor | |
| Alex Olivares | .... | assistant editor | |
| Craig Thomas Quinlan | .... | post-production engineer | |
| Paul Sage | .... | digital intermediate assistant | |
| Ian Vertovec | .... | digital intermediate colorist | |
| Nathan Adams | .... | technical support (uncredited) | |
| Paul E. Alderman | .... | assistant editor (uncredited) | |
| Jim Passon | .... | color timer (uncredited) | |
| Hilda Rasula | .... | assistant editor (uncredited) | |
Music Department | |||
| Marie Ebbing | .... | music editor | |
| David Gleeson | .... | music editor | |
| Paul Luther Jackson | .... | music consultant | |
| Jonathon Stevens | .... | music editor | |
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| Män som hatar kvinnor | Rivelazioni di un maniaco sessuale al capo della squadra mobile | The Departed | Machete | Golgo 13 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
I was really looking forward to The Girl With The Dragon Tattoo ever since I learned that David Fincher had been attached to it. Now normally I'd be angry at the fact of a foreign film being remade, having seen and loved the Swedish version of the film, but I made an exception with this one because of the cast and crew for this film. Fincher, who directed films such as Fight Club, The Curious Case Of Benjamin Button, and most recently The Social Network (my favorite film of 2010 and what I thought should have won over The King's Speech), has a fantastic eye for filmmaking and has always impressed me with his movies, save for Se7en which I wasn't as huge a fan of as everyone else was and even on that film I enjoyed a good bit. You throw in the writer of Schindler's List and Gangs Of New York, add actors like Daniel Craig, Rooney Mara, Christopher Plummer and so many others, a score from Trent Reznor and Atticus Ross (who also scored The Social Network), and base it off the best selling book by Stieg Larsson (that's right, this isn't a remake but rather a re-adaptation), it all equals out to, in my opinion, the best film of the year by far.
Now the first thing I want to say about this movie is Rooney Mara's performance. She knocks it out of the park portraying Lisbeth Salander. She captured the mystery, the strangeness, the darkness, the out-of-the- norm personality that this character had. She was absolutely fantastic and I'm gonna be shocked as hell if she does not get an Oscar nomination. And she really makes you feel for her in the darker parts of this movie, which we'll get to in a moment. And all the other performances are great as well. Daniel Craig is great as usual and there is great chemistry between him and Mara. Christopher Plummer, as little as he's in the movie, does a great job as well, in fact all the actors do. This is a really well acted movie.
Another thing that a lot of people have been talking about with this film, as it was with the book and the Swedish film, was the moments where sexual violence appears on screen. And while there are some really uncomfortable moments in the film, that's the reason why these scenes succeed. They shock you and make you want to look away. And that's good, especially when the themes of this movie as well as the source material were about this sort of thing, and the movie conveys it perfectly. And while these scenes do linger in your mind, they never distract you from the basis of this movie, which leads into my next praise for the film.
The story is really engaging. Even though I had seen the Swedish movie and knew how the story as a whole was going to play out, I was able to be really engaged in the movie and not focus on other things. It really sucks you in, and Steve Zaillian, the writer of this movie, structures the film in a way that is both similar and different to the Swedish version, therefore doing what I hoped this film would do, which was taking something that I already knew about and had watched before and made it to where it was still interesting and there were changes made to where I didn't know how it was going to turn out. And that's great.
And everything technical about this movie succeeds. The score by Trent Reznor and Atticus Ross is fantastic and really sucks you into the tone of the picture. Jeff Cronenweth, who worked with Fincher on both Fight Club and The Social Network, delivers fantastic cinematography. The editing, the direction, the shots, everything about this movie succeeds, making it a near perfect film.
Now one small complaint I have about this film stems a little bit from me viewing the Swedish version, in which they reveal a little more about who Lisbeth is and one of the things she did in her past that made it so troubled. And they didn't use that here which kind of threw me off a little. However, the more I think about it, the less it becomes a concern because 1.) You can't compare the two films and 2.) there are bits and pieces shown in the films climax that shows that Lisbeth deep down does have a soul. So the movie manages to overcome that obstacle, and overall, I have nothing to say bad about it.
Overall, The Girl With The Dragon Tattoo is a masterful film, it's one that you should definitely check out and I'll definitely be checking it out sometime soon. It's directed, written, and acted well, and succeeds in all that it sets out to do. You feel the emotion and darkness of the film, Rooney Mara blew me away with her performance (and that body, damn), and overall it lived up to my expectations. So out of ten, I got to be honest, The Girl With The Dragon Tattoo is a 10. Go see this movie NOW.