| Léa Seydoux | ... | Prudence Friedmann | |
| Anaïs Demoustier | ... | Sonia Cohen | |
| Agathe Schlenker | ... | Maryline Santamaria (as Agathe Schlencker) | |
| Johan Libéreau | ... | Franck | |
| Guillaume Gouix | ... | Reynald | |
| Anna Sigalevitch | ... | Frédérique Friedmann | |
| Marie Matheron | ... | Delphine | |
| Marina Tomé | ... | Nelly Cohen | |
| Carlo Brandt | ... | Michel Cohen | |
| Nicolas Maury | ... | Daniel Cohen | |
| Michaël Abiteboul | ... | Gérard | |
| Swann Arlaud | ... | Jean-Pierre | |
| Sébastien Haddouk | ... | Sébastien | |
| Valérie Schlumberger | ... | Arlette Friedmann | |
| Samir Mecheri | ... | Samir | |
| Rhizlaine El Cohen | ... | Rhizlaine | |
| Luvinski Atche | ... | Le chanteur | |
| Elsa Bouchain | ... | La responsable des vols | |
| Grégory Givernaud | ... | Grégory | |
| Géraldine Bintein | ... | Carole | |
| Etienne Menu | ... | Voix radio circuit (voice) | |
| François Chaperon | ... | Voix radio circuit (voice) | |
| Arnaud Sagnard | ... | Voix radio circuit (voice) | |
| Michel Zlotowski | ... | Le père de Prudence (voice) |
Directed by | |||
| Rebecca Zlotowski | |||
Writing credits(in alphabetical order) | ||
| Marcia Romano | collaborating writer | |
| Rebecca Zlotowski | ||
Produced by | |||
| Gaëtane Josse | .... | assistant producer | |
| Frédéric Jouve | .... | executive producer | |
| Frédéric Jouve | .... | producer | |
Original Music by | |||
| Rob | |||
Cinematography by | |||
| Georges Lechaptois | |||
Film Editing by | |||
| Julien Lacheray | |||
Casting by | |||
| Philippe Elkoubi | |||
Costume Design by | |||
| Isabelle Kerbec | |||
Makeup Department | |||
| Sarai Fiszel | .... | key makeup artist | |
| Diane Jaurey | .... | coiffeur | |
Production Management | |||
| Martin Allegaree | .... | assistant unit manager | |
| Nathalie Hoang Dac Huong | .... | assistant unit manager | |
Second Unit Director or Assistant Director | |||
| Margaux Balsan | .... | second second assistant director | |
| Jean Baptiste Pouilloux | .... | first assistant director | |
| Nicolas Quéré | .... | second assistant director | |
Art Department | |||
| Laurent Baude | .... | assistant art director | |
| Matthieu Scavazza | .... | assistant art director | |
| Clovis Weil | .... | assistant art director | |
Sound Department | |||
| Mathieu Descamps | .... | production sound mixer | |
| Nicolas Mas | .... | boom operator | |
| Julien Roig | .... | sound editor | |
| Julien Roig | .... | sound re-recording mixer | |
| Vincent Verdoux | .... | sound re-recording mixer | |
Stunts | |||
| Vladimir Houbart | .... | stunt driver | |
| Christophe Marsaud | .... | stunt coordinator | |
| Christophe Roblin | .... | stunt driver | |
Camera and Electrical Department | |||
| Malek Krimed | .... | first assistant camera | |
| Stella Libert | .... | second assistant camera | |
| Olivier Regent | .... | gaffer | |
Editorial Department | |||
| Lise Courtès | .... | assistant editor | |
| Raphaëlle Dufosset | .... | digital dailies colorist: Eclair | |
Music Department | |||
| Thomas Jamois | .... | soundtrack coordinator | |
| Julien Roig | .... | composer: additional music | |
Other crew | |||
| Roselyne Bellec | .... | script supervisor | |
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| Les témoins | La vie de Jésus | Tendres cousines | Crustacés & coquillages | The Beach |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
Prudence Friedmann is alone. Her sister is on her own. Her father is working in Canada and she is left to cope with the sudden death of her mother. Set in Paris, Rebecca Zlotowski's sensitive Dear Prudence is an impressionistic story of a sad and lonely adolescent who begins to lose her bearings as a result of her inability to grieve her mother's loss. In a beautifully nuanced performance by Lea Seydoux as Prudence, this personal film manages to avoid the self-conscious clichés of adolescent angst, creating a believable three-dimensional human being, a 16-year-old in pain trying to navigate in an emotional no-man's land.
As the film begins, Prudence (Seydoux) and Maryline (Agathe Schlenker) are arrested and strip-searched for shoplifting but released when the evidence is hidden too deep to be discovered. Afterward she seeks out her fellow offender and invites her to her house, giving her the keys to come and go as she pleases. Soon Maryline introduces Prudence to her friends on the motorcycle racing circuit at Rungis and the naïve young girl who is starving for love, skips school and becomes involved with the fast and chaotic world of bike racing. Although, at the home of her aunt and uncle, the meaning of Rosh Hashanah and Yom Kippur are explained, she ignores the celebrations and traditions of her Jewish heritage and continues to seek adventure among the bikers.
She becomes involved with a boy, Franck (Johan Libereau), but he seems to her to be interested only in sex. When she walks out of a movie leaving Franck feeling angry and deserted, she goes to his house to try and talk to his mother, but she is too busy or just not interested and Prudence reaches the outer edge of despair. Filled with frequent use of female nudity and accompanied by a pounding pop-rock score, Dear Prudence allows the turbulence of an adolescent to come alive, managing to convey a quiet emotional power that is tender and haunting. Only when Prudence witnesses the death of a young bike racer on the circuit does she begin to touch her own deep and suppressed grief, perhaps realizing, in the words of the poet Dylan Thomas, "Though lovers be lost love shall not; And death shall have no dominion".