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20 October 2017 12:02 PM, PDT | The Hollywood Reporter - Movie News | See recent The Hollywood Reporter - Movie News news »
The new psychological thriller from writer-director Camille Thoman, Never Here, stars The Killing's Mireille Enos as an installation artist who discovers some disturbing events through her photography that sends her down a spiral of suspicion. Never Here is also the final film of acclaimed actor Sam Shepard, who died in July.
Stopping by The Hollywood Reporter offices for a candid conversation about the movie, Enos recalls what it was like working with Shepard. "He's just like a really easy guy," she said. "He was wildly intelligent."
She mentions that Shepard signed on to do Never Here because of the use of »
- April Salud
Though it drifts off into the ozone at the end, for most of its running time, “Never Here” is a low-key but effective psychological thriller which flirts with that looming issue of the social-media age: privacy, and the invasion thereof. But that theme is only a semi-developed starting point for a narrative that starts like a muted version of “The Eyes of Laura Mars” (i.e. an artist is seemingly stalked by a non-fan of her transgressive work) before gradually turning into a muted “Repulsion,” in which one suspects the real “perp” is the protagonist’s disintegrating sanity.
Starring Mireille Enos in an impressive lead turn, and notable for providing the late Sam Shepard a substantial final role, this first narrative feature for editor and Brit stage thesp turned writer-director Camille Thoman is accomplished enough to suggest it won’t be her last. However, the careful, confident handling doesn’t entirely make up for the fact that »
- Dennis Harvey
Despite Paramount Pictures removing the World War Z sequel (along with the new Friday the 13th movie) from their release schedule early this year, hope for the Brad Pitt project stayed afloat, with filmmaker David Fincher reportedly still interested in taking the directing reins on the follow-up to 2013's World War Z. In a recent interview with Empire, Fincher addressed the status of the World War Z sequel, confirming his interest and giving fans of the first film a glimmer of hope, even though the film is in the early stages of reanimation.
“I worked on a show for HBO that didn’t see the light of day and at the same time was doing [Mindhunter], and then did [Mindhunter], and I »
- Derek Anderson
Mireille Enos, who was great in the American version of The Killing, even if the series made me want to pull my hair out, stars in Never Here. We have an exclusive clip to share with you. The film features Sam Shepard in his final appearance. Goran Visnjic, and Vincent Piazza also star; Camille Thoman wrote and directed. Here's a portion of the official synopsis: "Installation artist Miranda Fall follows, photographs and documents the lives of strangers to create her art. One night her secret lover witnesses a violent act from Miranda's apartment window. To protect his identity, Miranda poses as the primary witness, making statements to the police about a crime she did not see. She begins to create a new piece of work,...
[Read the whole post on screenanarchy.com...] »
“For an intellectual product of any value to exert an immediate influence which shall also be deep and lasting, it must rest on an inner harmony, yes, an affinity, between the personal destiny of its author and that of his contemporaries in general.”—Thomas Mann, Death in Venice Barry Lyndon. I can’t believe there was a time when I didn’t know that name. Barry Lyndon means an artwork both grand and glum. Sadness inconsolable. A cello bends out a lurid sound, staining the air before a piano droopingly follows in the third movement of Vivaldi's “Cello Concerto in E Minor.” This piece, which dominates the second half of the film, steers the hallowed half of my head to bask in the film’s high melancholic temperature. Why should I so often remember it? What did I have to do with this film? I only received it with »
Oh, the weather outside is frightful, but there’s no fire — delightful or otherwise — inside “The Snowman,” a suitably frosty but flaccid first attempt at Hollywoodizing the oeuvre of popular Norwegian noir merchant Jo Nesbø. On paper, this twisty, grisly serial-killer chiller seemed an optimum match of talent to material, with Swedish genre stylist Tomas Alfredson returning to his Scandi roots after a super-smart English-lingo debut in “Tinker Tailor Soldier Spy” — taking the reins from Martin Scorsese, no less, who still offers his classy imprimatur as an executive producer.
You’d be hard pressed to trace either man’s touch, however, in this choppy, blizzard-brained adaptation of Nesbø’s 2007 bestseller, for which the best that can be said is that it reworks the text just enough to keep the author’s die-hard fans on their frost-bitten toes. Anyone else, however, is likely to be bewildered by a haphazard structure, a surfeit of dill-pickled red herrings and the »
- Guy Lodge
Jenkins on “Conan”
“Wonder Woman” helmer and record-smasher extraordinaire Patty Jenkins made headlines last month when, after a long negotiation process, she officially signed on to helm the superheroine sequel and became history’s highest-paid female filmmaker. Now, in the cover story for Variety’s “Power of Women La” issue, Jenkins has revealed that she felt a sense of feminist responsibility as she negotiated her “Wonder Woman 2” deal.
“You’re of course aware of the money,” Jenkins said of her salary talks. “But I’ve never been more aware of a duty than I was in this deal. I was extremely aware that I had to make sure I was being paid what the male equivalent would be.”
Not only is pay parity something Diana Prince would expect and demand, it’s a perennial issue for women in Hollywood. Megastars like Emma Stone, Jessica Chastain, and Jennifer Lawrence have spoken publicly about the pay gap, while TV actresses like Emmy Rossum and the women of “Big Bang Theory” and “Criminal Minds” have had to fight to be paid the same as their male co-stars.
Jenkins was aware of those women’s stories — and the countless other stories like them — and knew she was in an advantageous position after the success of “Wonder Woman.” “Women who have not been in a system that allows them to build up the same level of pay as men are not able to be paid the same as men forever if that’s the way it continues,” she observed. “You have to ask for it to happen, and you have to ask when you’re the appropriate person. I knew when Charlize [Theron] had to do it on ‘Snow White and the Huntsman,’ and I felt that it was my job to do it here.” She directed Theron in her Oscar-winning role as serial killer Aileen Wuornos in “Monster.”
According to Variety, “Wonder Woman” star Gal Gadot supported Jenkins all the way. “She is definitely paving the way for so many other female directors,” the actress commented. “I think it was very important that she fought to get the best deal. You got to walk the walk and talk the talk.”
“The Killing,” “Arrested Development,” and “Five” are among Jenkins’ other credits. Next, she’s directing the pilot episode of TNT’s “One Day She’ll Darken.” The series follows a young woman who, while trying to learn about her past, crosses paths with Dr. George Hodel, a suspect of the Black Dahlia murder. Jenkins is also exec producing. She was recently announced as a keynote speaker at the third annual Women in Entertainment Summit and as one of Women and Hollywood’s 10th Anniversary Trailblazer Award winners.
“Wonder Woman 2” is scheduled to hit theaters December 13, 2019.
Quote of the Day: Patty Jenkins on Her Duty to Fight for Equal Pay on “Wonder Woman 2” was originally published in Women and Hollywood on Medium, where people are continuing the conversation by highlighting and responding to this story. »
- Rachel Montpelier
Women and Hollywood is honored to share the recipients of the Trailblazer Awards, which will be given out during our upcoming 10th Anniversary events in New York and Los Angeles.
The New York Trailblazer Awardees are directors Amma Asante (“Belle,” “Where Hands Touch”), Julie Dash (“Daughters of the Dust,” “Queen Sugar”), and Julie Taymor (“The Lion King,” “Frida”) as well as producer and GameChanger Films president Mynette Louie and HBO Documentary Films president Sheila Nevins. They will be honored October 17 at the Time Warner Center in NYC.
Our Los Angeles Trailblazers include directors Patty Jenkins (“Wonder Woman,” “Monster”), Haifaa al-Mansour (“Wadjda,” “Mary Shelley”), and Angela Robinson (“Professor Marston and the Wonder Women,” “D.E.B.S.”). Director Leah Meyerhoff (“I Believe in Unicorns”) is being honored for founding Film Fatales. Other honorees include the Aclu; Melissa Goodman, Audrey Irmas director of the Lgbtq, Gender and Reproductive Justice Project at Aclu of SoCal, and Lenora Lapidus, Director of the Women’s Rights Project at the Aclu, will be accepting. And the founder of the Media, Diversity, & Social Change Initiative, Dr. Stacy L. Smith, will also be recognized. They will receive their awards on October 25 at the ArcLight Theatre in Hollywood.
These are women who through their work, their voice, and/or their activism have been a part of raising the level of conversation on gender equality, stepping up the advocacy drumbeat, and paving the way for their female peers and colleagues.
To find out more about the Trailblazers, check out their bios below. And, remember, tickets are still available for our anniversary events in NY on October 17 and in La on October 25.
Amma Asante, MBE is a multi-award winning writer and director who won a BAFTA for her first film, A Way of Life. This made Asante the first Black female director to win a BAFTA Film Award for writing and directing a film. Her next film, Belle, drew widespread critical acclaim, and saw Asante named one of CNN’s Leading Women of 2014, as well as being named by Variety as one of their 10 Directors to watch. In 2016, her film A United Kingdom was released and its European Premiere saw Asante celebrated as the first Black female director to open the BFI London Film Festival in its 60-year history. This year Asante was named an MBE by Queen Elizabeth on the 2017 Birthday Honour’s list, for services to film as a writer and director. Asante is currently in post-production on her next film, Where Hands Touch. The film, inspired by historical events, is set in 1944 Germany and follows the plight of a young girl of color attempting to survive under Nazi rule.
Twenty-six years ago, filmmaker Julie Dash broke through racial and gender boundaries with her Sundance award-winning film (Best Cinematography) Daughters of the Dust, and she became the first African American woman to have a wide theatrical release of her feature film. In 2004, The Library of Congress placed Daughters of the Dust in the National Film Registry where it joins a select group of American films preserved and protected as national treasures by the Librarian of Congress. Dash is the only African American woman with a feature film that has been inducted into the National Film Registry. She is the recent recipient of the New York Film Critics Special Award, the 2017 Robert Smalls Merit and Achievement Award, and the Visionary Award from Women in Film, Washington, D.C. Dash is currently a Distinguished Professor of Art at Spelman College. She recently directed multiple episodes of the award-winning dramatic series, Queen Sugar, Season 2, created and produced by Ava DuVernay and Oprah Winfrey, for Own Television.
Mynette Louie is a New York-based film producer and the president of Gamechanger Films, the first equity fund to exclusively finance narrative features directed by women. Gamechanger’s films include Natalia Garagiola’s Hunting Season (Venice Critics’ Week 2017), Lauren Wolkstein & Christopher Radcliff’s The Strange Ones (SXSW 2017), Sarah Adina Smith’s Buster’s Mal Heart (Tiff 2016), and So Yong Kim’s Lovesong (Sundance 2016, 2017 Independent Spirit Award nominee), among others. Louie won the 2013 Independent Spirit Piaget Producers Award and was named one of Ted Hope’s “21 Brave Thinkers of Truly Free Film” and one of Indiewire’s “100 Filmmakers to Follow on Twitter.” She is on the Board of Directors of Film Independent and serves as an advisor to the Sundance Institute, SXSW, Ifp, and A3 Asian American Artists Foundation.
Credit: Brigitte Lacombe
Sheila Nevins is president, HBO Documentary Films, responsible for overseeing the development and production of all documentaries for HBO, HBO2, and Cinemax. As an executive producer or producer, she has received 32 Primetime Emmy Awards, 34 News and Documentary Emmys, and 42 George Foster Peabody Awards. During her tenure, HBO’s critically acclaimed documentaries have gone on to win 26 Academy Awards, the most recent of which was A Girl in the River: The Price of Forgiveness in 2016. Nevins has been honored with several prestigious career achievement awards including, most recently, the 2009 Governors Award from the Academy of Television Arts & Sciences. She has supervised the production of more than 1,000 documentary programs for HBO. Nevins is the bestselling author of You Don’t Look Your Age… and Other Fairy Tales, published by Flatiron Books.
Credit: Marco Grob
Julie Taymor became the first woman to win the Tony Award for Best Direction of a Musical, and won a Tony for Best Costumes, for her landmark production of The Lion King. The Lion King has gone on to become the most successful stage musical of all time: 24 global productions have been seen by more than 90 million people. Her credits also include Broadway’s Spider-Man: Turn Off the Dark, The Green Bird, and Juan Darien: A Carnival Mass (five Tony nominations). She directed the play Grounded, and completed a cinematic version of William Shakespeare’s A Midsummer Night’s Dream, filmed during the production at Theatre for a New Audience in Brooklyn. Film credits include Titus, Frida, Across the Universe, and The Tempest. Operas include Oedipus Rex, The Flying Dutchman, Salome, The Magic Flute, and Grendel, composed by Elliot Goldenthal. Taymor is a recipient of the 1991 MacArthur Genius Award and a 2015 inductee into the Theater Hall of Fame for Lifetime Achievement. She is currently in rehearsals for a revival of M Butterfly starring Clive Owen on Broadway.
Melissa Goodman conducts legal and policy advocacy concerning Lgbtq rights, reproductive rights, gender equality, and the rights of people with HIV. Goodman leads the Aclu SoCal’s advocacy to end discrimination against women directors and increase inclusive hiring in Hollywood, to protect the rights of transgender students and adults, to expand access to quality and confidential reproductive healthcare, to increase protections for working parents, to end bias and over-policing and over-incarceration of Lgbtq people, and to improve healthcare for incarcerated women.
Lenora Lapidus litigates gender discrimination cases in courts throughout the country, engages in public policy advocacy, and speaks on gender equity issues in the media and to the public. Her work focuses on economic justice, educational equity, ending gender-based violence, and women in the criminal justice system. Along with Melissa Goodman of the Aclu of Southern CA, she urged the Eeoc to investigate the low number of women hired by studios to be directors for film and television. Lapidus has received several fellowships and awards, including 21 Leaders for the 21st Century from Women’s eNews and the Wasserstein Fellowship for outstanding public interest lawyers from Harvard Law School.
Credit: Warner Bros.
Patty Jenkins is a writer and director best known for directing Warner Bros. and DC Comics’ Wonder Woman, her debut feature Monster, based on the life of convicted serial killer Aileen Wuornos, and helming the pilot episode of AMC’s hit show The Killing. Monster was named by AFI as one of its Ten Best Films of the Year. Jenkins garnered a number of awards and nominations, including winning Best First Feature at the 2004 Independent Spirit Awards. She went on to direct many commercials and TV programs including the pilot and finale episode for AMC’s The Killing, for which she received an Emmy nomination, and won the DGA award for best dramatic directing. Jenkins directed several other pilots and episodes including Fox’s Arrested Development and HBO’s Entourage. She was nominated for an Emmy for a segment of Lifetime’s Five, an anthology about breast cancer.
In 2017, Jenkins broke the record for biggest grossing live-action film directed by a woman, domestic and worldwide, with Wonder Woman. The film simultaneously smashed box office records and received critical acclaim and it has grossed a worldwide total of more than $820 million to date.
Haifaa al-Mansour is the first female filmmaker in Saudi Arabia and is regarded as one of its most significant cinematic figures. She studied comparative literature at the American University in Cairo and completed a Master’s degree in Film Studies from the University of Sydney. The success of her 2005 documentary Women Without Shadows influenced a new wave of Saudi filmmakers and made the issue of opening cinemas in the Kingdom front-page news. At home, her work is both praised and vilified for encouraging discussion on taboo issues and for penetrating the wall of silence surrounding the sequestered lives of Saudi women. Wadjda, al-Mansour’s feature debut, is the first feature film shot entirely in Saudi Arabia and the first by a female director. The film received wide critical acclaim after its premiere at the 2012 Venice Film Festival and established al-Mansour as an important talent emerging from the Arab World. She recently published a novelization of the film titled The Green Bicycle for Penguin publishing group. Her latest film, Mary Shelley, starring Elle Fanning and based on the life of Frankenstein author Mary Shelley, recently premiered at the Toronto International Film Festival.
Leah Meyerhoff is an award-winning filmmaker whose debut narrative feature film I Believe in Unicorns was released theatrically in 2015 after premiering at SXSW, winning the Grand Jury Prize at the Atlanta Film Festival and additional awards from Woodstock Film Festival, Nashville Film Festival, First Time Fest, Tribeca Film Institute, Ifp, Nyu, and the Adrienne Shelly Foundation. Meyerhoff is also the founder of Film Fatales, a female filmmaker organization based in New York with dozens of local chapters around the world. Film Fatales is a global community of women feature film and television directors who meet regularly to mentor each other, share resources, collaborate on projects, and build a supportive environment in which to get their films made and seen. Founded in 2013, Film Fatales actively supports over 500 women directors in New York and Los Angeles, and hundreds more in a dozen sister cities across Europe, North America, Australia, and Africa.
Angela Robinson is a filmmaker who explores and exposes the breadth and complexity of humanity in an extensive body of work across both film and television. Filtering her storytelling through the multi-faceted prism of identity, Robinson uses the power of her unique voice to intelligently and empathetically bring compelling, intersectional stories — specifically those of women, people of color, and Lgbtq individuals — to the mainstream in a way that is entertaining, emotional, and thought-provoking. Most recently, Robinson wrote and directed Professor Marston and the Wonder Women, the origin story behind one of the world’s most famous superheroes, Wonder Woman.
Moving fluidly between film and television, Robinson has an overall deal with ABC Television Studios and recently served as a Consulting Producer on ABC’s hit series “How to Get Away with Murder.” She is in development on a series exploring the intersecting lives of Golden Age stars Greta Garbo and Marlene Dietrich.
Stacy L. Smith, Ph.D.
Stacy L. Smith is the Founder and Director of the Media, Diversity, & Social Change Initiative, the leading think tank globally studying issues of inequality in entertainment. Mdsc research focuses on inclusion in film, television, and digital media and all facets of the music industry. Dr. Smith has written over 100 journal articles, book chapters, and reports on media content patterns and effects. She was the principal investigator of the Card report, examining Hollywood’s hiring practices on screen, behind the camera, and in the executive ranks across the major media companies and digital distribution platforms. Dr. Smith speaks routinely on issues of inequality. She has given a Ted Talk and spoken at the United Nations, the White House, Sundance Film Festival, Promax, and Lunafest. Dr. Smith’s work was the basis for the EPiX docuseries, 4%: Film’s Gender Problem.
Women and Hollywood Announces 10th Anniversary Trailblazer Award Winners was originally published in Women and Hollywood on Medium, where people are continuing the conversation by highlighting and responding to this story. »
- Women and Hollywood
Michael Fassbender (X-Men series) leads an all-star cast that includes Rebecca Ferguson (Mission: Impossible—Rogue Nation), Charlotte Gainsbourg (Independence Day: Resurgence), CHLOË Sevigny (American Horror Story), Val Kilmer (Heat) and Academy Award® winner J.K. Simmons (Whiplash) star in The Snowman, a terrifying thriller from director Tomas Alfredson (Let the Right One In, Tinker Tailor Soldier Spy), based on Jo NESBØ’s global bestseller.
For Detective Harry Hole (Fassbender), the murder of a young woman on the first snow of the winter feels like anything but a routine homicide case in his district. From the start of the investigation, The Snowman has personally targeted him with taunts—ones that continue to accompany each new vicious murder.
Fearing an elusive serial killer long-thought dead may be active again, the detective enlists brilliant recruit Katrine Bratt (Ferguson), to help him connect decades-old cold cases to the brutal new ones. Succeed, and they will »
- Movie Geeks
Jenkins: Access Hollywood/YouTube
Two Wonder Women are set to deliver keynotes at the the upcoming third annual Women in Entertainment Summit: record-breaking “Wonder Woman” helmer herself, Patty Jenkins, and Oscar-winning actress Geena Davis, the founder of the Geena Davis Institute on Gender in Media. Deadline reports that the Summit will take place in La November 2 and “gathers women and men who are dedicated to celebrating the empowerment of women in all areas of the entertainment industry.” The event sees those working across film, television, and sports coming together for keynotes, panel discussions, and Q&A chats working towards gender equality across media.
“The summit is designed to address a range of issues that affect women; topics include the rise of women’s leadership, how storytelling can impact social change, and empowering the next generation of women creatives,” the source writes.
Jenkins made box office history with “Wonder Woman.” The Gal Gadot-led superhero film has grossed over $821 million worldwide, making it the highest grossing live-action film ever directed by a woman. Jenkins has signed on to co-write and direct the sequel, currently dated for December 13, 2019. Her deal to continue Diana Prince’s story, said to be in the high seven figures, somewhere in the $7 million to $9 million range with considerable backend of revenue, makes her the highest-paid female filmmaker ever. Her other credits include “Monster” and episodes of “Arrested Development” and “The Killing.”
Davis won an Oscar in 1989 for “The Accidental Tourist” and received a nod in 1992 for “Thelma & Louise,” the latter of which is widely recognized as a game-changing film for its depiction of female characters. She founded the Geena Davis Institute on Gender in Media in 2004 “to engage, educate, and influence content creators, marketers, and audiences about the importance of eliminating unconditional bias, highlighting gender balance, challenging stereotypes, creating role models, and scripting a wide variety of strong female characters in entertainment and media that targets and influences children ages 11 and under,” according to the non-profit’s website.
Other attendees at this year’s summit include “13th” director Ava DuVernay, “Lady Bird” writer-director Greta Gerwig, “Mudbound” co-writer-director Dee Rees, and DreamWorks Animation head of Television Margie Cohn.
Patty Jenkins and Geena Davis Named Keynoters at Women in Entertainment Summit was originally published in Women and Hollywood on Medium, where people are continuing the conversation by highlighting and responding to this story. »
- Laura Berger
Much like a certain Amazon goddess with a lasso, there are no heights that director Patty Jenkins can’t scale. Her blockbuster “Wonder Woman,” which has grossed a staggering $821 million worldwide since it opened in the summer, has become a rallying call for women everywhere and a beacon of empowerment in a Donald Trump-led world. Beyond all the Instagram posts of little girls decked out in “Ww” regalia while seeing the film and an endorsement from Hillary Clinton, Jenkins recently cracked another glass ceiling. She’ll be directing “Wonder Woman 2” for a reported $7 million to $9 million, a record salary for a female filmmaker.
As she negotiated the terms of her contract with Warner Bros. over several months, Jenkins was conscious of what earning a big paycheck would mean. “You’re of course aware of the money,” says Jenkins on a sunny afternoon in Los Angeles. “But I’ve never been more aware of a duty »
- Ramin Setoodeh
Vertical Entertainment just announced an October 20th release for Never Here, a psychological thriller starring “The Killing’s” Mireille Enos. The pic is written and directed by Camille Thoman and centers on Enos’ Miranda, an installation artist who follows, photographs and documents the lives of strangers to create her art. One night her secret lover witnesses a violent act from Miranda’s apartment […] »
- Brad Miska
USA Network has debuted the first trailer for its upcoming true crime anthology series Unsolved: The Murders of Tupac and the Notorious B.I.G. which delves into the police investigations of the murders of iconic rappers Tupac Shakur and Biggie Smalls; watch it here…
Unsolved: The Murders of Tupac and The Notorious B.I.G. is a scripted true crime serial that chronicles the two major police investigations by Lapd Detective Greg Kading (Josh Duhamel) into the murders of Tupac Shakur (Marcc Rose) and Biggie Smalls (Wavyy Jonez).
Emmy Winner Anthony Hemingway (The People v. O.J. Simpson: American Crime Story) directed the pilot and will executive produce the series, along with Mark Taylor through their Hemingway | Taylor production company. Kyle Long (Suits) wrote the pilot and will also executive produce. Kading, who will also serve as co-executive producer, led multiple law-enforcement task forces investigating the murders and authored the book Murder »
- Amie Cranswick
Vertical Entertainment announced today an October 20th release for Never Here, a psychological thriller starring “The Killing’s” Mireille Enos. The pic is written and directed by Camille Thoman and centers on Enos’ Miranda, an installation artist who follows, photographs and documents the lives of strangers to create her art. One night her secret lover witnesses a violent act […] »
- Brad Miska
If September was a precursor to the fall season, October delivers beyond imagination with a slate packed with some of the year’s best films (not just limited to arthouse and foreign fare). There’s big-budget sci-fi, jaunts through the French countryside, cinematic social experiments, explorations of cinematic icons, gruesome exploitation films, and much more. Check out our picks of what to see and let us know what you’re most looking forward to.
Matinees to See: Walking Out (10/5), Better Watch Out (10/6), The Mountain Between Us (10/6), Dina (10/6), Breathe (10/13) Man From Earth: Holocene (10/13), The Foreigner (10/13), Human Flow (10/13), Marshall (10/13), Professor Marston & the Wonder Women (10/13), The Killing of the Sacred Deer (10/20), The Strange Ones (10/20), One of Us (10/20), Félicité (10/27), and Joan Didion: The Center Will Not Hold (10/27)
Synopsis: A documentary about the king of blockbusters.
Why You Should See It: What more could we want to know about »
- Jordan Raup
Ahead of this past summer’s Los Angeles Film Festival, Vertical Entertainment acquired U.S. rights to Never Here, a psychological thriller starring “The Killing’s” Mireille Enos that now has an official trailer. The pic is written and directed by Camille Thoman and centers on Enos’ Miranda, an installation artist who follows, photographs and documents the lives of strangers to create her […] »
- Brad Miska
This is a very fluid field with likely only Nolan and del Toro the only locks for a nomination at this point. [Posted Sept. 19]
Martin McDonagh, “Three Billboards Outside Ebbing, Missouri”
Angelina Jolie, “First They Killed My Father”
Yorgis Lanthimos, “The Killing of a Sacred Deer”
Darren Aronofsky, “Mother!”
Noah Baumbach, “The »
- Gregory Ellwood
19 September 2017 4:31 AM, PDT | The Hollywood Reporter - Movie News | See recent The Hollywood Reporter - Movie News news »
Performance artist, documentarian and editor Camille Thoman has assembled an impressive range of talents for her narrative feature debut, an atmospheric indie psycho-thriller with shades of Lynch and Hitchcock. The Killing star Mireille Enos plays the lead, Sam Shepard makes his final screen appearance and Zachary Quinto has a credit as exec producer. Vexing, disquieting, willfully opaque in places, Never Here had its European premiere at Oldenburg International Film Festival last week. Vertical Entertainment is planning a limited U.S. release Oct. 20, with a pay TV launch to follow on Starz in early 2018.
Enos stars as Miranda Fall, a »
- Stephen Dalton
Results were released Monday night. David A. Goodman officially became the new WGA West president after running unopposed, succeeding Howard Rodman, who opted not to seek re-election. Goodman had been selected by the guild’s nominating committee as a candidate to succeed Rodman and was unopposed, as another unnamed candidate selected by the nominating committee declined to run.
Writers Guild of America West: ‘President Trump Disgraces Our Nation’
The ninth finisher, »
- Dave McNary
Holland: telewizjaKinoPolska/ YouTube
It’s been quite a week for Agnieszka Holland and Kasia Adamik. Just days ago Poland announced their collaboration “Spoor” as the country’s pick in the foreign-language Oscar race, and now comes word that the two directors are re-teaming for Netflix’s first original series in the Polish language. A press release revealed that the pair will direct the debut eight-episode season of an as-yet untitled alternative history series.
According to the streaming giant’s official synopsis, the series “takes place in a world where the Iron Curtain never fell. Now, in 2002, 20 years after a devastating terrorist attack in 1982 that halted the course of Poland’s liberation and the subsequent downfall of the Soviet Union, an idealistic law student and a disgraced police investigator stumble upon a conspiracy that has kept the Iron Curtain standing and Poland living under a repressive police state. After two decades of peace and prosperity, the leaders of the regime enact a secret plan that was made with an unlikely adversary in the 1980s that will radically transform Poland and affect the lives of every citizen in the nation — and the world. What these two men discover has the potential to ignite a popular revolution and those in power will stop at nothing to keep it a secret.”
“We are really happy that we’ll be able to combine the wonderful experience of the Netflix team, our great American producers and writer, with Polish talent and a Polish sensibility,” Holland commented.
The new series will shoot in Poland and is expected to launch on Netflix in 2018.
“In Darkness” and “Europa, Europa” are among Holland’s previous feature credits. She received an Oscar nomination for writing the latter, and scored an Emmy nod in 2010 for directing an episode of “Treme.” She’s also helmed episodes of series such as “House of Cards,” “The Killing,” and “The Wire.”
Agnieszka Holland & Kasia Adamik to Direct Netflix’s First Original Polish-Language Series was originally published in Women and Hollywood on Medium, where people are continuing the conversation by highlighting and responding to this story. »
- Laura Berger
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