| Marina Hands | ... | Lise Clément | |
| James Thiérrée | ... | Victor Clément aka Vic | |
| Maya Sansa | ... | Doctor Alexandra Smith aka Alex | |
| Yves Jacques | ... | George Bliss | |
| Anne-Marie Cadieux | ... | Brigitte | |
| Aubert Pallascio | ... | Antoine Clément | |
| Normand D'Amour | ... | Lee Atlee | |
| Stuart Mylow Jr. | ... | Charlie | |
| Benoît Brière | ... | L'avocat | |
| Linda Smith | ... | Annie | |
| Patrick Goyette | ... | Brad | |
| Suzanna Lenir | ... | La passagère du train à l'enfant | |
| Raphaël Lacaille | ... | le groom de l'Intercontinental | |
| Martin Champagne | ... | Le chauffeur de taxi | |
| Alexander Bisping | ... | Louis (as Alex Bisping) | |
| Claudel Laberge | ... | L'adolescente au portable | |
| Kaniehtiio Horn | ... | La femme kaska (as Kanietillo Horn) | |
| Alexander Skerget | ... | Josh | |
| John Atslaktatle Canee | ... | Un natif | |
| Nakuset Shapiro | ... | La femme de Charlie | |
| Nadia David | ... | L'hôtesse de France TV (as Nadja David) | |
| Élisabeth Sirois | ... | L'infirmière de l'hôpital à Paris | |
| Donna Jacobs | ... | La femme à la hache | |
| Gilles Poulin-Denis | ... | Le jeune homme kaska | |
| Charlotte Pépin | ... | La fille ado de Lee Atlee | |
| Elijah Wentahawi | ... | L'aide-soignant kaska | |
| Alain Gendreau | ... | Le chauffeur de camion grutier | |
| Richard Fréchette | ... | Un chauffeur | |
| M. Dalton Gow | ... | Le chauffeur de taxi parisien | |
| Pascale Létourneau | ... | La femme de Lee Atlee | |
| Mélodie Simard | ... | La fillette dans le train | |
| Gilbert Wahiakeron | ... | L'homme kaska blessé | |
| François Fauteux | ... | L'homme qui fait du ski de fond | |
| Steeve Amirault | ... | Le pianiste du bar de Gatchell | |
| Jean-François Beaupré | ... | Le joueur de djembé | |
| Guy Ormisten | ... | Le serveur du wagon-restaurant | |
| Jean Guimond | ... | Le vieil hommeà la gare | |
| Marie-Laurence Arcouette | ... | La vieille femmeà la gare | |
| Pierre Lenoir | ... | Le voyageur furieux dans le train | |
| Michel Bérubé | ... | Le chauffeur de la voiture accidentée | |
| Roland Lachance | ... | L'ami de Brad | |
| Ranenhahawi Mylow | ... | Le premier enfant de Charlie 1 | |
| Rorahkwaleshon Mylow | ... | Le deuxième enfantde Charlie 2 | |
| Julie Calabrese | ... | La troisième enfant de Charlie 3 | |
| rest of cast listed alphabetically: | |||
| Yves Theurette | ... | Un enfant | |
Directed by | |||
| Claude Miller | |||
Writing credits(in alphabetical order) | ||
| Natalie Carter | writer (dialogue) (adaptation) | |
| Claude Miller | writer (dialogue) (adaptation) | |
| Roy Parvin | novel | |
Produced by | |||
| Suzanne Girard | .... | co-producer | |
| Patrick Godeau | .... | producer | |
| Matthieu Henchoz | .... | co-producer | |
| Karen Monluc | .... | executive producer | |
Original Music by | |||
| Vincent Segal | |||
Cinematography by | |||
| Gérard de Battista | |||
Film Editing by | |||
| Véronique Lange | |||
Production Design by | |||
| Jean-François Campeau | |||
Costume Design by | |||
| Michèle Hamel | |||
Makeup Department | |||
| Chantal Bergeron | .... | hair stylist | |
| Réjean Goderre | .... | key hair stylist | |
Production Management | |||
| Varujan Gumusel | .... | post-production manager | |
| José Lacelle | .... | production manager | |
| Daniel Ross | .... | unit manager | |
| Frédéric Sauvagnac | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Marielou Bélisle-Pierre | .... | second assistant director | |
| Hervé Ruet | .... | first assistant director | |
Art Department | |||
| Louis Frederic Denomme | .... | set dresser | |
Sound Department | |||
| Damien Bera | .... | sound re-recording mixer | |
| Cédric Deloche | .... | dialogue editor | |
| Geraldine Falieu | .... | assistant sound editor | |
| Dominique Gaborieau | .... | sound re-recording mixer | |
| Claude La Haye | .... | production sound mixer | |
| Gwennolé Le Borgne | .... | supervising sound editor | |
| Pierre Picq | .... | boom operator | |
| Jacques Plante | .... | adr supervisor | |
| Francis Péloquin | .... | boom operator | |
| Matthieu Tibi | .... | sound mix technician | |
Special Effects by | |||
| Guillaume Murray | .... | special effects supervisor | |
Visual Effects by | |||
| Alain Bignet | .... | digital compositor | |
| Alain Carsoux | .... | visual effects director | |
| Florian Chauvet | .... | visual effects coordinator | |
| Christophe Dehaene | .... | digital compositor | |
| Adrien Garcia | .... | digital compositor | |
| Julien Lasson | .... | digital compositor | |
| Fredrik Monteil | .... | digital compositor | |
| Vincent Perzo | .... | digital compositor | |
| Joel Pinto | .... | digital compositor | |
| Laurent Ripoll | .... | visual effects editor | |
Stunts | |||
| Héléna Laliberté | .... | stunt double: Lise | |
| Marie Laurence Paquin | .... | stunt double: Alex | |
Editorial Department | |||
| Chrystel Alépée | .... | first assistant editor | |
| Christian Dutac | .... | color timer: LTC | |
| Natacha Louis | .... | colorist | |
Music Department | |||
| Sébastien Lépine | .... | music supervisor | |
Transportation Department | |||
| Lyssa J. Caster | .... | transportation captain | |
| Alexandre Juaneda | .... | transportation coordinator | |
| André Michaud | .... | driver | |
Other crew | |||
| Marc Feytout | .... | press attache (as Jean-Marc Feytout) | |
| Stéphanie Fouet | .... | administratrice de production | |
| Jean-Francois Hall | .... | production assistant | |
| Jean-Patrick Joseph | .... | special equipment supplier | |
| Silvy Kim | .... | first assistant accountant | |
| Julia Lenardon | .... | dialect coach | |
| Julia Lenardon | .... | on-set dialect coach | |
| Laurette Monconduit | .... | press attache | |
| Denis Paquette | .... | assistant location manager | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
First things first, do not let yourself be discouraged by the plot. Yes this is a love story. Yes there are two women vying for a man. But far from being the low-grade photo-novel you could fear, "Voyez comme ils dansent" proves an atypical movie despite its trite theme. The result is that boredom never sets in during the 100 minutes of its running time. Quite the contrary in fact. One thing is that the movie is signed not by a run-of-the-mill director but by Claude Miller, the man who gave us such distinctive works as "La meilleure façon de marcher", "Garde à vue", 'L'effrontée", La chambre des magiciennes" and the recent "Un secret". Besides being a brilliant actor's director (which is once again the case), Miller has a talent for singling out the mystery and irrationality lurking behind "normality". He is indeed a past master at exploring the dark side of human soul. So, yes the storyline sounds basic and could be summed up as "Man-meets-woman / Man-leaves-woman-for-another / First-woman-meets- second-woman / Clash". Period. Luckily, Claude Miller, aided by co- writer Natalie Carter, working from an American short story, manages to make the most of an indifferent starting point, thus demonstrating once again that a story is less important in itself than the way it is dealt with. In order not to make "just another movie" the authors have made the choice to move the action from Paris (where too many films of this kind are made) to a much less familiar background : Canada, in the middle of winter (from Montreal to Gatchell, Alberta ; by train, then in an isolated house within a Mohawk reservation), thus blurring the viewers' all-too comfortable bearings. Another way to destabilize the spectator and, at the same time, to bring additional emotion and extra depth, lies in the use of a non-linear, non-chronological construction, punctuated at intervals by flashbacks of remembrances haunting the two female characters. It therefore soon appears that what is really at stake is much more what crosses their minds than the action itself. But the main achievement of Claude Miller's last opus may be its central figure, a man who has physically disappeared but who is all the more present for this very reason in both Lise and Alex's psyches. Victor (as he is known to Lise) or Vic (as he introduced himself to Alex) is a fascinating human being and artist. He is supposed to literally mesmerize the two characters as well as the audience ... and HE DOES. Only one actor in the world could play the role of this fabulous showman : James Thierrée, Charlie Chaplin's grandson and one of the most original and accomplished circus artists ever. If Thierrée had declined the role, Miller would doubtless not have made this picture. But he did and, in perfect harmony with his role, he brings the fascination required to make the pangs experienced by the two female leads believable. And a hundredfold so. In several flashback sequences, Victor's one-man show (in actual fact, a variation of James Thierrée real-life's one) is filmed lovingly by the director's camera and one cannot but remain breathless at this multi-talented artist's performance, in turns a comedian, a mime, an acrobat, a contortionist and a... POET. On the other hand, Thierrée proves as good as any top of the list "psychological actor" to capture the insecurity of this character. An over the top performance around which revolve those of two excellent actresses, a blonde Marina Hands, as Victor's ambiguous ex- wife, and a dark-haired but more luminous Maya Sansa, as Vic's second life companion in Alberta. At 68, Claude Miller happens to be a YOUNG director, still experimenting with the form instead of resting on his laurels. Which does not prevent him from going on exploring the meanders of the mind, thereby further illuminating his long career.