| Photos (See all 62 | slideshow) | Videos (see all 11) |
Directed by | |||
| Simon Curtis | |||
Writing credits | ||
| Adrian Hodges | (screenplay) | |
| Colin Clark | (books "My Week with Marilyn" and "The Prince, the Showgirl and Me") | |
Produced by | |||
| Kelly Carmichael | .... | executive producer | |
| Cleone Clarke | .... | associate producer | |
| Mark Cooper | .... | co-producer | |
| Simon Curtis | .... | executive producer | |
| Christine Langan | .... | executive producer | |
| Jamie Laurenson | .... | executive producer | |
| Ivan Mactaggart | .... | executive producer | |
| David Parfitt | .... | producer | |
| Colin Vaines | .... | co-executive producer: The Weinstein Company | |
| Bob Weinstein | .... | executive producer | |
| Harvey Weinstein | .... | producer | |
Original Music by | |||
| Conrad Pope | |||
Cinematography by | |||
| Ben Smithard | (director of photography) | ||
Film Editing by | |||
| Adam Recht | |||
Production Design by | |||
| Donal Woods | |||
Art Direction by | |||
| Charmian Adams | (supervising art director) | ||
| Mark Kebby | |||
Set Decoration by | |||
| Judy Farr | |||
Costume Design by | |||
| Jill Taylor | |||
Production Management | |||
| Alison Beckett | .... | executive in charge of post production: The Weinstein Company | |
| Tania Blunden | .... | post-production supervisor | |
| John Crampton | .... | unit manager | |
| Sara Desmond | .... | production manager | |
| Matt Landon | .... | executive in charge of production: The Weinstein Company | |
| Tim Porter | .... | assistant unit production manager | |
| Matthew Shapiro | .... | additional post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Chris Foggin | .... | third assistant director | |
| Guy Heeley | .... | first assistant director | |
| Alexander Holt | .... | additional third assistant director (as Alex Holt) | |
| Charlie Reed | .... | second assistant director | |
| Ben Woolf | .... | director trainee | |
| Liam Lock | .... | third assistant director (uncredited) | |
| Alex Oakley | .... | first assistant director: additional photography (uncredited) | |
Art Department | |||
| Barty Bailey | .... | painter | |
| Vivien Ball | .... | painter | |
| Corina Burrough | .... | production buyer (as Corina Floyd) | |
| Damian Butlin | .... | property storeman | |
| Laura Conway-Gordon | .... | stand-by art director | |
| Steve Deane | .... | supervising carpenter | |
| Andy Forrest | .... | standby props | |
| Nigel Hughes | .... | scenic artist | |
| Barry Lawrence | .... | carpenter | |
| Neil McAllister | .... | standby props | |
| Barry Moll | .... | construction coordinator | |
| Ian Murray | .... | stand-by rigger | |
| Robert Noble | .... | carpenter | |
| Clare Porritt | .... | art department assistant | |
| Mike Power | .... | property master | |
| Don Santos | .... | chargehand dressing props | |
| Chris Sibley-Hale | .... | stand-by carpenter | |
| Bob Thorne | .... | dressing props | |
| Chantelle Valentine | .... | assistant art director | |
| Roger Wilkins | .... | carpenter | |
| Joe Willmott | .... | carpenter (as Joseph Willmott) | |
| Mark Alexander Wood | .... | stand-by painter (as Mark Wood) | |
| Nick Wood | .... | supervising painter | |
| Matt Wyles | .... | dressing props | |
| Kevin Day | .... | additional stand-by props (uncredited) | |
Special Effects by | |||
| Mark Holt | .... | special effects supervisor | |
| Stephen Hutchinson | .... | special effects supervisor | |
| David Holt | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Stella Ampatzi | .... | digital compositor: Peerless Camera Company | |
| Daniel Baker | .... | visual effects coordinator: Peerless Camera Company (as Dan Baker) | |
| Adrian Banton | .... | digital compositor: Lip Sync Post | |
| Antony Bluff | .... | visual effects producer: Lip Sync Post | |
| Luke Butler | .... | digital compositor: Lip Sync Post | |
| Naomi Butler | .... | digital compositor: Lip Sync Post | |
| Alan Church | .... | visual effects supervisor: Peerless Camera Company | |
| Tom Collier | .... | digital compositor: Lip Sync Post | |
| Sam Cox | .... | cg artist: Lip Sync Post | |
| John Paul Docherty | .... | digital effects supervisor: Peerless Camera Company | |
| Stefan Drury | .... | head of visual effects: Lip Sync Post | |
| Colin Ebanks | .... | digital compositor: Lip Sync Post | |
| James Elster | .... | digital compositor: Lip Sync Post | |
| Sean Farrow | .... | executive visual effects supervisor: Lip Sync Post (as Sean H. Farrow) | |
| Elysia Greening | .... | digital compositor: Lip Sync Post | |
| Kent Houston | .... | visual effects consultant: Peerless Camera Company | |
| U-Sun I Hu | .... | digital compositor: Lip Sync Post (as U-Sun I Hu) | |
| Mason Jarratt | .... | visual effects producer: Peerless Camera Company | |
| Diane Kingston | .... | visual effects producer: Peerless Camera Company | |
| David Lloyd | .... | senior systems engineer: Lip Sync Post | |
| Sarah Marchant | .... | digital compositor: Peerless Camera Company | |
| Emelie Nilsson | .... | digital compositor: Lip Sync Post | |
| Jane Paton | .... | digital compositor: Lip Sync Post | |
| Tim Pruce | .... | digital compositor: Peerless Camera Company | |
| Antonio Rodríguez Díaz | .... | digital compositor: Lip Sync Post (as Antonio Rodriguez Diaz) | |
| Katie Roehrick | .... | visual effects coordinator: Lip Sync Post | |
| Paul Round | .... | digital compositor: Peerless Camera Company | |
| James Russell | .... | digital compositor: Peerless Camera Company | |
| Daniel Spain | .... | systems engineer: Lip Sync Post | |
| Alan Stucchi | .... | digital compositor: Peerless Camera Company | |
| John Swinnerton | .... | digital compositor: Peerless Camera Company | |
| Lucy Tanner | .... | visual effects coordinator: Lip Sync Post | |
| Emeline Tedder | .... | digital compositor: Peerless Camera Company | |
| Sheila Wickens | .... | visual effects supervisor: Lip Sync Post | |
| Harry Wormald | .... | digital matte painter: Lip Syc Post | |
| Dylan Wyn Owen | .... | digital compositor: Lip Sync Post | |
| Martin Body | .... | lead rotoscope artist: Peerless Camera Co. Ltd (uncredited) | |
| Enid Dalkoff | .... | digital compositor (uncredited) | |
| Andrew Kingston | .... | systems administrator (uncredited) | |
| Rosanna Mennear | .... | digital effects producer (uncredited) | |
| Christopher T. Page | .... | rotoscope artist (uncredited) | |
| Josh Peterson | .... | additional visual effects artist (uncredited) | |
| Deepa Sebastian | .... | visual effects administrator: Peerless Camera Company (uncredited) | |
Stunts | |||
| Belinda McGinley | .... | stunt performer | |
| Belinda McGinley | .... | stunts | |
| Julian Spencer | .... | stunt coordinator | |
Casting Department | |||
| Deborah Aquila | .... | casting: US | |
| Vanessa Baker | .... | voice casting | |
| Kharmel Cochrane | .... | casting assistant: UK | |
| Lesley Gogarty | .... | extras casting: The Casting Network | |
| Nina Gold | .... | casting: UK | |
| Saraphina Monaco | .... | casting assistant: US | |
| Robert Sterne | .... | casting associate: UK | |
| Sue Wood | .... | crowd casting: Eton | |
| Tricia Wood | .... | casting: US | |
| Lisa Zagoria | .... | casting associate: US | |
| Dann Fink | .... | adr voice casting (uncredited) | |
| Patty Majorczak-Connolly | .... | adr voice casting (uncredited) | |
| Mark Sussman | .... | adr voice casting (uncredited) | |
Costume and Wardrobe Department | |||
| Sally Crees | .... | costumer: dailies | |
| Adam Dee | .... | costume assistant | |
| Gerson Di Santo | .... | costume maker | |
| Valeria Di Santo | .... | costume maker | |
| Natalie Humphries | .... | assistant costume designer | |
| Jane Marcantonio | .... | costumer: dailies | |
| Julie Merritt | .... | costumer: dailies | |
| Emma Moore | .... | assistant costume designer | |
| Matthew Pachtman | .... | costume assistant: Martin Pakledinaz | |
| Martin Pakledinaz | .... | costume designer: USA | |
| Catherine Pearson | .... | costume assistant | |
| Anna Reynolds | .... | costumer: dailies | |
| Gwen Russell | .... | costume maker | |
| Charlotte Sewell | .... | costume supervisor | |
| Victoria Taylor | .... | costume assistant | |
| Aaron Timperley | .... | costume assistant | |
Editorial Department | |||
| Pete Beaudreau | .... | additional editor | |
| Dan Bentham | .... | post-production producer: Lip Sync Post | |
| Linden Brownbill | .... | digital intermediate technical support | |
| Alberto Buron | .... | digital restoration artist | |
| Jo Burrows | .... | trainee assistant editor | |
| Lee Clappison | .... | digital colorist | |
| James Clarke | .... | digital intermediate supervisor | |
| Peter Collins | .... | digital lab operator | |
| Scott Goulding | .... | on-line editor | |
| Naomi Howarth | .... | post-production runner | |
| Ian Johnson | .... | first assistant editor | |
| Julia Kots | .... | additional editor | |
| Abigail McKenzie | .... | digital lab operator | |
| Lucy Seaborne | .... | on-line editor | |
| Wyatt Smith | .... | additional editor | |
| Kevin Tent | .... | additional editor | |
| Daniel Tomlinson | .... | scanning and recording manager | |
| Diana Vasquez | .... | on-line editor | |
Music Department | |||
| David Arch | .... | musician: solo piano | |
| John Barclay | .... | musician: big band trumpet | |
| Chris Baron | .... | musician: percussions | |
| John Barrett | .... | music recording engineer assistant | |
| Dave Bishop | .... | musician: big band solo tenor saxophone | |
| Thomas Bowes | .... | orchestra leader | |
| Nicholas Bucknall | .... | musician: solo clarinet | |
| Tom Bullen | .... | music mixing assistant | |
| Perry Cavari | .... | musician: New York rehearsal drummer | |
| Jon Charles | .... | additional orchestrator | |
| Peter Clarke | .... | music editor | |
| Peter Cobbin | .... | music recording engineer | |
| Terry Davies | .... | vocal coach: MIchelle Williams | |
| Alexandre Desplat | .... | composer: theme music | |
| Jay Duerr | .... | music editor | |
| Richard Glasser | .... | executive in charge of music: The Weinstein Company | |
| Andrew Glen | .... | music editor (as Andy Glen) | |
| Isobel Griffiths | .... | musicians contractor | |
| Dave Hage | .... | music preparation: Dakota Music | |
| Karen Jones | .... | musician: solo flute | |
| Gary Kettel | .... | musician: percussions | |
| David Krane | .... | arranger: "When Love Goes Wrong" and "Heat Wave & That Old Black Magic" | |
| David Krane | .... | music producer: "When Love Goes Wrong" and "Heat Wave & That Old Black Magic" | |
| David Krane | .... | vocal coach: Michelle Williams | |
| Lang Lang | .... | musician: featured piano soloist | |
| Charlotte Matthews | .... | assistant musicians contractor | |
| Adam Miller | .... | music recording engineer assistant | |
| Bill Newlin | .... | additional orchestrator | |
| Mark Nightingale | .... | musician: big band solo trumpet | |
| Conrad Pope | .... | arranger | |
| Conrad Pope | .... | conductor | |
| Conrad Pope | .... | orchestrator | |
| Paul Pritchard | .... | music recording engineer assistant | |
| Colin Rae | .... | on-set music preparation | |
| Maggie Rodford | .... | music supervisor | |
| Dana Sano | .... | music supervisor | |
| Nan Schwartz | .... | additional orchestrator | |
| Jamie Talbot | .... | musician: big bang solo clarinet | |
| Clifford J. Tasner | .... | additional orchestrator | |
| Nick Taylor | .... | music mixer | |
| Michelle Williams | .... | musician: singer, Marilyn's songs | |
| Alison Wright | .... | score supervisor | |
| Helen Yates | .... | assistant music supervisor | |
| Richard Glasser | .... | soundtrack album producer (uncredited) | |
| Patrick Jonsson | .... | assistant score recordist (uncredited) | |
Transportation Department | |||
| Bryan Agar | .... | driver: Judi Dench (as Bryan Algar) | |
| Martin Alderdice | .... | action vehicle coordinator (as Martin Allerdice) | |
| Tony Cooper | .... | unit driver | |
| Carlos Grayham | .... | driver: facilities | |
| Dave Jones | .... | driver: facilities | |
| Steve Meek | .... | driver: facilities | |
| Kenny Miles | .... | driver: facilities | |
| Jason Morgan | .... | driver: facilities | |
| Jason Mortlock | .... | unit driver | |
| Nick Ridge | .... | driver: facilities | |
| David Rosenbaum | .... | driver: Michelle Williams | |
| Barry Stone | .... | driver: facilities | |
| Xen Xenophontos | .... | driver: Kenneth Branagh | |
Other crew | |||
| Hannah Andrews | .... | assistant production coordinator | |
| Hailu Asfaw | .... | head chef (as Hailu 'H' Asfaw) | |
| Liz Barron | .... | financial controller | |
| Chris Bentley | .... | titles coordinator: Lip Sync Design | |
| Samantha Black | .... | production coordinator | |
| Zoe Brown | .... | head of business affairs: BBC Films | |
| Tim Clawson | .... | executive in charge of physical production: The Weinstein Company | |
| Jamie Cook | .... | catering manager | |
| Jessica Corlett | .... | floor runner | |
| Warren Demer | .... | assistant accountant | |
| Jon Diamond | .... | representative: Lip Sync Productions | |
| Penny Dyer | .... | dialect coach | |
| Peter Eardley | .... | production accountant | |
| Tina Falcone | .... | assistant accountant | |
| Denise Faye | .... | choreographer: "Heatwave" and "That Old Black Magic" | |
| Jo Fernihough | .... | unit publicist: Freud Communications | |
| Leah Foley | .... | catering assistant | |
| Jane Gibson | .... | choreographer | |
| Jane Gibson | .... | movement coach: Michelle Williams | |
| Julia Hall | .... | title designer: Lip Sync Design | |
| Audrey Hamm | .... | assistant choreographer | |
| Peter Hampden | .... | representative: Lip Sync Productions | |
| Beni Hardiman | .... | production assistant | |
| Paul Harding | .... | security manager | |
| Jane Hawley | .... | production executive: BBC Films | |
| Paul Hayes | .... | key floor runner | |
| Vicki Howe | .... | script supervisor | |
| Sarah Hughes | .... | legal clearances | |
| Ian Hutchinson | .... | assistant location manager | |
| Gleb Kaminer | .... | adr voice | |
| Jemma Kearney | .... | assistant: Michelle Williams | |
| James R. Kipping | .... | floor runner (as James Kipping) | |
| Lance Kline | .... | executive in charge of business and legal affairs: The Weinstein Company | |
| Kate Lee | .... | unit publicist: Freud Communications | |
| Kathleen Marshall | .... | choreographer: "Heatwave" and "That Old Black Magic" | |
| Richard Maynard | .... | catering manager | |
| Norman Merry | .... | representative: Lip Sync Productions | |
| Christos Michaels | .... | representative: Lip Sync Productions | |
| Simon Osborn | .... | legal and business affairs manager: BBC Films | |
| Beth Pattinson | .... | development editor: BBC Films | |
| Michal Podell | .... | executive in charge of business and legal affairs: The Weinstein Company (as Michal Podell Steinberg) | |
| Marcin Ptak | .... | catering assistant | |
| Greta Seacat | .... | acting coach: Michelle Williams | |
| Trevor Stanley | .... | post production accountant | |
| Ashley Stowell | .... | medic | |
| Elizabeth Walker | .... | pre-production accountant | |
| Howard Watkins | .... | head of title design: Lip Sync Design | |
| Katie Watson | .... | business representative: SAG | |
| Jason Wheeler | .... | location manager | |
| Paige Williams | .... | assistant: Michelle Williams | |
| Michael Wood | .... | production executive: BBC Films | |
| Andy Young | .... | key floor runner | |
| Thom Berryman | .... | media transfer engineer (uncredited) | |
| Lex Donovan | .... | production secretary: additional photography (uncredited) | |
| Vinnie Jassal | .... | location scout (uncredited) | |
| Matthew Jenkins | .... | production coordinator: additional photography (uncredited) | |
| Yuen-Wai Liu | .... | assistant coordinator: additional photography (uncredited) | |
| Hugues Mace | .... | runner: additional photography (uncredited) | |
Thanks | |||
| Lucas Webb | .... | special thanks | |
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| The Young Victoria | Swimming Pool | One Day | The Collector | Nicholas Nickleby |
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| News articles | IMDb Biography section | IMDb UK section |
Michelle Williams achieves the impossible. We believe she's Marilyn! Judi Dench is a hoot as Dame Sibyl Thorndike and Kenneth Brannagh has his moments. But the rest...Oh dear, Oh dear. Who though of Julia Ormond as Vivien Leigh!? and Eddie Redmeyer, he's a good actor, I've seen him on stage, but here he is a hole on the screen. He doesn't project anything that could possibly touch us. I remember loving "The Prince And The Showgirl" and thinking how remarkable Marilyn was. With the benefit of hindsight she had managed to keep her performance as fresh as timeless as a real work of art. While Olivier, the"actor" of his generation seems stilted and dated. My week with Marilyn misses the mark, big time but Michelle Williams performance makes it a must.