| Photos (See all 44 | slideshow) | Videos (see all 15) |
| Jean Dujardin | ... | George Valentin | |
| Bérénice Bejo | ... | Peppy Miller | |
| John Goodman | ... | Al Zimmer | |
| James Cromwell | ... | Clifton | |
| Penelope Ann Miller | ... | Doris | |
| Missi Pyle | ... | Constance | |
| Beth Grant | ... | Peppy's Maid | |
| Ed Lauter | ... | The Butler | |
| Joel Murray | ... | Policeman Fire | |
| Bitsie Tulloch | ... | Norma | |
| Ken Davitian | ... | Pawnbroker | |
| Malcolm McDowell | ... | The Butler | |
| Basil Hoffman | ... | Auctioneer | |
| Bill Fagerbakke | ... | Policeman Tuxedo | |
| Nina Siemaszko | ... | Admiring Woman | |
| Stephen Mendillo | ... | Set Assistant | |
| Dash Pomerantz | ... | Peppy's Boyfriend | |
| Beau Nelson | ... | Peppy's Boyfriend | |
| Alex Holliday | ... | Guard | |
| Wiley M. Pickett | ... | Guard | |
| Ben Kurland | ... | Audition Casting Assistant | |
| Katie Nisa | ... | Audition Dancer | |
| Katie Wallack | ... | Audition Dancer | |
| Hal Landon Jr. | ... | Napoleon | |
| Cleto Augusto | ... | Set Technician | |
| Sarah Karges | ... | Laughing Dancer | |
| Sarah Scott | ... | Laughing Dancer | |
| Maize Olinger | ... | Shouting Dancer | |
| Ezra Buzzington | ... | Journalist | |
| Fred Bishop | ... | Journalist | |
| Stuart Pankin | ... | Director #1 / Restaurant | |
| Andy Milder | ... | Director #2 | |
| Bob Glouberman | ... | Director #3 (Finale) | |
| David Allen Cluck | ... | Assistant Director (Finale) (as David Cluck) | |
| Kristian Francis Falkenstein | ... | Actor in 'The Brunette' (as Kristian Falkenstein) | |
| Matt Skollar | ... | Peppy's Assistant | |
| Annie O'Donnell | ... | Woman with Policeman | |
| Patrick Mapel | ... | Assistant with Newspaper | |
| Matthew Albrecht | ... | Tennis Player | |
| Harvey J. Alperin | ... | Doctor (as Harvey Alperin) | |
| Lily Knight | ... | Nurse at Peppy's House | |
| Clement Blake | ... | Beggar | |
| Tasso Feldman | ... | Zimmer's Assistant | |
| Christopher Ashe | ... | Zimmer's Assistant (as Chris Ashe) | |
| Adria Tennor | ... | Zimmer's Secretary | |
| Cletus Young | ... | Bartender | |
| J. Mark Donaldson | ... | Thug #1 | |
| Brian J. Williams | ... | Thug #2 (as Brian Williams) | |
| Andrew Ross Wynn | ... | Big Dancer (Restaurant) | |
| Jen Lilley | ... | Onlooker | |
| Brian Chenoweth | ... | Onlooker | |
| Tim De Zarn | ... | Soldier | |
| Uggie | ... | The Dog | |
| rest of cast listed alphabetically: | |||
| Pasquale Cassalia | ... | Dancer (credit only) | |
| Victor Holstein | ... | Grip | |
| Robert Kestler | ... | Scientist 1 | |
| Kevin Ketcham | ... | Film Crew Member | |
| Rose Murphy | ... | Herself (archive sound) | |
| Ashley Lane Adams | ... | Girl at Audition (uncredited) | |
| David Bantly | ... | Studio Executive (uncredited) | |
| Bill Blair | ... | Studio Engineer (uncredited) | |
| Teri Bocko | ... | Laughing Dancer (uncredited) | |
| Joshua Capo | ... | Clerk (uncredited) | |
| Vincent De Paul | ... | Restaurant Manager (uncredited) | |
| Calvin Dean | ... | Mr. Sauveur (uncredited) | |
| Mohamed Dione | ... | African (uncredited) | |
| Matt J. Doyle | ... | Security Guard (uncredited) | |
| Joseph Falsetti | ... | Camera Operator (uncredited) | |
| Josephine Ganner | ... | 1930's Studio Actress (uncredited) | |
| Kevin Michael Hoffman | ... | Peppy's Dance Partner (uncredited) | |
| Jennifer Ingrum | ... | Charleston Dancer (uncredited) | |
| Devon Marie King | ... | Laughing Dancer (uncredited) | |
| Michael Laren | ... | Michel (uncredited) | |
| Jillana Laufer | ... | Silent Film Star (uncredited) | |
| Sonya Macari | ... | Autograph Girl (uncredited) | |
| Josh Margulies | ... | Film Clapper #1 (uncredited) | |
| Rene Napoli | ... | Studio Executive (uncredited) | |
| Niko Novick | ... | Producer (uncredited) | |
| Philip Ongert | ... | Set Costumer - Finale (uncredited) | |
| Geoff Pilkington | ... | Sound Technician (uncredited) | |
| Jamie Preston | ... | Engineer (uncredited) | |
| Andrew Schlessinger | ... | 1920s Lighting Technician (uncredited) | |
| Frank Scozzari | ... | Man in Restaurant (uncredited) | |
| Jewel Shepard | ... | Flapper Starlet (uncredited) | |
| John H. Tobin | ... | Violinist in Ballroom (uncredited) | |
| Josh Woodle | ... | Man in Bed with Peppy (uncredited) | |
| Brad Everett Young | ... | Uncontrollable Patient (uncredited) | |
Directed by | |||
| Michel Hazanavicius | |||
Writing credits | ||
| Michel Hazanavicius | ||
Produced by | |||
| Jeremy Burdek | .... | co-producer | |
| Antoine de Cazotte | .... | executive producer | |
| Daniel Delume | .... | executive producer | |
| Nadia Khamlichi | .... | co-producer | |
| Thomas Langmann | .... | producer | |
| Richard Middleton | .... | executive producer | |
| Emmanuel Montamat | .... | producer | |
| Adrian Politowski | .... | co-producer | |
| Gilles Waterkeyn | .... | co-producer | |
| Jean Dujardin | .... | producer (uncredited) | |
Original Music by | |||
| Ludovic Bource | |||
Cinematography by | |||
| Guillaume Schiffman | |||
Film Editing by | |||
| Anne-Sophie Bion | |||
| Michel Hazanavicius | |||
Casting by | |||
| Heidi Levitt | |||
Production Design by | |||
| Laurence Bennett | |||
Art Direction by | |||
| Gregory S. Hooper | |||
Set Decoration by | |||
| Austin Buchinsky | |||
| Robert Gould | |||
Costume Design by | |||
| Mark Bridges | |||
Makeup Department | |||
| Stacey K. Black | .... | hair stylist | |
| Cydney Cornell | .... | department head hair stylist | |
| Clarisse Domine | .... | key makeup artist | |
| Jed Dornoff | .... | makeup artist | |
| Kelcey Fry | .... | makeup artist | |
| Jenni Brown Greenberg | .... | makeup artist | |
| Zoe Hay | .... | key makeup artist | |
| Julie Hewett | .... | makeup department head | |
| Pecha Koy | .... | hair stylist | |
| Adruitha Lee | .... | hair stylist | |
| Maha | .... | makeup artist (as Maha Saade) | |
| Lydia Milars | .... | makeup artist | |
| Michele Payne | .... | assistant hair stylist | |
| Kimberley Spiteri | .... | hair stylist | |
| Lynn Tully | .... | key hair stylist | |
| Angie Wells | .... | makeup artist | |
| Karen Zanki | .... | hair stylist | |
| Joy Zapata | .... | hair stylist (uncredited) | |
Production Management | |||
| Antoine de Cazotte | .... | unit production manager | |
| Segolene Fleury-Slimane | .... | production manager | |
| Varujan Gumusel | .... | post-production manager | |
| Frank Mettre | .... | post-production supervisor | |
| Christina Lee Storm | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| James Canal | .... | first assistant director | |
| David Allen Cluck | .... | first assistant director | |
| Shadie Elnashai | .... | additional second assistant director | |
| David Paige | .... | second assistant director | |
| Lou Salomé Piron | .... | assistant director: preparation | |
| Richard Robinson | .... | second second assistant director | |
| Karla Strum | .... | second second assistant director | |
Art Department | |||
| Berj Daniel Bedrosian | .... | propmaker | |
| Erin Boyd | .... | head buyer | |
| Franck 'Frenchy' Brousse | .... | set dresser | |
| Tim Burriss | .... | set dresser | |
| Martin Charles | .... | graphic designer | |
| Paul Ford | .... | set dresser | |
| Penelope Franco | .... | set dresser | |
| Carmine Goglia | .... | stand-by painter | |
| Cheryl Gould | .... | leadperson | |
| Robert Grbavac | .... | painter | |
| Matthew Haney | .... | gang boss | |
| Stephanie Hein | .... | set dresser | |
| Angie Kern | .... | construction medic | |
| Carol Kiefer | .... | art department coordinator | |
| Greg Knapp | .... | construction/rigging medic | |
| Arin Ladish | .... | on-set dresser | |
| Joe Mason | .... | art department assistant | |
| Ray Maxwell | .... | construction location foreman | |
| Stephen McCumby | .... | props | |
| Joe Monaco | .... | on-set dresser | |
| Adam Mull | .... | set designer | |
| Bob Renna | .... | set dresser | |
| Ashley Rice | .... | set dressing buyer | |
| Kim Richey | .... | assistant property master | |
| Matt Sazzman | .... | foreman | |
| Michelle Spears | .... | property master | |
| Bryan Turk | .... | general foreman | |
| Daniel Turk | .... | construction coordinator | |
| Esmilda Vallejos | .... | draper | |
| Jesse Vogel | .... | painter | |
| Rebecca Wentz | .... | art department assistant | |
| Todd Wolcott | .... | standby greensman | |
| Kaitlynn Wood | .... | set dec intern | |
Sound Department | |||
| Etienne Colin | .... | sound mix engineer | |
| Valeria Ghiran | .... | boom operator | |
| Michael Krikorian | .... | production sound mixer | |
| Gérard Lamps | .... | sound re-recording mixer | |
| Marc Mnémosyne | .... | sound mix technician | |
| Nadine Muse | .... | sound editor | |
| Ludovick Tartavel | .... | sound mix assistant | |
Special Effects by | |||
| Chris Cline | .... | special effects technician | |
| John Eggett | .... | pyrotechnician | |
| Richard Jacobs | .... | special effects technician | |
| David Waine | .... | special effects coordinator | |
Visual Effects by | |||
| Philippe Aubry | .... | flame artist | |
| Jerome Auliac | .... | digital compositor | |
| Seif Boutella | .... | visual effects artist | |
| Laurent Brett | .... | digital compositor | |
| Laurent Brett | .... | title designer | |
| Jimmy Cavé | .... | digital artist | |
| Jimmy Cavé | .... | visual effects artist | |
| David Danesi | .... | visual effects supervisor | |
| Gilles Giordan | .... | digital compositor | |
| Aurélien Grand | .... | retouch and restoration | |
| Caroline Journo | .... | visual effects | |
| Aurelie Lajoux | .... | senior compositor | |
| Arnaud Leviez | .... | digital artist | |
| Amandine Moulinet | .... | visual effects coordinator | |
| Romain Moussel | .... | visual effects coordinator | |
| Sofi Vaillant | .... | digital compositor | |
Stunts | |||
| Laura Albert | .... | stunts | |
| Michael Caradonna | .... | stunts | |
| Rick Creese | .... | stunt driver | |
| Gary Davis | .... | stunt coordinator | |
| J. Mark Donaldson | .... | stunt performer | |
| Donna Evans | .... | stunt driver | |
| Dennis Fitzgerald | .... | stunt driver | |
| Tanner Gill | .... | stunt coordinator | |
| Scotty Richards | .... | precision driving coordinator (as Scott Richards) | |
| Sterling Winans | .... | stunts | |
Casting Department | |||
| Lauren Fernandes | .... | casting associate | |
| Michael Sanford | .... | casting associate | |
| Debe Waisman | .... | extras casting | |
| Alex Christopoulos | .... | casting assistant (uncredited) | |
| Pixie Monroe | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Paul Black | .... | costumer | |
| Nigel Boyd | .... | costumer | |
| Barbara Inglehart | .... | costume supervisor | |
| Gia Jimenez | .... | set costumer | |
| Linda Redmon | .... | key costumer | |
| Riki Lin Sabusawa | .... | set costumer | |
| Keith M. Wegner | .... | set costumer | |
Editorial Department | |||
| Christian Dutac | .... | color timer: LTC | |
| Mark Reaser | .... | hd mastering | |
Music Department | |||
| Vincent Artaud | .... | arranger | |
| Richard Bernard | .... | conductor: stage orchestra | |
| Frédéric Dunis | .... | musician | |
| Frédéric Dunis | .... | orchestrator | |
| Jean Gobinet | .... | arranger | |
| Didier Goret | .... | arranger | |
| Albert Guinovart | .... | orchestrator | |
| Jérôme Lateur | .... | executive music producer | |
| Michel-Ange Merino | .... | arranger | |
| Jay-Alan Miller | .... | head orchestrator | |
| Vladimir Nikolov | .... | orchestrator | |
| Brussels Philharmonic | .... | orchestra | |
| Pierrick Poirier | .... | orchestrator | |
| Mehdi Sayah | .... | music production coordinator | |
| Ludovick Tartavel | .... | music editor | |
| Ernest Vantiel | .... | conductor | |
Transportation Department | |||
| Kip Fazzone | .... | transportation captain | |
| Billy Kane | .... | transportation coordinator | |
| Richard 'Bongo' Mitchell | .... | picture car coordinator | |
| Esteban Munoz | .... | mechanic | |
| Ron Pope | .... | driver | |
Thanks | |||
| Kamel Ech-Cheik | .... | in memory of | |
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| Singin' in the Rain | Inside Daisy Clover | The Aviator | Ma femme est une actrice | Funny Girl |
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If you can get your Weinstein-manipulated expectations WAY down from "Oscar" to "cute gimmick," then this cinematic truffle could very well satisfy especially if you've ever seen and enjoyed a theatrical screening of a silent movie. There's a faithfulness to the spirit and techniques of the silent era that's undeniably impressive and will delight those few audience members (myself being one) who have enough familiarity with silent cinema to appreciate it.
But is it a movie that you should be running out to see because omnipresent web advertising says that it's an Oscar lock? Negative. If you DON'T have the required familiarity with the silent era, the charms and nostalgia evoked by the film will be completely lost on you, and you'll be far more dependent on the thin and unoriginal storyline for entertainment. (Note: the story borrows shamelessly from both SINGING IN THE RAIN and A STAR IS BORN and is fully consistent with the era's cornball aesthetic.) And even if you ARE familiar with silent cinema, "Oscar worthy" is going to seem like a stretch. Either way, if you really want to enjoy this movie, lowering your expectations from their current hype-elevated levels is imperative. (Anybody notice how remarkably similar Weinstein's overhype campaign for this film is to the one he successfully ran for Roberto Benigni's LIFE IS BEAUTIFUL years ago? Anybody watched that movie since?)
I first saw this film at the Toronto Film Festival with a full house at the spacious Elgin Theater, and it received a favorable albeit muted response from the audience. (By comparison, I saw AMELIE at the same theater ten years prior, and it received a ten-minute standing ovation at the end.) If I'd known at the time that I'd just seen the year's BEST movie, I would have been depressed over what this portended for the year-end releases.
You simply can't help being aware of the limitations of silent movies -- and thankful for the quantum improvement that the introduction of sound made -- no matter how deft the filmmakers are in recreating the look and feel of a bygone era. It's a movie-making era that you're glad IS bygone -- as evidenced by the inability of any of the gushing critics to cite a single color talkie favorite that they wish had been a b&w silent instead.
I say "A" for cinematic conceit and "C" for entertainment value ("B+" for silent film buffs).