A young woman grows up to be a stone-cold assassin after witnessing her parents' murder as a child in Bogota. She works for her uncle as a hitman by day, but her personal time is spent engaging in vigilante murders that she hopes will lead her to her ultimate target - the mobster responsible for her parents' death. Written by
The film was based off a script that was set to be a sequel for Leon: The Professional. The story was set to follow Natalie Portman's character Mathilda as she tracked down and killed characters that had wronged her and Leon. Portman's success kept her from availability and the script was eventually re-written into the 2011 film Colombiana. See more »
When Emilio takes his niece for an interview with the principal of her new school, we see the word PRINCIPAL stencilled on the inside of her office door. The logical place for this would be on the outside. See more »
There are times when Colombiana almost works, but that's not good enough.
The film stumbles in some ways that actually surprised me. For an action film, Colombiana is inexcusably lumbering. Its rhythm is all over the place, sometimes it's beautiful, sometimes it's broody, but most of the time it's just kinda boring.
I really like Zoe Saldana, even though her body is a better actress than she is. She moves like a ballerina and fights like an anorexic tiger, and she even achieves mild success in playing drunk comedicly (in a campy sort of way). It's too bad that most of the film demands little of what she's good at and more of something that requires an actor. Colombiana is burdened by too many scenes of poorly written, over-expository dialogue and false emotion.
In a way the vast bulk of the film becomes a build up for the climax. We know where we're going, but it's how we get there that is important, or so they say. I think if the pay off was better, it might've helped the movie a little as well, but no. the Climax feels rushed, and loud, and almost devoid of excitement.
Another thing worth mentioning is that Colombiana is one of those films where the hero gets from a to b using either coincidence or methods that are kept from the audience (which is frustrating). I love the fact that in one moment, Zoe has mere seconds to escape a garage turns to the air vent, and the bolts just happen to be loose enough to unscrew with her fingertips.
Columbiana left me with a feeling of shock. It's not a complete failure, but it doesn't end up delivering what it should have. It's almost a popcorn movie where the audience eats popcorn to stay awake. I can't say I recommend it.
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