| Photos (See all 18 | slideshow) |
| Mathieu Amalric | ... | Nasser-Ali Khan | |
| Edouard Baer | ... | Azraël | |
| Maria de Medeiros | ... | Faringuisse | |
| Golshifteh Farahani | ... | Irâne | |
| Eric Caravaca | ... | Abdi | |
| Chiara Mastroianni | ... | Lili, adulte | |
| Mathis Bour | ... | Cyrus | |
| Enna Balland | ... | Lili | |
| Didier Flamand | ... | Le maître de musique | |
| Serge Avedikian | ... | Le père d'Irâne | |
| Rona Hartner | ... | Soudabeh | |
| Jamel Debbouze | ... | Houshang / Le mendiant | |
| Isabella Rossellini | ... | Parvine | |
| Frédéric Saurel | ... | Mirza (as Fred Saurel) | |
| Christian Friedel | ... | Cyrus, 22 ans | |
| Julia Goldstern | ... | Nancy | |
| Julia Camps y Salat | ... | Faringuisse enfant (as Julia Camps Y Salat) | |
| Jaouen Gouevic | ... | Le petit-fils d'Irâne | |
| Timothé Riquet | ... | Nasser-Ali enfant | |
| Angus Boulaire | ... | Abdi enfant | |
| François Legrand | ... | Le maître d'école | |
| Laura Baade | ... | La fille de Cyrus | |
| Dustin Graf | ... | Fils de Cyrus 1 | |
| Nomi Kalsar | ... | Fils Cyrus 2 | |
| Jean-Michel Dagory | ... | Socrate | |
| Christian Sengewald | ... | Un élève de Socrate | |
| Adolfo Assor | ... | Homme bazar Rasht | |
| Ilse Strambowski | ... | Vieille femme bus | |
| Tim Williams | ... | Le docteur américain | |
| Dietmar Rüttiger | ... | Le joueur de cartes | |
| Louis-Marie Audubert | ... | Anonyme cimetière 1 | |
| Bruno Paviot | ... | Anonyme cimetière 2 | |
| Philippe Beglia | ... | Anonyme cimetière 3 | |
| Luc Gentil | ... | Médecin de famille | |
| rest of cast listed alphabetically: | |||
| Lon Chaney | ... | Erik, The Phantom (archive footage) (uncredited) | |
Directed by | |||
| Vincent Paronnaud | |||
| Marjane Satrapi | |||
Writing credits(in alphabetical order) | ||
| Vincent Paronnaud | screenplay | |
| Marjane Satrapi | screenplay | |
Original Music by | |||
| Olivier Bernet | (original music by) | ||
Cinematography by | |||
| Christophe Beaucarne | |||
Film Editing by | |||
| Stéphane Roche | |||
Production Design by | |||
| Udo Kramer | |||
Set Decoration by | |||
| Bernhard Henrich | |||
Costume Design by | |||
| Madeline Fontaine | |||
Makeup Department | |||
| Stéphane Malheu | .... | hairdresser | |
| Nathalie Tissier | .... | makeup supervisor | |
| Anna Von Gwinner | .... | makeup artist | |
Production Management | |||
| Wassili Zygouris | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Julien Decoin | .... | second assistant director | |
| Tonja Schürmann | .... | second second assistant director | |
| Jérôme Zajdermann | .... | first assistant director | |
Art Department | |||
| Dorit Agater | .... | prop builder | |
| Reiner Behrends | .... | painter | |
| Martin Berg | .... | model maker | |
| Lars Dicht | .... | stand-by carpenter | |
| Christian Ehlert | .... | lead set dresser | |
| Michael Fissneider | .... | set designer | |
| Alex Friedrich | .... | model maker | |
| Patrick Herzberg | .... | set designer | |
| Andreas Huschke | .... | property master: indoor | |
| Jennie Konrad | .... | set decoration assistant | |
| Carolin Langenbahn | .... | art department coordinator | |
| Uli Passauer | .... | greens person | |
| Tabea Schweiger | .... | assistant property master: indoor | |
| Alexis Teller | .... | property master: outdoor | |
| Ilona Vovchyk | .... | props | |
Sound Department | |||
| Emmanuel de Boissieu | .... | sound re-recording mixer | |
| Jean-Stephane Garbe | .... | sound recordist | |
| Paul Heymans | .... | dialogue editor | |
| Vincent Nouaille | .... | boom operator | |
| Yves Renard | .... | sound effects editor | |
| Bruno Schweisguth | .... | boom operator: post-synchronisation | |
| Olivier Thys | .... | foley artist | |
| Olivier Touche | .... | sound editor: second unit | |
| David Vranken | .... | sound editor | |
Visual Effects by | |||
| Antoine Marbach | .... | visual effects producer | |
| Geoffrey Reynaud | .... | visual effects artist | |
| Damien Stumpf | .... | visual effects supervisor | |
| Ilona Vovchyk | .... | matte painting | |
Camera and Electrical Department | |||
| Reiner Bajo | .... | still photographer | |
| Martin Bartels | .... | video operator | |
| Stefan Diecks | .... | lighting technician | |
| Thomas Hübener | .... | technocrane operator | |
| Heiko Klimenko-hamann | .... | third key grip (as Heiko Klimenko) | |
| Beda Mulzer | .... | lighting technician | |
| Michael Müller | .... | key grip | |
| Luc Pallet | .... | first assistant camera | |
| Florian Schlegel | .... | lighting technician | |
| Bjoern Susen | .... | chief lighting technician | |
| Elmar Suska | .... | first key grip | |
| Jörg Widmer | .... | steadicam operator | |
Casting Department | |||
| Johanna Ragwitz | .... | extras casting director | |
Costume and Wardrobe Department | |||
| Anna Isabell Logen | .... | principal costumer | |
| Theresa Anna Luther | .... | costumer | |
Editorial Department | |||
| Peter Bernaers | .... | colorist | |
| Mathilde Van de Moortel | .... | assistant editor | |
Music Department | |||
| Joris Bartsch Buhle | .... | conductor | |
| Olivier Bernet | .... | score producer | |
| Tobias Lehmann | .... | music recording engineer | |
| Elise Luguern | .... | music supervisor | |
| Tom Russbueldt | .... | pro tools operator | |
| Phillip Schulz | .... | music recording engineer | |
| Phillip Schulz | .... | music scoring mixer | |
| Roman Vinuesa | .... | orchestrator | |
| Roman Vinuesa | .... | score producer | |
Transportation Department | |||
| Timo Dobbert | .... | transportation coordinator | |
| Tom Kirsten | .... | production driver | |
| Thomas Siegert | .... | transportation captain | |
Other crew | |||
| Laure Blaess | .... | production accountant | |
| Milena Bomalick | .... | assistant production coordinator | |
| Benedikt Bothe | .... | set manager | |
| Stéphanie Bréard | .... | caretaker: children | |
| Katharina Gapski | .... | production coordinator | |
| Anne Gerles | .... | production coordinator | |
| Pierre Philippe Hendrickx | .... | legal advisor: Belgium | |
| Roy Luchterrand | .... | assistant set manager | |
| Koen Maenhout | .... | scanning technician: Filmmore | |
| Bianca Makarewicz | .... | publicist | |
| Martin Metz | .... | production executive | |
| Karsten Piel | .... | production accountant: Germany | |
| Lena Schmigalla | .... | first assistant accountant | |
| Iwona Sellers | .... | production executive | |
| Bastien Sirodot | .... | production executive | |
| Eike Wolf | .... | publicist | |
Thanks | |||
| Kathleen Kennedy | .... | thanks | |
| Recent Posts (updated daily) | User |
|---|---|
| Is the father of Nasser-Ali ever mentioned? | wdfgea |
| Can't wait for this! | Wendy88 |
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| Persepolis | Rois et reine | Le violon rouge | Så som i himmelen | La tregua |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
Back in June, I was almost certain after watching The Tree of Life, it was locked in for my #1 movie of the year. I was contemplating throwing it into my top 10 of all time, then top 20, then it ended up somewhere in my 80s or 90s. I saw it a second time and felt just as strong about it. There was no way anything was touching it from its rightful spot this year. Until I saw this at TIFF in September.
This is pure french cinema, mixed in with a unique and wonderful vision that brings a fairy tale to life. The story is miraculous, the cinematography is beautiful to look at, the acting is superb, the editing and all the techs are sublime. There's really nothing bad about this film, at all. It's pure entertainment. A wonderful translation from word to screen.
After having seen Persepolis, I wasn't fully aware of just how talented Vincent Paronnaud and Marjane Satrapi (who's become one of my favourite female directors) are. Their ability to suck the viewer in and take them on a brilliant ride of magic and surrealism, while at the same time presenting a very powerful social and political commentary, has been more than affirmed in this film.
Each frame is so carefully crafted that you literally forget you're watching a film. It's an experience like no other, and I cannot wait to be able to see this wonderful gem again.