| Jason Patric | ... | Ulysses Pick | |
| Isabella Rossellini | ... | Hyacinth | |
| Udo Kier | ... | Dr. Lemke | |
| Brooke Palsson | ... | Denny | |
| David Wontner | ... | Manners | |
| Louis Negin | ... | Calypso / Camille | |
| Kevin McDonald | ... | Ogilbe | |
| Daniel Enright | ... | Big Ed | |
| Olivia Rameau | ... | Rochelle | |
| Tattiawna Jones | ... | Lota | |
| Johnny Chang | ... | Chang | |
| Darcy Fehr | ... | Ned Pick | |
| rest of cast listed alphabetically: | |||
| Nihad Ademi | ... | Ghost | |
| Mike Bell | ... | Milo | |
| Paula Blair | ... | Ghost | |
| Madelina Chesley | ... | Ghost Voice | |
| Claude Dorge | ... | Belview | |
| David Evans | ... | Nate | |
| Jeff Funnell | ... | Ghost | |
| Garrett Hnatiuk | ... | Gangster | |
| Geneviève Latouche | ... | Ghost Voice | |
| Reegan McCheyne | ... | Bruce | |
| Brent Neale | ... | Denton | |
| Suzanne Pringle | ... | Gun Moll / Brooke Palson's body double | |
| Jorge Requena | ... | Frosty | |
| Tyhr Trubiak | ... | Dwayne | |
| Cynthia Wolfe-Nolin | ... | Gun Moll | |
| Theodoros Zegeye-Gebrehiwot | ... | Heatly | |
Directed by | |||
| Guy Maddin | |||
Writing credits | ||
| George Toles | (screenplay) and | |
| Guy Maddin | (screenplay) | |
Produced by | |||
| Jean Du Toit | .... | producer | |
| Lindsay Hamel | .... | producer | |
| Phyllis Laing | .... | executive producer | |
| Guy Maddin | .... | producer | |
| Jody Shapiro | .... | producer | |
Original Music by | |||
| Jason Staczek | |||
Cinematography by | |||
| Benjamin Kasulke | |||
Film Editing by | |||
| John Gurdebeke | |||
Casting by | |||
| Jim Heber | |||
Production Design by | |||
| Ricardo Alms | |||
Set Decoration by | |||
| Matt Holm | |||
Costume Design by | |||
| Heather Neale | |||
Makeup Department | |||
| Alanna Holder-Riches | .... | assistant hair and makeup | |
| Cindy Smith | .... | key hair and makeup | |
| Joyce Wold | .... | assistant makeup artist | |
Production Management | |||
| Matt Cahill | .... | post-production supervisor | |
| Polly Washburn | .... | production manager | |
Art Department | |||
| Jefferson Bruyere | .... | graphics/assistant SFX | |
| Jason Gibbs | .... | property master | |
| Chad Giesbrecht | .... | key scenic artist | |
| Rodney Gilchrist | .... | head carpenter | |
| Grant MacDonald | .... | set dresser | |
| Allan McGowan | .... | scenic painter | |
| Bill Sinosich | .... | construction coordinator | |
| Lewis Smithingham | .... | art department assistant | |
| Adam James Thorburn | .... | assistant property master | |
| Maria Voulgaris | .... | art department assistant | |
Sound Department | |||
| John Gurdebeke | .... | sound designer | |
| Krystin Hunter | .... | sound editor | |
| Benoit Leduc | .... | modulations | |
| Kirk Lynds | .... | additional re-recordist | |
| Stan Mak | .... | sound mixer | |
| David McCallum | .... | sound editor | |
| Dallas Pomedli | .... | boom operator | |
| Graham Rogers | .... | assistant re-recording mixer | |
| David Rose | .... | sound editor | |
| David Rose | .... | sound effects editor | |
| Lou Solakofski | .... | sound re-recording mixer | |
Visual Effects by | |||
| Ingrid Paulson | .... | main title designer | |
| Lewis Smithingham | .... | rear screen projectionist | |
Camera and Electrical Department | |||
| Steve Ackerman | .... | still photographer | |
| Luther Alexander | .... | camera trainee | |
| Ben Charbit | .... | camera trainee | |
| Trevor Cunningham | .... | camera operator | |
| Aaron Floresco | .... | E.P.K camera operator | |
| Gregorio Franchetti | .... | camera trainee | |
| Terence Fuller | .... | key grip | |
| Wes Grycki | .... | best boy grip | |
| Jason Heke | .... | first assistant camera | |
| Ryan Herdman | .... | gaffer | |
| Guy Maddin | .... | camera operator | |
| Kevin Nikkel | .... | E.P.K camera operator | |
| Heidi Phillips | .... | data manager | |
| Ryan Phillips | .... | electrician | |
| Tai Pu | .... | electrician | |
| Daniel Quesnel | .... | camera operator | |
| Daniel Quesnel | .... | first assistant camera: "b" camera | |
| Cory Quinn | .... | lamp operator | |
| Chris Roy | .... | grip | |
| Jody Shapiro | .... | camera operator | |
| Ryan Simmons | .... | data manager | |
| Ryan Simmons | .... | electrician | |
| Charles Venzon | .... | second assistant camera | |
| Aaron Zeghers | .... | data manager | |
Costume and Wardrobe Department | |||
| Mavis Bruce | .... | wardrobe supplier | |
| Jody Chalmers | .... | set supervisor | |
| Brenlee Coates | .... | costume assistant | |
| Iris Lauzon | .... | seamstress | |
| Jeff Page | .... | wardrobe supplier | |
| Kari Peters | .... | wardrobe assistant | |
Editorial Department | |||
| Darcy Arthurs | .... | digital intermediate project supervisor | |
| Frank Biasi | .... | digital intermediate editor | |
| Patrick Duchesne | .... | digital intermediate producer | |
| Jim Fleming | .... | digital intermediate colorist | |
| Joscelyn Goode | .... | film timer | |
| Margaret Mansell | .... | digital film technician | |
| Mike Olenick | .... | assistant editor | |
| Andrew Pascoe | .... | digital film supervisor | |
| Ryan Simmons | .... | assistant editor | |
Music Department | |||
| Amy Fritz | .... | music clearances | |
| John Gurdebeke | .... | composer: additional music | |
| Stefan Karrer | .... | soundtrack album producer (uncredited) | |
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| My Own Private Idaho | The Abandoned | The Pit | Thrill of the Kill | Freeway |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Canada section |
Before viewing, I saw this film referred to as a '30s Gangster homage' or noir-styled 'drama'. For anyone expecting a throwback film or conventional narrative, Keyhole will confuse and then, probably, disappoint. In fact, Keyhole is a very abstract take on the memories and emotions harboured inside an old house, which is inhabited by ghosts and other slaves to the past. And while Keyhole isn't a gripping crime thriller, neither should it be taken purely as an academic statement or challenging art-house experiment. Like most of Maddin's films, the dark absurdity and creative imagery is almost casually amusing and less pretentious than comparable movies. The cinematography, music, art direction and performances are tremendously captivating, if occasionally over-bearing. For anyone who's intrigued by these elements as much as by the often-mislead depiction of the film in mainstream media should definitely see Keyhole. Anyone who's turned off by bizarre inventions of unorthodox storytelling should leave this door locked.