| Kumiko Asô | ... | (voice) | |
| Keiji Fujiwara | ... | (voice) | |
| Jingi Irie | ... | (voice) | |
| Michael | ... | Purapura (voice) | |
| Akina Minami | ... | (voice) | |
| Aoi Miyazaki | ... | (voice) | |
| Akiyoshi Nakao | ... | (voice) | |
| Katsumi Takahashi | ... | (voice) | |
| Kazato Tomizawa | ... | (voice) |
Directed by | |||
| Keiichi Hara | |||
Writing credits | ||
| Eto Mori | (novel) | |
| Miho Maruo | (screenplay) | |
Original Music by | |||
| Kô Ôtani | |||
Cinematography by | |||
| Koichi Yanai | (as Kôichi Yanai) | ||
Film Editing by | |||
| Toshihiko Kojima | |||
Art Direction by | |||
| Takashi Nakamura | |||
Sound Department | |||
| Akira Ôkuma | .... | sound director | |
Animation Department | |||
| Hideo Harigaya | .... | key animator | |
| Tetsuo Hirakawa | .... | key animator | |
| Hiromi Imaizumi | .... | color stylist | |
| Ryotaro Makihara | .... | key animator (as Ryôtarô Makihara) | |
| Norio Matsumoto | .... | key animator | |
| Takuya Saitô | .... | key animator | |
| Masahiro Satô | .... | animation director | |
| Masahiro Satô | .... | key animator | |
| Hiroshi Shimizu | .... | key animator | |
| Tomohisa Shimoyama | .... | key animator | |
| Yuichiro Sueyoshi | .... | key animator (as Yûichirô Sueyoshi) | |
| Atsushi Uemura | .... | assistant animation director | |
| Atsushi Uemura | .... | key animator | |
| Atsushi Yamagata | .... | character designer | |
| Atsushi Yamagata | .... | key animator | |
| Akiko Yamaguchi | .... | key animator | |
| Hiroyuki Yamashita | .... | key animator | |
| Yuko Yazaki | .... | key animator (as Yûko Yasaki) | |
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| Rasen | One piece: Omatsuri danshaku to himitsu no shima | Suzumiya Haruhi no shôshitsu | Hoshi o ou kodomo | Shôjo kakumei Utena: Adolescence mokushiroku |
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| Full cast and crew | Company credits | External reviews |
| IMDb Animation section | IMDb Japan section |
*** This review may contain spoilers ***
By now, I guess we've all accepted Japan as a No.1 driving force in animation. And just when you start thinking that someone with so much recognition would get lazy and spoiled, that's where the Japanese prove you wrong. "Colorful" is yet another fine example of that greatness. I've always wondered how could an animated film, which by western standards is designed for babies, could get so much dept and touch as many crucial life's questions. Well, the reason lies in the fact that Japanese do not make just baby cartoons like Pokemon, but also have a very fine and distinguished selection of animated films which could easily fit a 50 year old person, just like a teenager at the same time. "Colorful" is an anime drama which deals with a very painful and yet very present phenomenon in modern society - suicide. Many people feel they reached the end of the road, and more and more of them are getting younger over the years. A young man decided to take his life away, but against all odds, he gets a second chance - to relive a life of another young man who took his own life. During this period of reincarnation, the main character tries to discover his new persona, surrounding, people around him and the reasons why Makoto, the boy in whose body the spirit has reincarnated, has taken his life. Like this, he also started do discover and understand himself. Until the end, he will succeed. Beside the theme of life and death, "Colorful" illustrates several other important issues in the Japanese society - social relations, traumas, family issues and the value of friendship. The story is tough, often dark and grim, yet it has such a profound depth which will keep you watching "Colorful" until the end. And boy is the end unexpected. Watching this brilliant anime made me feel like reading a novel, and that's pretty much the best thing a motion picture can do. "Colorful" is a substance dedicated to the Japanese 14-16 youth, but it can easily be understood and liked by an adult. And when you compare this brilliance to the teenage shows in the US, like Hannah Montana or Jackass, you realize the major difference between cultures. In Japan, cartoons can also be educational, while in the US and the west, it's a form of cheap shallow entertainment for kids, who seem to mature later and later.