Set in a future where a failed climate-change experiment kills all life on the planet except for a lucky few who boarded the Snowpiercer, a train that travels around the globe, where a class system emerges.
In 2074, when the mob wants to get rid of someone, the target is sent into the past, where a hired gun awaits - someone like Joe - who one day learns the mob wants to 'close the loop' by sending back Joe's future self for assassination.
As a war between humankind and monstrous sea creatures wages on, a former pilot and a trainee are paired up to drive a seemingly obsolete special weapon in a desperate effort to save the world from the apocalypse.
Set in 2031, the entire world is frozen except for those aboard the Snowpiercer. For 17 years, the world's survivors are on a train hurtling around the globe creating their own economy and class system. Led by Curtis, a group of lower-class citizens living in squalor at the back of the train are determined to get to the front of the train and spread the wealth around. Each section of the train holds new surprises for the group who have to battle their way through. A revolution is underway. Written by
Joon-ho Bong first wrote the part of Mason with John C. Reilly in mind, but then adapted the character for Tilda Swinton, though he intentionally left lines of Mason being referred to in the masculine-form in the script, which show up in the movie. See more »
During the scene of the shootout across the gap between Curtis and Franco the Elder, the last shots they take at each other are not only stopped by the intended target's window, they actually become stuck said windows. Curtis' firearm is a submachine gun, using pistol cartridges (probably 9mm), while Franco's is an assault rifle, most likely using NATO 5.56 (or .223 civilian version) rifle cartridges. Therefor, Curtis' shot probably wouldn't even have made it across the gap to hit Franco's window (nor during the preceding shots), while Franco's shot would have certainly penetrated Curtis' window and hit him. Pistol cartridges have a very short range and much lower power and velocity in comparison to rifle cartridges. Even further, Franco would have had to be an extremely good shot to gauge the lead needed to accurately target Curtis because of the moving target, and it's doubtful that they had regular target practice sessions on the train, let alone targeting moving objects. See more »
Good morning. On this day, July 1st, 2014, at this hour, 0600, we are at the first airport in the world...
The topic of so much controversy over the past seven years has continued development. Protests from environmental groups and a number of developing countries continue. But in accordance with...
It had been claimed that CW7 is the answer to global warning. And we are witnessing it...
Leaders argue that global warming can no longer be ignored. Today, 79 countries will begin ...
[...] See more »
Mark my (un-professional and un-qualified) words cinema lovers, Snowpiercer is destined for a long and healthy life as not only a cult classic but a Sci-Fi genre classic and despite all its lengthy and well talked about post production troubles (that involve delayed releases in Western countries due to Harvey Weinstein thinking this may be too smart for Western audiences) Snowpiercer is a film that defies categorization or a comparable title and works in almost all areas that it should of failed in.
Joon-ho Bong director and maker of the fantastic creature feature The Host has here with his first English language movie crafted a unique and often freakishly original adaptation of the French graphic novel Le Transperceneige, filling his tale with brimming to life characters, high energy action and a script that often goes to unexpected and intriguing places. Heightening these facets achieved is the fact that the entire movie takes place on a moving train, not exactly the typical place to tell a 2 hour plus tale of class structure and pin point examination of human nature. That Bong had the courage and skill to pull this off is testament to his talent behind the camera and it cannot be underestimated just how well he pulls off the telling of his material. Bong also has at his disposal a to die for and on form cast and a production crew that have pulled off some of the most impressive set design seen in sci-fi for some time.
The people aboard humanity's last harbourer of life are filled with relatable characteristics, flaws and all including the train itself act as living breathing members of the film thanks to a wonderful portrayal of a class system aboard a moving locomotive. Each section is a wonderment of production and thought from a brainwashed children's classroom to a fully-fledged aquarium, one of the true joys of the film is seeing what awaits our revellers behind each unlocked door. This group of revellers lead by Captain America himself Chris Evans in much gruffer form as reluctant leader Curtis are a mightily interesting bunch. From Jamie Bell's loyal second hand man Edgar, John Hurt's limb missing wise man Gilliam and Tilda Swinton's barely recognisable Thatcher like matriarch Mason, the cast brims with colour and life and takes Snowpiercer to comparable levels to Sci-Fi classics like Alien/Aliens in terms of cast likability.
With all its troubles involving Harvey "Scissorhands" Weinstein Snowpiercer truly deserves more acknowledgment and sadly that may take years down the line to come to fruition. Marketed the right way Snowpiercer could've easily been one of the year's sleeper hits and possibly even award winning features. Visually stunning and filled to the brim with ideas you get the feeling as many films in the past have proved, glory may take a while to achieve but once it arrives it's just as sweet as ever and ladies and gentleman you will one day be calling this a Sci-Fi masterpiece, a call that is absolutely deserved for one of the year's best films.
4 and a half protein jelly blocks out of 5
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