| Mélanie Laurent | ... | Lucrèce | |
| Clovis Cornillac | ... | Rico | |
| Tchéky Karyo | ... | l'Arménien | |
| Xavier Gallais | ... | Xavier de Ferrières | |
| Christopher Stills | ... | Alexander Child | |
| Corrado Invernizzi | ... | Vittorio Biamonte | |
| Michel Fau | ... | Le chef d'orchestre | |
| Frédérique Tirmont | ... | La colonel | |
| Johan Leysen | ... | Van Kummant | |
| Julie Fuchs | ... | Olga Babayova | |
| Geoffrey Bateman | ... | Le PDG British Oil | |
| Philippe Morier-Genoud | ... | Le prêtre | |
| Jean-Claude Dreyfus | ... | Le maitre de chant | |
| Julien Israël | ... | Seymour | |
| Bruno Flender | ... | Ottmar | |
| Michel Bouis | ... | Le remplaçant d'Ottmar | |
| Conrad Cecil | ... | L'ingénieur British Oil | |
| Clara Ruscon | ... | La fille de Lucrèce | |
| Pascal Mottier | ... | Le barman | |
| Ophélie Koering | ... | La Percussioniste |
Directed by | |||
| Jérôme Le Gris | |||
Writing credits | ||
| Jérôme Le Gris | (written by) | |
Produced by | |||
| Thierry Muscat | .... | line producer | |
| Alain Terzian | .... | producer | |
Original Music by | |||
| Jiri Heger | |||
| Anne-Sophie Versnaeyen | |||
| Régis Vogëlène | |||
Cinematography by | |||
| Antoine Monod | |||
Film Editing by | |||
| Claire Fieschi | |||
Casting by | |||
| Gérard Moulévrier | |||
Production Design by | |||
| Maamar Ech-Cheikh | |||
Set Decoration by | |||
| Jimena Esteve | |||
Costume Design by | |||
| Catherine Rigault | |||
Makeup Department | |||
| Frédéric Birault | .... | hair stylist | |
| Reynald Desbant | .... | hair stylist | |
| Magalie Dumas | .... | additional make up artist | |
| Stéphanie Guillon | .... | key makeup artist | |
| Frédéric Marin | .... | makeup artist | |
Production Management | |||
| Aurélia Bono | .... | assistant unit manager | |
| Isabelle Gautier | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Jean-Louis Frémont | .... | first assistant director | |
| Monika Lorena Alfonso Mendoza | .... | second assistant director | |
| Carole Schmidlin | .... | third assistant director | |
Art Department | |||
| Gilles Graziano | .... | computer graphic designer | |
Sound Department | |||
| Laurent Cercleux | .... | boom operator | |
| Emmanuel Croset | .... | sound re-recording mixer | |
| Anne Gibourg | .... | dialogue editor | |
| Cyrille Lauwerier | .... | adr mixer | |
| Guillaume Le Bras | .... | sound | |
| Nicolas Provost | .... | additional sound mixer | |
| Hubert Teissedre | .... | foley engineer | |
| Olivier Walczak | .... | supervising sound editor | |
| Sébastien Wera | .... | foley editor | |
Visual Effects by | |||
| Gaelle Bossis | .... | digital compositor | |
| Berengere Dominguez | .... | visual effects supervisor | |
| François Ferracci | .... | title designer: main titles | |
| Delphine Garrelis | .... | digital compositor | |
| Gilles Graziano | .... | matte painter | |
| Thibault Martegani | .... | digital compositor | |
| Serge Miot | .... | digital artist: main titles | |
| Charlotte Quemy | .... | restoration supervisor | |
| Jean-Francois Theault | .... | vfx lead artist | |
Camera and Electrical Department | |||
| Andy Achard | .... | grip | |
| Charveriat Antoine | .... | assistant camera | |
| Kien Beauvois | .... | additional grip | |
| Justine Bourgade | .... | first assistant camera: second unit | |
| Alexandra Brixy | .... | first camera assistant: aerial unit | |
| William Corsin | .... | additional grip | |
| Pierre-Louis de Stefano | .... | grip | |
| Jérôme Fabre | .... | electrician | |
| David Foquin | .... | second assistant camera | |
| Denis Garnier | .... | first assistant camera | |
| Etienne George | .... | still photographer | |
| Laurent Martin | .... | grip | |
| Guillaume Noël | .... | grip | |
| William O'Callaghan | .... | director of photography: second unit | |
| Walser Thomas | .... | additional electrician | |
| Laurent Usse | .... | key grip | |
| Colin Wandersman | .... | gaffer | |
Casting Department | |||
| Morgane Peron | .... | extras casting assistant | |
| Alexandra Weyers | .... | extras casting | |
Costume and Wardrobe Department | |||
| Chloe Bartonio | .... | set costumer | |
| Virginie Bluzat | .... | assistant costume designer | |
| Aurélie Rogemond | .... | costumer | |
Editorial Department | |||
| Sophia Del-Vecchio | .... | digital conformation | |
| Maud Dubois | .... | first assistant editor | |
| Clément Guégan | .... | digital conformation | |
Music Department | |||
| Cecile Coutelier | .... | scoring protools engineer | |
| Amélie de Chassey | .... | music supervisor | |
| Delphine Galou | .... | singing voice for Mélanie Laurent | |
| Jiri Heger | .... | conductor | |
| Jiri Heger | .... | orchestrator | |
| Delphine Mathieu | .... | music supervisor | |
| Bergame Periaux | .... | music mixer | |
| Pygmalion | .... | orchestra: Handel's Messiah | |
| Les Siècles | .... | orchestra | |
| Alexandre Tanguy | .... | music engineer | |
| Anne-Sophie Versnaeyen | .... | orchestrator | |
| Régis Vogëlène | .... | musician | |
| Régis Vogëlène | .... | piano | |
Other crew | |||
| Laure Blaess | .... | production accountant | |
| Frédéric Cauvy | .... | weapons armorer | |
| Stéphanie Cordet-Acbard | .... | production trainee | |
| Donatienne de Goros | .... | script supervisor (as Donatienne de Gorostarzu) | |
| Magali Frater | .... | dailies assistant script supervisor | |
| John Kaylin | .... | dubbing producer | |
| Olivier Servanin | .... | location manager | |
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| Joyeux Noël | La grande illusion | Kill Bill: Vol. 2 | Mr. & Mrs. Smith | Golgo 13 |
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| Full cast and crew | Company credits | External reviews |
| IMDb Thriller section | IMDb France section |
i don't if the french movie producers got different logic from other countries' movie producers. i don't even understand how this slow crawling screenplay would be approved into real production. the casting was not bad, but the scenario, the plot, the storyline of this screenplay were just too boring to the extreme. i wonder if the production team had felt asleep during the shooting. this is a absolutely deadbeat french movie, tried so hard to have some classy touch with sublime religious music and songs praising the lord while murders were executed behind the scene. what we got is a beautiful french actress mimic a singer with beautiful costumes and make-up. the dialog boring, the acting deadbeat, the directing Zzzzz snooze off the director's chair, all the production team couldn't help yawning all the time with sleepy tears from yawning. the murders, the conspiracy, the cat, the allergy, the sparkling wine or champagne, the heavenly songs.... so what it was all about? I COULDN'T CARE LESS, because i am more interested in watching the ants doing their daily chores along my backyard's patio concrete slabs.