| Photos (See all 34 | slideshow) | Videos (see all 14) |
| Michael Fassbender | ... | Brandon Sullivan | |
| Lucy Walters | ... | Woman on Subway Train | |
| Mari-Ange Ramirez | ... | Alexa | |
| James Badge Dale | ... | David Fisher | |
| Nicole Beharie | ... | Marianne | |
| Alex Manette | ... | Steven | |
| Hannah Ware | ... | Samantha | |
| Elizabeth Masucci | ... | Elizabeth | |
| Rachel Farrar | ... | Rachel | |
| Loren Omer | ... | Loren | |
| Carey Mulligan | ... | Sissy Sullivan | |
| Lauren Tyrrell | ... | Hostess | |
| Marta Milans | ... | Cocktail Waitress | |
| Jake Richard Siciliano | ... | Skype Son (as Jake Siciliano) | |
| Robert Montano | ... | Waiter | |
| Charisse Bellante | ... | Live Chat Woman (as Charisse Merman) | |
| Amy Hargreaves | ... | Hotel Lover | |
| Anna Rose Hopkins | ... | Carly | |
| Chazz Menendez | ... | Muscular Boyfriend | |
| Carl Low | ... | Bouncer | |
| Calamity Chang | ... | Late Night Lover #1 | |
| DeeDee Luxe | ... | Late Night Lover #2 | |
| Stanley Mathis | ... | Conductor | |
| Wenne Alton Davis | ... | Police Officer | |
| rest of cast listed alphabetically: | |||
| Jennifer Butler | ... | Subway Rider (uncredited) | |
| Briana Marin | ... | Waitress (uncredited) | |
| Stephane Nicoli | ... | New Yorker (uncredited) | |
| Barbara Vincent | ... | The Standard Hotel Guest (uncredited) | |
Directed by | |||
| Steve McQueen | |||
Writing credits(in alphabetical order) | ||
| Steve McQueen | screenplay | |
| Abi Morgan | screenplay | |
Produced by | |||
| Iain Canning | .... | producer | |
| Peter Hampden | .... | executive producer | |
| Tim Haslam | .... | executive producer | |
| Lisa Jordan | .... | senior post producer | |
| Tessa Ross | .... | executive producer | |
| Emile Sherman | .... | producer | |
| Bergen Swanson | .... | co-producer | |
| Robert Walak | .... | executive producer | |
Original Music by | |||
| Harry Escott | |||
Cinematography by | |||
| Sean Bobbitt | |||
Film Editing by | |||
| Joe Walker | |||
Casting by | |||
| Avy Kaufman | |||
Production Design by | |||
| Judy Becker | |||
Art Direction by | |||
| Charles Kulsziski | |||
Set Decoration by | |||
| Heather Loeffler | |||
Costume Design by | |||
| David C. Robinson | (as David Robinson) | ||
Makeup Department | |||
| Ma Kalaadevi Ananda | .... | makeup department head (as Marilyn Carbone) | |
| Erin Hicks | .... | hair department head | |
| Craig Lindberg | .... | special makeup effects artist | |
| Nick London | .... | key makeup artist | |
Production Management | |||
| Danielle Blumstein | .... | unit production manager | |
| Emma Zee | .... | post-production supervisor | |
Art Department | |||
| Matthew Amenta | .... | property master | |
| Kimberly Asa | .... | art department coordinator | |
| George Daratany | .... | set decorator production assistant | |
| Nicole De Luca | .... | art intern | |
| Millree Hughes | .... | camera scenic artist | |
| Meredith Lippincott | .... | art production assistant | |
| Michael Lee Nirenberg | .... | scenic artist | |
| Bobby Roelofs | .... | set dresser | |
| Graham Wichman | .... | set dresser | |
Sound Department | |||
| Hugo Adams | .... | foley editor | |
| Niv Adiri | .... | sound design editor | |
| Niv Adiri | .... | sound re-recording mixer | |
| Tim Atkins | .... | adr recordist | |
| Tim Atkins | .... | sound assistant | |
| Ben Barker | .... | sound effects editor | |
| Paul Cotterell | .... | dialogue editor | |
| Paul Cotterell | .... | sound re-recording mixer | |
| Mark DeSimone | .... | adr mixer: New York | |
| Glenn Freemantle | .... | sound supervisor | |
| Anguibe Guindo | .... | boom operator | |
| Rob Hughes | .... | adr mixer | |
| Ken Ishii | .... | production sound mixer | |
| Adam Mendez | .... | foley recordist | |
| Joe Origlieri | .... | additional sound mixer | |
| Jack Stew | .... | foley artist | |
Visual Effects by | |||
| Adrian Banton | .... | digital compositor | |
| Chris Bentley | .... | titles coordinator | |
| Luke Butler | .... | digital effects supervisor | |
| Naomi Butler | .... | digital compositor | |
| Lee Clappison | .... | digital colourist | |
| Tom Collier | .... | digital compositor | |
| Peter Collins | .... | digital intermediate | |
| Stefan Drury | .... | head of visual effects | |
| James Elster | .... | digital compositor | |
| Sean Farrow | .... | executive visual effects supervisor | |
| Scott Goulding | .... | online editor | |
| David Lloyd | .... | senior systems engineer | |
| Abigail McKenzie | .... | digital lab operator | |
| Emelie Nilsson | .... | digital compositor | |
| Glen Pratt | .... | on-set supervisor | |
| Antonio Rodríguez Díaz | .... | digital compositor | |
| Katie Roehrick | .... | visual effects coordinator | |
| Daniel Spain | .... | systems engineer | |
| Lucy Tanner | .... | visual effects coordinator | |
| Daniel Tomlinson | .... | scanning & recording manager | |
| Diana Vasquez | .... | digital lab operator | |
Stunts | |||
| Mike Burke | .... | stunt driver | |
| Roy Farfel | .... | stunt coordinator | |
| Chazz Menendez | .... | stunts | |
| Declan Mulvey | .... | stunt driver | |
| Manny Siverio | .... | stunt coordinator | |
Casting Department | |||
| Vanessa Baker | .... | voice casting | |
| Karen E. Etcoff | .... | extras casting | |
| Charles L. Gariepy | .... | casting assistant | |
| Leeba Zakharov | .... | casting associate | |
Costume and Wardrobe Department | |||
| Aneikit Bonnel | .... | key costumer | |
| Alex Bovaird | .... | assistant costume designer | |
| Barbara Hause | .... | wardrobe supervisor | |
| Kristin Lindbeck | .... | costume p.a. | |
| Brittany Loar | .... | costume coordinator | |
| Kirsten Mogg | .... | set costumer | |
| Shady Patterson | .... | costume p.a. | |
| Thomas M. Smalley | .... | costumer | |
Editorial Department | |||
| Rob Ackerman | .... | technical support | |
| Siobhan Boyes | .... | post-production coordinator | |
| James Clarke | .... | digital intermediate supervisor | |
| Ritchie Ferguson | .... | technical support | |
| Lisa Forrest | .... | first assistant editor | |
| Scott Macbeth | .... | technical support | |
| Jerry Ramsbottom | .... | assistant editor | |
| Rick White | .... | technical support | |
| Gilbert Carreras | .... | color timer (uncredited) | |
Music Department | |||
| David Butterworth | .... | orchestrator | |
| Isobel Griffiths | .... | orchestra contractor | |
| Ian Neil | .... | music supervisor | |
| Nick Wollage | .... | score engineer & mixer | |
| Ian Wood | .... | music editor | |
Thanks | |||
| Andrew Mackie | .... | special thanks | |
| Richard Payten | .... | special thanks | |
| Claire Taylor | .... | special thanks | |
| Warren Zavala | .... | special thanks | |
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| The Kids Are All Right | Choses secrètes | Les témoins | El diputado | Gegen die Wand |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
Brandon seems to be successful in life: a steady job, a nice apartment, good friends and success with women. But something prevents Brandon from having a relationship that lasts more than four months, this incapacity is due to the fact that Brandon is a sex addict: to casual encounters with strangers and prostitutes, to pornography (both during and after working hours), to masturbation. And to some extent he seems to have his addiction under control, until her sister Sissy arrives unexpectedly looking for a place to live for a while.
Under this premise British director Steve McQueen delivers a fascinating character study which explores how modern life (in which new technologies play a major role), increasingly isolates people and makes them unable to establish emotional bonds with others. In the case of Brandon, a hunter in search of pleasure and not love, the arrival of his sister will make him prey of his emotions and will make him face his reality.
One aspect that has caused controversy is the way so raw and explicit to show Brandon's sexual encounters, however this becomes a necessary element, since it is through them that you can see Brandon's need and desperation as Sissy is more involved in his life. Special mention deserves the dynamics established between them, since it is fully nuanced and can even be uncomfortable to witness but is devastatingly emotional(especially in the last minutes of the story).
However, the most important element for the success of the film lies in the performances: in the hands of less committed actors Brandon and Sissy's conflicts would be unconvincing, but McQueen wisely chooses Michael Fassbender (both had previously worked together on Hunger), who literally bares body and soul to take Brandon's emotions to the limit and does it so impressively in a brave and courageous performance (and unfortunately the Academy possibly considered too intense for consideration in their nominations). Meanwhile Carey Mulligan proves to be one of the young actresses with the best prospects and acting range nowadays: her rendition of the classic song New York, New York is an utter delight as well is one of the best scenes in the film.
Shame, in the end (as in most character studies) does not seek to create empathy for the characters, but rather wants us to reflect and ask ourselves how we would react in similar situations.