| Sasson Gabai | ... | Jafaar - the fisherman (as Sasson Gabay) | |
| Baya Belal | ... | Fatima | |
| Myriam Tekaïa | ... | Yelena | |
| Gassan Abbas | ... | Slim - the barber | |
| Khalifa Natour | ... | Hussein | |
| Lotfi Abdelli | ... | Young policeman | |
| Ulrich Tukur | ... | UN official | |
| Khaled Riani | ... | Shop owner | |
| Uri Gabay | ... | Netsah | |
| Ido Shaked | ... | Terrace soldier 1 | |
| Thierry Lopez | ... | Terrace soldier 2 | |
| Zohar Wexler | ... | Colony soldier | |
| Maurad Saad | ... | Jihad cameraman | |
| Khereddine Ennasri | ... | Jihadist 3 | |
| David Leguesse | ... | Jihadist 2 | |
| Nicholas Galea | ... | Litle boy with foot ball | |
| Bashir Wakil | ... | Walid | |
| Michael Sciortino | ... | Rabbi | |
| Manuel Cauchi | ... | Abo-Zouhair - the predicator | |
| Manuel Mutaz | ... | Jihadist on boat | |
| Mark Mifsud | ... | Young Palestinian 1 | |
| Salama Jarboua | ... | Young Palestinian 2 | |
| Mahmoud Moghrabi | ... | Jihadist | |
| Edward Mercieca | ... | Israeli officer | |
| Chris Micallef | ... | Israeli soldier 2 | |
| Harry Borg | ... | Fisherman 1 | |
| Andrew Galea | ... | Check-point soldier | |
| Anthony Ellul | ... | Fisherman 2 | |
| Philip Mizzi | ... | Fisherman 3 | |
| Mikhail Basmadjian | ... | Police officer | |
| Nizer Al Gadi | ... | Check-point Palestinian | |
| Tiziana Azzopardi | ... | Woman with boy | |
| Miki Shoval | ... | Israeli Colonist | |
| Rania Zouari | ... | Pharmacist | |
| Mikhail Léon Farrugia | ... | Little boy in pharmacy | |
| Daniel Slim | ... | The boss | |
| Mark Giantar | ... | The boss' son | |
| Frank Tanti | ... | The customer | |
| Marcelle Theuma | ... | The neighbor (as Marcelle Teuma) | |
| Sanâa Astibal | ... | Young girl colony | |
| Adam Gabay | ... | Child in colony | |
| Jonathan Grima | ... | Ice-Cream Man (as Jimmy Grima) | |
| Imran Estibal | ... | Child in colony | |
| Luay Merai | ... | Boy who gets slapped | |
| Jean Hourth Sok | ... | Hip-hop dancer 1 | |
| Luca 'Lazylegs' Patuelli | ... | Hip-hop dancer 2 | |
| rest of cast listed alphabetically: | |||
| Babe | ... | Jafaar's pig | |
| Charlotte | ... | Jafaar's pig | |
| Malcolm Ellul | ... | Palestinian on Motorbike (uncredited) | |
Directed by | |||
| Sylvain Estibal | |||
Writing credits(in alphabetical order) | ||
| Sylvain Estibal | screenplay | |
Produced by | |||
| Jean-Philippe Blime | .... | producer | |
| Jeremy Burdek | .... | co-producer | |
| Franck Chorot | .... | producer | |
| Maya Hariri | .... | co-producer (as Maya Zouai-Hariri) | |
| Joffrey Hutin | .... | co-producer | |
| Nadia Khamlichi | .... | co-producer | |
| Benito Mueller | .... | producer | |
| Wolfgang Müller | .... | producer | |
| Jean-Jacques Neira | .... | producer | |
| Marc Olla | .... | line producer | |
| Adrian Politowski | .... | co-producer | |
| Hubert Toint | .... | producer | |
| Gilles Waterkeyn | .... | co-producer | |
Original Music by | |||
| Aqualactica | |||
| Boogie Balagan | |||
Cinematography by | |||
| Romain Winding | |||
Film Editing by | |||
| Damien Keyeux | |||
Casting by | |||
| Nicolas Ronchi | |||
| Edward Said | |||
| Ula Tabari | |||
Production Design by | |||
| Albrecht Konrad | |||
Art Direction by | |||
| Ino Bonello | |||
| Irene Piel | |||
| Frances Soeder | (as Kiko Francis Soeder) | ||
Set Decoration by | |||
| Felicity Good | |||
Costume Design by | |||
| Marie-Joséphine Gracia | |||
Makeup Department | |||
| Emma Beard | .... | assistant hair stylist | |
| Marcelle Genovese | .... | hair & makeup designer | |
Production Management | |||
| Nicolas Bassetto | .... | post-production supervisor | |
| Ravi Dube | .... | unit manager | |
| Simon Sansone | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Olivier Falkowski | .... | second assistant director | |
| Alain Olivieri | .... | first assistant director | |
| Daniel Thornton | .... | third assistant director | |
Art Department | |||
| Cesco Bonello | .... | graphic designer | |
| Cesco Bonello | .... | graphics | |
| Chris Bonello | .... | assistant art director | |
| Doris Botwen | .... | helping hand construction | |
| Charles M. Cavarra | .... | painter | |
| Lino Chetcuti | .... | scenic artist/hod painter | |
| Marlene Foltyn | .... | sculptor: sets & props | |
| Charlie Galea | .... | picture vehicle coordinator | |
| Martina Guillaumier | .... | art department assistant | |
| Carsten Lippstock | .... | property master | |
| Joachim Monninger | .... | set construction | |
| Matthew Pace | .... | standby propman | |
| Achim Reimann | .... | scenic artist/prop painter | |
| Marillo Ricken | .... | assistant props | |
| Stephan Saliba | .... | assistant set decorator | |
| Ingo von Heland | .... | standby propman | |
| Gabriele Winzen | .... | painter | |
Sound Department | |||
| Dirk Bombey | .... | sound | |
| Mathieu Cox | .... | sound re-recording mixer | |
| Gert Janssen | .... | supervising sound editor | |
| Alexis Oscari | .... | foley recordist | |
| Alexis Oscari | .... | post-synchronisation recordist | |
| Ingrid Simon | .... | dialogue editor | |
| Olivier Thys | .... | foley artist | |
| Seppe van Groeningen | .... | boom operator | |
Special Effects by | |||
| Kenneth Cassar | .... | special effects supervisor | |
| Roderick Pulis | .... | special effects foreman | |
| Holger Veh | .... | weapon supervisor | |
Visual Effects by | |||
| Benjamin Ageorges | .... | visual effects supervisor | |
| Stephane Bidault | .... | visual effects supervisor | |
| Estelle Chesneau | .... | digital compositor | |
| Jean-Antoine Lacolle | .... | digital compositor | |
| Marian Landrieve | .... | digital compositor | |
| Paul Moriaux | .... | digital artist | |
| Bruno Nicolas | .... | visual effects artist | |
| Arnaud Ortmann | .... | digital artist | |
| Amélie Rey | .... | visual effects | |
Stunts | |||
| Andrew Hillsden | .... | stunt double | |
| Anton Pisani | .... | safety supervisor | |
| Wolfgang Raach | .... | stunt performer | |
| Wolfgang Raach | .... | stunts | |
| Novica Todorovic | .... | stunts | |
Casting Department | |||
| Mavis Formosa | .... | casting coordinator | |
Costume and Wardrobe Department | |||
| Ane Bremer | .... | dresser | |
Editorial Department | |||
| Chrystèle Barbarat | .... | digital intermediate producer | |
| Peter Bernaers | .... | colorist | |
| Arnout Deurinck | .... | digital intermediate coordinator | |
| Thomas Vanthuyne | .... | assistant editor | |
Transportation Department | |||
| Joseph Silvio | .... | production driver | |
Other crew | |||
| Melody Benistant | .... | press attache | |
| Eric Benz | .... | studio facilities | |
| Sammi Davis | .... | production coordinator: Malta | |
| Anne Degremont | .... | production administrator | |
| Guy Demazure | .... | animal wrangler | |
| Malcolm Ellul | .... | production assistant | |
| Charlie Galea | .... | marine coordinator | |
| Bastian Griese | .... | studio facilities | |
| François Guerrar | .... | press attache | |
| Pierre Philippe Hendrickx | .... | legal advisor: Belgium | |
| Vanessa Labarthe | .... | production assistant | |
| Martin Metz | .... | production executive | |
| Mark Sansone | .... | location manager | |
| Karima Saïdi | .... | script supervisor | |
| Thomas Schembri | .... | assistant location manager | |
| Iwona Sellers | .... | production executive | |
| Bastien Sirodot | .... | production executive | |
| Holger Veh | .... | weapons department coordinator | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb France section |
In this quite entertaining as well as very thought-provoking first feature film, Sylvain Estibal asks a question similar to the one the great French writer Montesquieu asked in his 1721 "Persian Letters": "How can one be Persian?". This time, being Persian is not the issue anymore. Estibal's more contemporaneous (but no less relevant) question is actually: "How can one be Palestinian... and survive?"
"Le cochon de Gaza" ("When Pigs Fly", in its English-speaking version) indeed revolves around a Palestinian, a local everyman named Jafaar, neither heroic nor radical, who lives hand-to-mouth as a fisherman. One day, he does a most unexpected catch : it is a pig he captures in his nets! So, what to do with such an animal insofar as it is considered unholy both by his Muslim co-religionists and by the Jewish occupier? Kill it? But it is easier said than done for someone like Jafaar who knows no violence! Sell it to someone of the U.N. forces ? But who the hell buys a living pig? Sell it to his Palestinian brothers? He cannot even think about that! Sell it to the Israeli? Not as easy as pie! Eventually, as Sylvain Estibal (who wrote and directed) votes for optimism rather than tragedy, everything comes right, but not without many tribulations involved by hiding the pig from all, including Jafaar's no-nonsense wife, Israeli military and police forces and (to no avail) from Palestinian fundamentalists...
In between, the imaginative Estibal will have managed to develop many a funny episode (the fledgling rapprochement between Jafaar's wife and the Israeli soldier made possible by the soap opera they both watch on TV; Jafaar as an unwilling martyr, ...) and found a few irresistible gags (the pornographic photos of scantily clad she-pigs meant to arouse Jafaar's pig sexually; the pig disguised as a sheep,... ) while documenting at the same time what everyday life in Palestine is like and delivering a sensible message of tolerance to the feuding brothers.
A serious film that does not take itself seriously, "Le cochon de Gaza" is a breath of fresh air in the polluted atmosphere of the never- ending Israeli-Palestinian confrontation. Much of the impact of this pleasing philosophical tale lies on the shoulders of the marvelous Sasson Gabai (already admirable in "The Band's Visit"), a consummate actor who , like a Middle East Charlie Chaplin, gives the character of Jafaar all his lightweight humanity. Thanks to Gabai, Jafaar is at once himself, a poor creature all the others are against but who never despairs and always tries to get by, and a funny and dignified representative of all those who suffer on this planet and struggle for survival.
Sylvain Estibal, on his part, proves a good filmmaker, and he manages to reproduce the atmosphere prevailing in Gaza with faithful fidelity, a fidelity all the more remarkable as the film was , for obvious reasons, not shot on the spot. This is Malta, not Gaza, but you would never realize it if you were not told in advance (sorry for letting the cat out of the bag!). The comic episodes follow at a good pace except at the very end, as where the momentum (along with the pleasure of the viewer) diminishes a little. Too bad the writer-director did not find as brilliant a conclusion to this excellent cruel tale as its introduction and development.
But this is only a slight disappointment. All in all, "Le cochon de Gaza" is a superior comedy with an edge. Don't overlook this good example of intelligent entertainment. And to the question: "How can one be Palestinian... and survive?", Sylvain Estibal's answer is invigorating: "Yes, one can". For, where there is life there is hope. Everywhere and in the worst conditions.