| Steve Coogan | ... | Steve | |
| Rob Brydon | ... | Rob | |
| Paul Popplewell | ... | Paul | |
| Margo Stilley | ... | Mischa | |
| Claire Keelan | ... | Emma | |
| Rebecca Johnson | ... | Sally | |
| Dolya Gavanski | ... | Magda | |
| Kerry Shale | ... | Steve's US Agent | |
| rest of cast listed alphabetically: | |||
| Mercè Ribot | ... | York Arms Receptionist | |
| Michael Bennett | ... | Restaurant Patron (uncredited) | |
Directed by | |||
| Michael Winterbottom | |||
Produced by | |||
| Andrew Eaton | .... | producer | |
| Melissa Parmenter | .... | producer | |
| Anthony Wilcox | .... | associate producer | |
Cinematography by | |||
| Ben Smithard | |||
Costume Design by | |||
| Celia Yau | |||
Production Management | |||
| Amy Jackson | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Brian James Fitzpatrick | .... | assistant director: Los Angeles | |
| Michael Groom | .... | third assistant director | |
Sound Department | |||
| Per Boström | .... | sound effects editor | |
| Christer Melén | .... | sound effects editor | |
| Peter Mendonca | .... | dolby sound consultant | |
| Fredrik Stålne | .... | sound effects editor | |
| Joakim Sundström | .... | supervising sound editor | |
Camera and Electrical Department | |||
| James Stormer | .... | digital imaging technician | |
| Simon Tindall | .... | camera operator | |
Editorial Department | |||
| Dan Coles | .... | digital colorist | |
| Sion Penny | .... | on-line editor | |
Other crew | |||
| Josh Hyams | .... | head of development | |
| Sophie Neave | .... | production assistant | |
| Martha Skelly | .... | production assistant | |
Thanks | |||
| Joanna Blythman | .... | special thanks | |
| David Chameides | .... | special thanks | |
| Giles Coren | .... | special thanks | |
| Vincent Daurn | .... | special thanks | |
| Frank Deletang | .... | special thanks | |
| Bruce Elsworth | .... | special thanks | |
| Simon Farrimond | .... | special thanks | |
| Brent Hulena | .... | special thanks | |
| Francesca Jaynes | .... | special thanks | |
| Mike Marsden | .... | special thanks | |
| Simon Rogan | .... | special thanks | |
| Lisa Smurthwaite | .... | special thanks | |
| Jako Stander | .... | special thanks | |
| Penny Tapsell | .... | special thanks | |
| Roger Tooley | .... | special thanks | |
| Immanuel von Bennigsen | .... | special thanks | |
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| Silly Billy | The Chiltern Hundreds | Tom's Day Off | Round About Five | Legs 11 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb UK section |
(REVIEW FOR SERIES) What we've really got is two series. One is the comedy of "Steve Coogan" and "Rob Brydon" exchanging barbs and doing impressions and making witty observations. These parts generally occur over the six meals they share, and I really enjoyed them. Some of their banter is hilarious... I had already seen the Michael Caine routine several times on YouTube and yet I still laughed at it. The other film involves the contrast between these people/characters: Steve, trying to bolster his acting career and struggling with a relationship that's starting to crack, and Rob the less successful but content family man. And I really enjoyed this part as well. Rob's calls home to his wife are amusing but also quite touching. Steve's existential midlife crisis is engaging and insightful as well. The two halves of the film do bleed into each other a bit, but I genuinely appreciated the separation between them. Winterbottom knows that it's okay to just let these two guys play off each other with their natural comedic chemistry and not worry about whether or not it's pushing the "plot" forward. The photography is mostly functional, concentrating on the personalities, but quite lovely when capturing all that gorgeous English countryside. While the film isn't as post-modern as the previous collaborations (24 HOUR PARTY PEOPLE and TRISTRAM SHANDY, both of which seem to get minor callbacks in the first episode, though it may be merely coincidence) it still maintains an unconventionality.
8/10
(REVIEW FOR FILM) I'm very glad I watched the series before the movie. The film does contain the highlights from the show, most of the big belly laughs are intact... the "to bed" sequence is still a riot. But although I can't point to too many specific instances of scenes that I miss, the whole thing doesn't hang together well enough. You can tell there's stuff missing, it feels so fragmented and slapdash. I'm not even sure I want to keep the DVD. There's a generous deleted scenes section (running nearly as long as the film itself), but it doesn't even include everything from the series (about an hour of it is different takes of the "to bed" scene). If I was to watch it again I'd rather see in its original form. It just flows so much better. Like the fine wines Steve & Rob imbibe, the moments need to breathe.
6/10