| Photos (See all 19 | slideshow) | Videos (see all 5) |
| Fabrice Luchini | ... | Jean-Louis Joubert | |
| Sandrine Kiberlain | ... | Suzanne Joubert | |
| Natalia Verbeke | ... | María Gonzalez | |
| Carmen Maura | ... | Concepción Ramirez | |
| Lola Dueñas | ... | Carmen | |
| Berta Ojea | ... | Dolores Carbalan | |
| Nuria Solé | ... | Teresa | |
| Concha Galán | ... | Pilar | |
| Marie-Armelle Deguy | ... | Colette de Bergeret | |
| Muriel Solvay | ... | Nicole de Grandcourt | |
| Audrey Fleurot | ... | Bettina de Brossolette | |
| Annie Mercier | ... | Mme Triboulet | |
| Michèle Gleizer | ... | Germaine Bronech - la vieille bonne bretonne | |
| Camille Gigot | ... | Bertrand Joubert | |
| Jean-Charles Deval | ... | Olivier Joubert | |
| Philippe Duquesne | ... | Gérard, l'employé du traiteur | |
| Christine Vézinet | ... | Valentine | |
| Jeupeu | ... | Boulard - le plombier | |
| Vincent Nemeth | ... | Monsieur Armand | |
| Philippe du Janerand | ... | Piquer | |
| Patrick Bonnel | ... | Golmard | |
| Laurent Claret | ... | Blamond | |
| Thierry Nenez | ... | Le poissonnier | |
| José Etchelus | ... | Le prêtre | |
| Jean-Claude Jay | ... | Pelletier | |
| Joan Massotkleiner | ... | Fernando | |
| Ivan Martin Salan | ... | Miguel | |
| Olivia Algazi | ... | Une Espagnole | |
| Alicia Robledo Fiestas | ... | Une Espagnole | |
| Patricia Morejon | ... | Une Espagnole | |
| Raquel Teliet | ... | Une Espagnole | |
| Charlotte Burnett | ... | Une Espagnole (as Anne-Charlotte Burnett) | |
| Maria De Goyeneche | ... | Une Espagnole | |
| Sophie Nicollas | ... | Une Espagnole | |
| Sophie Piccioto | ... | Une Espagnole (as Sophie Picciotto) | |
| Victoria Sáez | ... | Une Espagnole (as Victoria Saez) | |
| Miriam Velazquez Tris | ... | Une Espagnole | |
| rest of cast listed alphabetically: | |||
| Lauriane Escaffre | ... | La conférencière | |
Directed by | |||
| Philippe Le Guay | |||
Writing credits(in alphabetical order) | ||
| Philippe Le Guay | ||
| Jérôme Tonnerre | ||
Produced by | |||
| Etienne Comar | .... | producer | |
| Philippe Rousselet | .... | producer | |
Original Music by | |||
| Jorge Arriagada | |||
Cinematography by | |||
| Jean-Claude Larrieu | |||
Film Editing by | |||
| Monica Coleman | |||
Casting by | |||
| Tatiana Vialle | |||
Production Design by | |||
| Pierre-François Limbosch | |||
Set Decoration by | |||
| Sabine Delouvrier | |||
| Laura Musso | |||
Costume Design by | |||
| Christian Gasc | |||
Makeup Department | |||
| Michèle Constantinides | .... | key makeup artist | |
Production Management | |||
| Jean-Jacques Albert | .... | production manager | |
| Jacquot Clotilde | .... | assistant unit manager | |
| Frederic Jupin | .... | post-production supervisor: Eclair Numérique | |
| David Paté | .... | additional assistant unit manager | |
| Antoine Théron | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Gabrielle Hanne | .... | third assistant director | |
| Joseph Rapp | .... | assistant director | |
Art Department | |||
| Aude-Line Duliere | .... | second assistant art director | |
| Geraldine Laferte | .... | assistant set decorator | |
| Jessica Lamarque | .... | assistant decorator | |
| Cédric Maserati | .... | props | |
| Christophe Offret | .... | property master | |
| Edouard Pallardy | .... | head painter | |
| Julie Ridremont | .... | painter | |
Sound Department | |||
| Emmanuel Croset | .... | sound re-recording mixer | |
| Jacques Descomps | .... | sound assistant: auditorium | |
| Vincent Guillon | .... | supervising sound editor | |
| Grégory Lacroix | .... | assistant sound | |
| Cyrille Lauwerier | .... | adr mixer | |
| Michel Monier | .... | dolby consultant | |
| Laurent Poirier | .... | sound | |
| Hubert Teissedre | .... | foley recording engineer | |
| Malo Thouément | .... | sound assistant | |
Special Effects by | |||
| Piotr Styczen | .... | special effects | |
Visual Effects by | |||
| Olivier Blanchet | .... | visual effects artist | |
| Jean-Antoine Lacolle | .... | digital compositor | |
| Arnaud Ortmann | .... | digital artist | |
| François Poupon | .... | visual effects artist | |
| Amélie Rey | .... | visual effects | |
Camera and Electrical Department | |||
| Julien Andreetti | .... | first assistant camera: second unit | |
| Camille de Chenay | .... | camera trainee | |
| Bertrand Follet | .... | camera operator | |
| Sarah Gouze | .... | electrician trainee | |
| Thibault Grabherr | .... | still photographer | |
| Perrotte Lara | .... | camera operator | |
| Jean-Marie Leroy | .... | still photographer | |
| Farès Messaoud | .... | second assistant camera | |
| Mathieu Poudevigne | .... | electrician | |
| Xavier Renaudot | .... | gaffer | |
| Yannick Ressigeac | .... | first assistant camera | |
| Alexandre Ricco | .... | grip | |
| Daniel Traini | .... | generator operator | |
Casting Department | |||
| Rosa Estévez | .... | casting: Spanish actresses (as Rosa Estevez Ramos) | |
| Brigitte Fourcade | .... | extras casting | |
Editorial Department | |||
| Giulia Rodino | .... | assistant editor | |
| Philippe Tourret | .... | digital intermediate coordinator | |
| Mathilde Van de Moortel | .... | assistant editor | |
Other crew | |||
| Sylvie Koechlin | .... | script supervisor | |
| André-Paul Ricci | .... | press attache | |
| Recent Posts (updated daily) | User |
|---|---|
| What was said at the ending? (spoiler) | nz man |
| A delightful love story. | wg123456789 |
| What was said at the ending? (spoiler) | nz man |
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| Tillsammans | La règle du jeu | La guerre est finie | L'accompagnatrice | Choses secrètes |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb France section |
A great movie, with wonderful actress and actor, soft, funny, intelligent and deeper as it seems apparently. If you pay attention the flick will let you think upon many things and, in any case, you will leave the theater in a good and serene mood not only in your mind, but also in your heart. Very refreshing!!! Luchini is excellent (as always) in his wonderful character. He recognize the opportunity to change his life and he seize it on. Today maybe it is hard to imagine that a rich man can show that kind of interest for people of a such different social condition. But in the Sixties sometimes that could happen, the social dehumanization was not so advanced like today, in spite of all the contradictions of those years, which are very well represented. Very good also Kiberlain as his wife. She is perfect in her attitude as snooty new rich. The whole cast of the movie and especially the Spanish women are simply great: they show how a change was urgently requested, at that time... and let us understand, today also!