| Vincent Rottiers | ... | Johann | |
| Anaïs Demoustier | ... | Julie | |
| Florence Loiret Caille | ... | Marie | |
| Aurore Clément | ... | Madeleine | |
| Michel Subor | ... | Hélier | |
| Carlo Brandt | ... | Jacques | |
| Théo Laborie | ... | Pierre | |
| Hélier Cisterne | ... | Franck | |
| Yoann Blanc | ... | Bastien | |
| Elodie Moreau | ... | Cécile | |
| Carlos De Souza | ... | Sylvain | |
| Daniel Renaud | ... | Aubert | |
| Fabien Dijois | ... | Thomas | |
| Delphine Gros | ... | Sarah | |
| Laurent Perez | ... | Expert assurance | |
| Didier Pons | ... | Huissier | |
| Frédéric Cyprien | ... | Stéphane | |
| Patrice Tapasso | ... | Marc | |
| Yuna Baudry | ... | Jeanne | |
| Philippe Skujac | ... | Grossiste |
Directed by | |||
| John Shank | |||
Writing credits(in alphabetical order) | ||
| Vincent Poymiro | ||
| John Shank | ||
Produced by | |||
| Priscilla Bertin | .... | producer | |
| Karim Cham | .... | producer | |
| Elisa Larrière | .... | producer | |
| Maarten Loix | .... | producer | |
| Judith Nora | .... | producer | |
| Joseph Rouschop | .... | producer | |
| Jan Vrints | .... | associate producer | |
Original Music by | |||
| Daau | |||
Cinematography by | |||
| Hichame Alaouie | |||
| Antoine Parouty | |||
Film Editing by | |||
| Yannick Leroy | |||
Production Design by | |||
| Anna Falguères | |||
Art Direction by | |||
| Anna Falguères | (one segment) | ||
Production Management | |||
| Vincent Canart | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Nicolas Guilleminot | .... | first assistant director | |
Art Department | |||
| Héléna Cisterne | .... | props buyer | |
| Héléna Cisterne | .... | second assistant production designer | |
| Guillaume Deviercy | .... | first assistant production designer | |
Sound Department | |||
| Etienne Curchod | .... | sound editor | |
| Julien D'Esposito | .... | boom operator | |
| Emmanuel de Boissieu | .... | sound re-recording mixer | |
| Aline Gavroy | .... | sound re-recording mixer assistant | |
| Christophe Giovannoni | .... | sound engineer | |
| Renaud Guillaumin | .... | foley sound editor | |
| Billy Miquel | .... | boom re-recording operator | |
| Olivier Thys | .... | foley artist | |
Camera and Electrical Department | |||
| Laurent Bourgeat | .... | gaffer | |
| Fanny Chausson | .... | first assistant camera | |
| Arnaud Dutarte | .... | electrician extra | |
| Témoudjine Janssens | .... | key grip | |
| Justine Legros | .... | second assistant camera | |
| Maxime Michaud | .... | assistant camera | |
| Nicolas Rapin | .... | best boy electrician | |
| Jerome Rey | .... | electrician extra | |
| Antonin Suppes | .... | electrician | |
Costume and Wardrobe Department | |||
| Marie Morel | .... | costume design | |
Editorial Department | |||
| Wim Dickens | .... | digital intermediate producer | |
| Nicolas Duval | .... | on-line editor | |
| Dmitry Lavrov | .... | digital intermediate supervisor | |
| Veerle Zeelmaekers | .... | colorist | |
| Paolo Finotto | .... | digital intermediate producer (uncredited) | |
Other crew | |||
| Jan De Coninck | .... | digital scanning and recording | |
| Guillermo J. Deisler | .... | film laboratory manager | |
| Frank Mostert | .... | di assistant | |
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| Abandon | Les cerfs-volants | La folie Almayer | Le concert | Les diablesses |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Belgium section |
Although this movie has a timeless feeling to it, I can't help and feel it is dealing with very contemporary issues. A man fighting for what he believes in, surrounded by a harsh world where the rules of the game are slowly changing and money becomes more important than passion, even when your job is to bond with the land and the animals that live off it.
The visual aspect of this movie is also very important. The photography is stunning, and the landscape is mesmerizing. It is a beautiful, poetic and subtle movie. I can only strongly recommend it, as it fits in the dire times we are all going through and we can all identify with it at some level. A beautiful lesson of cinema. I will be expecting John Shank's next movie with impatience. That man has what it takes.