| Photos (See all 13 | slideshow) | Videos (see all 12) |
| Nim Chimpsky | ... | Himself (archive footage) | |
| Stephanie LaFarge | ... | Herself | |
| Herbert Terrace | ... | Himself | |
| Wer LaFarge | ... | Himself (archive footage) | |
| Jenny Lee | ... | Herself | |
| Laura-Ann Petitto | ... | Herself | |
| Bill Tynan | ... | Himself | |
| Joyce Butler | ... | Herself | |
| Renne Falitz | ... | Herself | |
| Bob Ingersoll | ... | Himself | |
| Alyce Moore | ... | Herself | |
| James Mahoney | ... | Himself (as Dr. James Mahoney) | |
| Henry Herrmann | ... | Himself | |
| Cleveland Amory | ... | Himself (archive footage) | |
| Marion Probst | ... | Herself | |
| Chris Byrne | ... | Himself | |
| Bern Cohen | ... | Dr. William Lemmon: re-enactment unit) | |
| Reagan Leonard | ... | Stephanie LaFarge: re-enactment unit | |
| Anna May Marsh | ... | Signing Girl: re-enactment unit | |
| Mike Lepera | ... | Wer LaFarge: re-enactment unit (as Michael LePera) | |
| Sarah Sakaan | ... | Renee Falitz: re-enactment unit | |
| Dennis Lauricella | ... | Beefy Guy: re-enactment unit | |
| Robert J. Nesi | ... | Beefy Guy: re-enactment unit |
Directed by | |||
| James Marsh | |||
Writing credits(in alphabetical order) | ||
| Elizabeth Hess | book "Nim Chimpsky: The Chimp Who Would Be Human" | |
Produced by | |||
| Prudence Arndt | .... | archive producer | |
| John Battsek | .... | executive producer | |
| George Chignell | .... | co-producer | |
| Simon Chinn | .... | producer | |
| Nick Fraser | .... | executive producer | |
| Hugo Grumbar | .... | executive producer | |
| Jamie Laurenson | .... | executive producer | |
| Rosemary Lombard | .... | line producer: re-enactment unit | |
| Andrew Ruhemann | .... | executive producer | |
| Maureen A. Ryan | .... | co-producer | |
Original Music by | |||
| Dickon Hinchliffe | |||
Cinematography by | |||
| Michael Simmonds | (director of photography) | ||
Film Editing by | |||
| Jinx Godfrey | |||
Makeup Department | |||
| Vera Lee Stabell Stromsted | .... | hair stylist: re-enactment unit (as Vera Stromsted) | |
| Vera Lee Stabell Stromsted | .... | makeup artist: re-enactment unit (as Vera Stromsted) | |
Production Management | |||
| Kate George | .... | post-production manager | |
| Fiona Morham | .... | head of production: UK Film Council | |
Second Unit Director or Assistant Director | |||
| Scott Bowers | .... | second assistant director: re-enactment unit | |
| Jamund Washington | .... | first assistant director: re-enactment unit | |
Art Department | |||
| Kinda Akash | .... | graphic designer | |
| Thomas Carrera | .... | art department production assistant: re-enactment unit | |
| Joe Chiofalo | .... | swing: re-enactment unit | |
| Stephane Coedel | .... | additional graphic artist | |
| Gonzalo Cordoba | .... | art director: re-enactment unit | |
| Jeffery Dundas | .... | carpenter: re-enactment unit | |
| Jack Falanga | .... | set decorator: re-enactment unit | |
| Pauline Fowler | .... | sculptor: re-enactment uit | |
| Mark Gebel | .... | leadman: re-enactment unit | |
| Markus Kirschner | .... | production designer: re-enactment unit | |
| Adam Merritt | .... | carpenter: re-enactment unit | |
| Sarah Moessner | .... | art department production assistant: re-enactment unit | |
Sound Department | |||
| Nicholas Ashe | .... | foley editor | |
| Nicholas Ashe | .... | sound re-recording assistant | |
| Claire Ellis | .... | dialogue editor | |
| George Foulgham | .... | sound re-recording mixer | |
| George Foulgham | .... | sound supervisor | |
| Lisa-Marie McStay | .... | sound effects editor (as Lisa McStay) | |
| Peter Miler | .... | sound recordist: documentary unit | |
| Steven Robinson | .... | sound recordist: documentary unit | |
| James Shannon | .... | dolby sound consultant (uncredited) | |
Casting Department | |||
| Adine Duron | .... | casting director: re-enactment unit | |
Editorial Department | |||
| Mike Andrews | .... | digital intermediate technician | |
| Michelle Cort | .... | digital intermediate technician | |
| Tim Drewett | .... | digital intermediate technician | |
| Justin Eely | .... | digital intermediate editor | |
| Matt James | .... | digital film supervisor | |
| François Kamffer | .... | digital intermediate technician (as Francois Kamffer) | |
| Mark Keady | .... | assistant editor | |
| Steve Knight | .... | digital intermediate technician | |
| Anne Monnehay | .... | assistant editor | |
| Jana Novosad | .... | digital intermediate technician | |
| Andy Richards | .... | operations manager | |
| Shrihari Sathe | .... | assistant editor | |
| Gareth Spensley | .... | senior colorist | |
| Jamie Welsh | .... | digital intermediate technician | |
| Jateen Patel | .... | digital intermediate technician (uncredited) | |
| Katelin Westwood | .... | data transfer (uncredited) | |
Music Department | |||
| Philip Bagenal | .... | music mixer | |
| Philip Bagenal | .... | music recordist: drums | |
| Rupert Coulson | .... | music recordist: orchestra | |
| Liz Gallacher | .... | music supervisor | |
| Dickon Hinchliffe | .... | arranger | |
| Dickon Hinchliffe | .... | music producer | |
| Al Macaulay | .... | musician: drums | |
| Lisa-Marie McStay | .... | music editor (as Lisa McStay) | |
| Sam Navel | .... | music mixer assistant | |
| Richard Sidwell | .... | music preparation | |
| Steve Sidwell | .... | conductor | |
| Lucy Wilkins | .... | orchestra contractor | |
| Lucy Wilkins | .... | orchestra leader | |
Transportation Department | |||
| Joe Chiofalo | .... | driver: re-enactment unit | |
Other crew | |||
| Kinda Akash | .... | title designer: Superfad | |
| Geraldine Atlee | .... | senior business affairs executive: UK Film Council | |
| Sayuj Banerjee | .... | legal services: US, SDD Global Solutions | |
| Jonathan Blair | .... | legal services: Michel Simkins | |
| Natasha Boyd | .... | insurance broker: Media Insurance Brokers | |
| Josh Braun | .... | distribution advisor: North America, Submarine Entertainment | |
| Jessica Brown | .... | insurance broker: Ventura Insurance (as Jessica Brown) | |
| Jessica Spring Brown | .... | insurance broker: Ventura Insurance (as Jessica Brown) | |
| Len Brown | .... | consultant | |
| Zoe Brown | .... | legal and business affairs: BBC Films | |
| James Buckler | .... | delivery coordinator: BBC Films | |
| Anthony Buckner | .... | head of sales: Icon | |
| Serena Catapano | .... | production assistant: London | |
| Moyra Chestnutt | .... | additional archive researcher | |
| Chris Collins | .... | senior production executive: UK Film Council | |
| Victoria Cook | .... | legal services: US, Frankfurt Kurnit Klein & Selz | |
| Tom Corcoran | .... | animal trainer: Comet, re-enactment unit | |
| Laird Criner | .... | insurance broker: Film Emporium | |
| Johnny Davenport | .... | production assistant: re-enactment unit | |
| Anne Davin | .... | production accountant: 101 Film Production Accountants | |
| Peter Elliott | .... | primate choreographer: re-enactment unit | |
| Peter Elliott | .... | vocal and movment artist | |
| Kurt Enger | .... | location scout: re-enactment unit | |
| Renne Falitz | .... | subtitles | |
| Tina Foster | .... | pupperteer dresser: re-enactment unit | |
| Nicholas Greene | .... | assistant to director: re-enactment unit | |
| Andrew Hauser | .... | production intern: re-enactment unit | |
| Jane Hawley | .... | production executive: BBC Films | |
| Elizabeth Hess | .... | consultant | |
| Vince Holden | .... | head of production finance: UK Film Council | |
| Bob Ingersoll | .... | subtitles | |
| Bassem Jabawi | .... | production assistant: re-enactment unit | |
| Sarah Karas | .... | production assistant: re-enactment unit | |
| Tom Kelly | .... | production assistant: re-enactment unit | |
| Johanna Kovitz | .... | transcription services | |
| Tobey List | .... | production assistant: re-enactment unit | |
| Perry Mallas | .... | caterer: re-enactment unit | |
| David Menkin | .... | archive voice-over | |
| Omari Miller | .... | production assistant: re-enactment unit | |
| Sara Neuffer | .... | key production assistant: re-enactment unit | |
| Veronica Nickel | .... | craft services: re-enactment unit | |
| Estelle Overs | .... | general counsel: Icon | |
| Becky Phillips | .... | production assistant: re-enactment unit | |
| Geoffrey Quan | .... | production coordinator: re-enactment unit | |
| Sofia Santana | .... | production assistant: re-enactment unit | |
| Tanya Seghatchian | .... | head of film fund: UK Film Council | |
| Chloe Sizer | .... | head of development: Icon | |
| Russell Smith | .... | legal services: US, Smith Dehn | |
| Nicole Stott | .... | production executive: Passion Pictures | |
| Jean-Marceau Sécheret | .... | production intern: re-enactment unit | |
| Jodie Alexandra Taylor | .... | script supervisor: re-enactment unit | |
| Jan Tomolin | .... | legal services: UK, Media Law Consultancy (as Jan Tomalin) | |
| David Velasco | .... | location scout: re-enactment unit | |
| Debbie West | .... | animal trainer: Dusty, re-enactment unit | |
| Nick Williams | .... | chief puppeteer: re-enactment unit | |
| Will Yates | .... | researcher | |
| Leonard Crooks | .... | head of new cinema fund: UK Film Council (uncredited) | |
| Amanda Pyne | .... | production finance: UK Film Council (uncredited) | |
Thanks | |||
| Joyce Butler | .... | special thanks (as Dr. Joyce Butler) | |
| Bob Ingersoll | .... | special thanks | |
| Stephanie LaFarge | .... | special thanks | |
| Laura-Ann Petitto | .... | special thanks (as Dr. Laura-Ann Petitto) | |
| Herbert Terrace | .... | special thanks (as Professor Herbert Terrace) | |
| Bill Tynan | .... | special thanks | |
| Recent Posts (updated daily) | User |
|---|---|
| Nim's issues with females? | boss_scorpius |
| Love Nim | Jeff0015 |
| release date SF area? | gorillabay-149-334819 |
| Movie review (adult humor). | rebeldoll |
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| Sixteen Decisions | The U.S. vs. John Lennon | Touching the Void | Middle Sexes: Redefining He and She | Man on Wire |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb UK section |
Greetings again from the darkness. It is rare that we find a movie so unsettling to watch, yet admire the expertise with which it is made. Such is the case with award-winning documentarian James Marsh and his presentation of Project Nim. This is the story of Nim Chimpsky, the chimp from the 1970's who was taught sign-language and raised by humans.
The chimp's name is taken from Noam Chomsky, the famous MIT linguist. Unfortunately, the linguistic side of this story actually is quite minor compared to what really occurred. Columbia professor Herbert Terrace wanted to conduct an experiment on a baby chimp to see if it could be raised like a human baby and learn to communicate with people. He started the project by snatching the baby from its mother at two weeks of age, and then plopping it right into a large, free-spirited family with no scientific or primate-training background. Heck, no one in the family even knows sign language! The film shows how quickly Nim adapts to the pampered lifestyle and is even breast-fed by Stephanie, the mother. Nim is also exposed to smoking pot, drinking alcohol and even has limited success being potty trained. All of this is explained away with "it was the seventies". I was already bouncing between sadness and anger.
Admittedly, I am no scientist. I do know that a true science experiment or project would involve specific records and at least some type of plan ... not to mention the recording of actions, tests and progress. Instead, Professor Terrace shows up periodically for some photo ops and a hug from Nim. Poof! He is gone again. While this is never really explained in the film, one can only assume he was benefiting nicely from a huge grant, not to mention "close" relationships with a couple of his assistants. The other thing left unexplained was how Nim's mother had other babies taken from her in a similar manner. We get no detail on those "experiments".
As Nim gets older, guess what ... he gets bigger and stronger. He is difficult to control and even lashes out periodically at his caregivers, once quite violently. He is bounced from home to home and person to person. He does adapt, but he is just too strong and unpredictable to be part of human society. Finally, he is sold off to an animal rescue farm. That's just great, except initially there are no other chimps. Not a good thing for a social primate.
The whole thing is just painful to watch. I couldn't help but feel sympathy for the chimp and anger at the people ... especially Professor Terrace. His selfish, ill-conceived project negatively impacted the life of a chimp and the safety and well-being of many good-hearted people along the way.
While there was proof that Nim learned approximately 125 signs, the question remains ... did he really understand these words and phrases? Did he instead learn behavior that led to his reward? One of Nim's later day caregivers (Bob Ingersoll) visited him often at the rescue farm until at the age of 26, Nim passed away. The average lifespan of a chimp in the wild is about 45 years. So, it would appear neither the chimp or the people really benefited from Project Nim. It is, however, a well made documentary.