| Muhammet Uzuner | ... | Doctor Cemal | |
| Yilmaz Erdogan | ... | Commissar Naci | |
| Taner Birsel | ... | Prosecutor Nusret | |
| Ahmet Mümtaz Taylan | ... | Driver Arab Ali | |
| Firat Tanis | ... | Suspect Kenan | |
| Ercan Kesal | ... | Mukhtar | |
| Erol Erarslan | ... | Murder Victim Yasar | |
| Ugur Aslanoglu | ... | Courthouse Driver Tevfik | |
| Murat Kiliç | ... | Police Officer Izzet | |
| Safak Karali | ... | Courthouse Clerk Abidin | |
| Emre Sen | ... | Sergeant Onder | |
| Burhan Yildiz | ... | Suspect Ramazan | |
| Nihan Okutucu | ... | Yasar's wife Gülnaz | |
| Cansu Demirci | ... | Mukhtar's Daughter Cemile | |
| Kubilay Tunçer | ... | Autopsy Technician Sakir | |
| Salih Ünal | ... | Hospital Cook Hamit | |
| Aziz Izzet Biçici | ... | Restaurant Owner Kazim | |
| Celal Acaralp | ... | Pharmacist Saim | |
| Emin Toprak | ... | Hamam Scrubber (as Mehmet Eren Topçak) | |
| Ufuk Karaali | ... | Hospital Attendant Sitki | |
| Fevzi Müftüoglu | ... | 1st Digger Hayrettin | |
| Turgay Kürkçü | ... | 2nd Digger Ethem | |
| Fatih Ereli | ... | Gülnaz's son Adem | |
| Hüseyin Bekeç | ... | 1st Soldier | |
| Mehmet Emin Öztürk | ... | 2nd Soldier (as Mehmet Öztürk) |
Directed by | |||
| Nuri Bilge Ceylan | |||
Writing credits(in alphabetical order) | ||
| Ebru Ceylan | ||
| Nuri Bilge Ceylan | ||
| Ercan Kesal | ||
Produced by | |||
| Murat Akdilek | .... | co-producer | |
| Eda Arikan | .... | co-producer | |
| Nuri Bilge Ceylan | .... | co-producer | |
| Müge Kolat | .... | co-producer | |
| Zeynep Ozbatur Atakan | .... | producer | |
| Mirsad Purivatra | .... | co-producer | |
| Ibrahim Sahin | .... | co-producer | |
Cinematography by | |||
| Gökhan Tiryaki | |||
Casting by | |||
| Nimet Atasoy | |||
| Selim Ünel | |||
Production Design by | |||
| Çagri Erdogan | |||
Art Direction by | |||
| Dilek Yapkuöz Ayaztuna | |||
Production Management | |||
| Onur Yildiz | .... | assistant production manager | |
Second Unit Director or Assistant Director | |||
| Sahin Cetinkaya | .... | assistant director | |
| Özgür Sevimli | .... | first assistant director | |
| Alkim Özmen | .... | second assistant director | |
Art Department | |||
| Lucien Yang | .... | movie poster designer | |
Sound Department | |||
| Erkan Altinok | .... | sound designer | |
| François Lepeuple | .... | foley artist | |
| Thomas Robert | .... | sound editor | |
| Agce Ulas | .... | sound re-recording mixer | |
Visual Effects by | |||
| Murat Izzet Arslan | .... | post-production supervisor | |
| Yves Delforge | .... | visual effects supervisor | |
| Gokcecan Gursoy | .... | visual effects artist | |
| Daniel Sanders | .... | visual effects artist | |
Editorial Department | |||
| James C. Norman | .... | colorist | |
| Bora Suel | .... | assistant editor | |
|
|
|
|
|
| Rivelazioni di un maniaco sessuale al capo della squadra mobile | Madeo | The Three Burials of Melquiades Estrada | Freeway | Australia |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb Turkey section |
My daughter and I both agreed on this one before and after watching it: beforehand we were both interested in the story as advertised and that it won at Cannes, after seeing it we both consigned it to the Art Too Clever For Me dustbin.
Cops get thug to show them where murdered man is buried in various wildernesses, with a childish intermittent subplot interrupting at random. Nothing wrong with that, but also rambling, lazily incoherent, overlong, pretentious with an undisciplined end spring to mind. Well acted with great cinematography, however so many Arty longueurs abound, stretching the film out almost as long the Anatolian horizons. Whereas Kurosawa or even Bergman could mean something with apparent pointless plotlessness this utterly fails. It needed a Kurosawa to inject some life, some interest. After 2 hours or so I realised I wasn't the slightest bit interested in any of the characters, their stories or surroundings, but only to make it to the end of its long and winding road to complete it, press delete and log off. A totally well made unmoving 2D experience.
On the other hand, the first 45 minutes were OK with some atmospheric scenes, that is before you guess that this particular football match is going to end up goalless. It slowed down disastrously after the cop stopped asking Huh. So-called realism abounds, however were all the schlurpy sounds at the laidback autopsy really necessary? You'll probably need to make up your own mind but to my mind this is Artifice, not Art; or like watching paint drying, not admiring a colourful canvas. Oh well, you win some you lose some.