Seeking a brighter future in megacity Manila, Oscar Ramirez and his family flee their impoverished life in the rice fields of the northern Philippines. But the sweltering capital's bustling...
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Ben is an art college student in London, whose imagination runs wild as he works the late-night shift at the local supermarket. What do he and his colleagues do to pass the long, endless hours of the night?
In London, the radiologist Gina McVey organizes a surprise birthday party to her father John McVey with her boyfriend Stefan Chambers, her brother Daniel McVey and his girlfriend Kate ... See full summary »
Seeking a brighter future in megacity Manila, Oscar Ramirez and his family flee their impoverished life in the rice fields of the northern Philippines. But the sweltering capital's bustling intensity quickly overwhelms them, and they fall prey to the rampant manipulations of its hardened locals. Oscar Ramirez catches a lucky break when he's offered steady work for an armored truck company and gregarious senior officer Ong takes him under his wing. Soon, though, the reality of his work's mortality rate and the murky motives of his new partner force Oscar to confront the perils he faces in his new job and life. The movie portrays how far a man can go for his family.
Metro Manila returned to 12 UK cinemas on 28th November 2013 for a one off screening to raise money for the victims of typhoon Haiyan/Yolanda that had hit the Philippines and killed close to 6000 people. 12 screens were donated by VUE cinemas and raised a total of £3540 for the DEC charity. Its British director, Sean Ellis said: "The people of the Philippines were tremendously supportive during the making of Metro Manila, and it's only right that we should now use the film to raise money to help the victims of this terrible disaster." See more »
The license plate of Oscar and Ong's security truck keeps changing throughout the film. See more »
This film is without doubt a thriller, although the action scenes are kept to a minimum in terms of length (they do remain quite violent).
But what's shocking about it is that it's for most people the first time they're actually going to see or hear about Manila, and in this case they'll be seeing it from the bottom looking up. This film paints a rather dark picture, but a picture worth seeing: the developing world isn't a bed of roses, and things like violence and corruption do make up the everyday lives of its poorer inhabitants.
Therefore, this story is a story of struggle, and is definitively worth seeing, if only to get away from the postcard image that we may have seen of the Philippines.
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