| Zoé Héran | ... | Laure / Michaël | |
| Malonn Lévana | ... | Jeanne | |
| Jeanne Disson | ... | Lisa | |
| Sophie Cattani | ... | Mother | |
| Mathieu Demy | ... | Father | |
| Yohan Vero | ... | Vince | |
| Noah Vero | ... | Noah | |
| Cheyenne Lainé | ... | Cheyenne | |
| Rayan Boubekri | ... | Rayan | |
| Christel Baras | ... | La mère de Lisa | |
| Valérie Roucher | ... | La mère de Rayan |
Directed by | |||
| Céline Sciamma | |||
Writing credits | ||
| Céline Sciamma | (screenplay) | |
Produced by | |||
| Bénédicte Couvreur | .... | producer | |
Original Music by | |||
| Jean-Baptiste de Laubier | (as Para One) | ||
Cinematography by | |||
| Crystel Fournier | |||
Film Editing by | |||
| Julien Lacheray | |||
Casting by | |||
| Christel Baras | |||
Production Design by | |||
| Thomas Grézaud | |||
Makeup Department | |||
| Marie Luiset | .... | makeup artist | |
Production Management | |||
| Gaëtane Josse | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Valérie Roucher | .... | first assistant director | |
Art Department | |||
| Jérôme Lorichon | .... | assistant art director | |
Sound Department | |||
| Ivan Gariel | .... | foley mixer | |
| Olivier Guillaume | .... | sound assistant: auditorium | |
| Benjamin Laurent | .... | sound | |
| Vincent Milner | .... | foley artist | |
| François Méreu | .... | dialogue editor | |
| Sébastien Savine | .... | sound editor | |
| Daniel Sobrino | .... | sound re-recording mixer | |
Visual Effects by | |||
| Simon Descamps | .... | title | |
Camera and Electrical Department | |||
| Pierre Assenat | .... | assistant camera | |
| Mathieu Cassan | .... | stagiaire image | |
| Jean-Pierre Garbin | .... | additional electrician | |
| Aurélien Gerbault | .... | gaffer | |
Editorial Department | |||
| Aline Conan | .... | colorist | |
Other crew | |||
| Melody Benistant | .... | press attache | |
| François Guerrar | .... | press attache (as Francois Hassan Guerrar) | |
Thanks | |||
| Elisabeth Depardieu | .... | thanks | |
| Laurent Sciamma | .... | thanks | |
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| Ma vie en rose | Night Fliers | Atonement | El último verano de la Boyita | Le père de mes enfants |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
It feels like a time gone by of dreamy focused, eternally youthful, summer days: running around in woods, water fights, wrestling, sitting out of football matches, Play-Doh spaghetti, and feeling too scared to stand next to the other boys to pee.
With an approach that is far more Boys Don't Cry than it is Mrs Doubtfire, and by hitting upon gender identity during pre-puberty, a lengthy and distancing make-up job can be avoided.
And so without a rubber nose nor silicone jaw in sight, little Zoé Héran is left stripped bare, literally, to "play boy", with performance alone. And her performance as Laure / Mikael is nothing short of genius.
Masculinity is a hard act to pull off, but pre-pubescent masculinity is such a fine and narrow ledge between forced and feminine that it's incredible that it feels so effortless for a ten year old actress. Compare this to Glenn Close and Janet McTeer in Albert Nobbs, and they feel even more like Little Britain characters than they ever did tearing along the beach screaming "I'm a lady " And they both got Oscar nominations ?
Zoe is surrounded by a cast of unbelievably naturalistic fellow children; her six-year old sister Jeanna, and the relationship they share is so intimate and convincing that every now and then I simply couldn't imagine there being a camera and film crew right up in their playful, cute as a button, faces.
Her burgeoning relationship with new neighbor Lisa, is as delightful as it is frightful, as you know that at some point there has to be a denouncement that Mikael is not all he seems and for those of you that have experienced it, you thought that finding out your boyfriend was gay was tough?
Maybe, just maybe, it's because they're talking French that the performances and dialogue feel flawless murmur in Parisian tones underneath sparse subtitles and I'm sold or maybe it's because elsewhere they just don't grow 'em like they grow 'em in France.
The script, story, direction and cinematography are enviable, and throughout you hold a little silent prayer in your heart that it's not going to end up, like Brandon Teena, in a ditch.