| Jean-Pierre Darroussin | ... | Paul | |
| Valérie Dréville | ... | Françoise | |
| Xavier Beauvois | ... | Alain Fisher | |
| Yannick Renier | ... | Fabrice Van Listeich | |
| Laurent Delbecque | ... | Benoît | |
| Ralph Amoussou | ... | Youssef | |
| Aladin Reibel | ... | Antoine | |
| Pierre Aussedat | ... | Foucade | |
| François Chattot | ... | Lancelin | |
| Nelly Antignac | ... | Clarisse | |
| Frédéric Leidgens | ... | Docteur Hogard | |
| Marion Denys | ... | Annette | |
| Richard Sammut | ... | Roberto | |
| Jean-François Pages | ... | Eric | |
| Marie Collins | ... | Nadine | |
| Eloïse Dogustan | ... | Sonia | |
| Amandine Lambert | ... | Nathalie | |
| Christophe Baillargeau | ... | Employé 1 | |
| Frédéric Moulin | ... | Employé 2 | |
| Valérie de Monza | ... | Employée 3 | |
| Quentin Delegue | ... | Employé 4 | |
| Fanny Mazepa | ... | Mélodie | |
| Anne De Broca | ... | Directeur Euro Delta | |
| Hervé Dubourjal | ... | Autre directeur Euro Delta | |
| Pierre Baux | ... | Homme bar | |
| Tristan Girault | ... | Homme carrière | |
| Jacques Bonnaffé | ... | L'ami au téléphone (voice) |
Directed by | |||
| Jean-Marc Moutout | |||
Writing credits(in alphabetical order) | ||
| Sophie Fillières | adaptation | |
| Olivier Gorce | adaptation | |
| Jean-Marc Moutout | ||
Produced by | |||
| Denis Delcampe | .... | co-producer | |
| Margaret Ménégoz | .... | producer | |
| Régine Vial | .... | producer | |
Cinematography by | |||
| Pierric Gantelmi d'Ille | |||
Film Editing by | |||
| Julie Brenta | (sound editor) | ||
| Marie Da Costa | |||
Casting by | |||
| Stéphane Batut | |||
Set Decoration by | |||
| Quentin Lestienne | (decoration) | ||
Costume Design by | |||
| Dorothée Guiraud | |||
Makeup Department | |||
| Virginie Berland | .... | facial hair maker | |
| Lisa Schonker | .... | key makeup artist | |
| Céline Vh | .... | key hair stylist | |
Production Management | |||
| Christophe Desenclos | .... | production manager | |
| Fournier Michael | .... | assistant unit manager | |
| Arthur Morin | .... | assistant unit manager | |
Second Unit Director or Assistant Director | |||
| Justine Bosco | .... | third assistant director | |
| Raphaëlle Bruyas | .... | first assistant director | |
| Stéphane Talagrand | .... | second assistant director | |
Art Department | |||
| Lionel Brison | .... | carpenter | |
| Tristan Girault | .... | property master | |
| Marc Jeannel | .... | carpenter | |
| Philippe van Herwijnen | .... | assistant art director | |
Sound Department | |||
| Jérôme Chenevoy | .... | boom operator | |
| François Guillaume | .... | sound | |
Visual Effects by | |||
| Simon Descamps | .... | i/o vfx support | |
| Alexandre Gény | .... | digital compositor | |
| Frederic Moreau | .... | visual effects designer | |
| Fred Roz | .... | titles | |
| Mikael Tanguy | .... | visual effects supervisor | |
Stunts | |||
| Gil Demurger | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Damien Lecoq | .... | additional grip | |
| Yves Michaud | .... | steadicam operator | |
| Quiterie Seguin-Medrinal | .... | second assistant camera | |
| Damien Tessandier | .... | first assistant camera | |
| Julien Torloting | .... | additional grip | |
Casting Department | |||
| Dorothée Chesnot | .... | additional casting | |
| Dorothée Chesnot | .... | extras casting | |
| Stéphanie Doncker | .... | extras casting assistant | |
Costume and Wardrobe Department | |||
| Dorothée Guiraud | .... | costume supervisor | |
Editorial Department | |||
| Marjolaine Mispelaere | .... | colorist | |
Other crew | |||
| Sophie Lixon | .... | production secretary | |
| Julien Schmitt | .... | assistant location manager | |
| Arnaud Tournaire | .... | location manager | |
| Isabelle Vossart | .... | location scout | |
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| Der Tunnel | Karakter | All Good Things | Boy A | Los lunes al sol |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
It's a pity to have to consign this film to the two-star bin. Jean-Marc Moutout flashback drama is a solid, tonally consistent piece keeping its head just above the moral floodwaters of the global banking crisis. It's inability to achieve any sort of argument, bias or conclusion isn't a failure. The subject preaches to a converted audience. However it is unsatisfactory.
For example: for all Jean-Pierre Darroussin's restrained moral and professional outrage not enough melodrama breaks the surface. It's a good, focused performance but it doesn't point us anywhere. Paul has his feet on the ground, even in an act of dreadful violence (which made people laugh in the screening I attended, such is the incongruity of his clear-sighted actions). He isn't a Meursault, operating on a different consciousness.
The film is bookended with Beethoven - the funeral march of the seventh Symphony and then the same music in variations by Robert Schumann, epic music of the inevitability of mortality. This is what I took from the film - the fruitless struggle of a good man in the overwhelming grip of bad faith. Not easily digestible. 4/10