Two hard-partying brothers place an online ad to find the perfect dates for their sister's Hawaiian wedding. Hoping for a wild getaway, the boys instead find themselves out-hustled by an uncontrollable duo.
In the forests of the Pacific Northwest, a father devoted to raising his six kids with a rigorous physical and intellectual education is forced to leave his paradise and enter the world, challenging his idea of what it means to be a parent.
Everyone knows that growing up is hard, and life is no easier for high school junior Nadine (Hailee Steinfeld), who is already at peak awkwardness when her all-star older brother Darian (Blake Jenner) starts dating her best friend Krista (Haley Lu Richardson). All at once, Nadine feels more alone than ever, until the unexpected friendship of a thoughtful boy (Hayden Szeto) gives her a glimmer of hope that things just might not be so terrible after all. Written by
The title of this movie 'The Edge of Seventeen' (2016) shares its title with the Stevie Nicks song 'Edge of Seventeen' (1982). See more »
When young Nadine tries to keep her mom from getting into the SUV's backseat, she pushes the carlock button. It turns orange "unlock" & the door won't open from the outside when her mom tries to get into the back seat. The door lock is still orange "unlock" when Nadine then opens it & runs away from the car. See more »
John Hughes is an unmistakable touchstone of the coming of age 1980s high school dramedy. Films like Sixteen Candles, The Breakfast Club, Pretty in Pink and Ferris Bueller's Day Off chronicled the adolescent experience of growing up, dealing with teen angst and self-actualization while mixing in a dash of old fashioned screwball comedy which at once provides relatable laughter for the viewer while making the dramatic pills easier to swallow. All of those undeniably come to mind when watching the directorial debut of Post Grad screenwriter Kelly Fremon Craig, The Edge of Seventeen, a coming of age high school comedy about a socially awkward and unhappy teenage girl named Nadine (Hailee Steinfeld from True Grit) whose best friend enters a relationship with her hunky older brother (Blake Jenner from Everybody Wants Some). And yet it is Amy Heckerling's Fast Times at Ridgemont High that The Edge of Seventeen finds its closest antecedent in, providing at once a funny and sympathetic rom com and a decidedly darker, more explicit look at budding female sexuality in a world adorned with dumb horny males who care nothing for the heroine's plight and emotional crossroads. At times its unbearable watching Nadine suffer while at the same time the film doesn't deny her own complicitness in the creation of her teenage misery. At first on the outset this looked like another Juno/Ghost World lovechild but as it progressed I was surprised how funny, charming, touching and well thought out this portrait of adolescent fear, anxiety and depression really was. Sure we've seen this movie done to death, but The Edge of Seventeen provided a fresh spin on the proceedings that kept it from blending together with what came before it.
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