In the high-stakes world of political power-brokers, Elizabeth Sloane is the most sought after and formidable lobbyist in D.C. But when taking on the most powerful opponent of her career, she finds winning may come at too high a price.
An ambitious young executive is sent to retrieve his company's CEO from an idyllic but mysterious "wellness center" at a remote location in the Swiss Alps, but soon suspects that the spa's treatments are not what they seem.
A personal shopper in Paris refuses to leave the city until she makes contact with her twin brother who previously died there. Her life becomes more complicated when a mysterious person contacts her via text message.
After a failed assassination attempt, a soldier finds himself stranded in the desert. Exposed to the elements, he must survive the dangers of the desert and battle the psychological and physical tolls of the treacherous conditions.
A triumphant epic of survival and a tale of powerful womanhood and resistance against the unforgiving cruelty of a hell on earth. Our heroine is Liz (Dakota Fanning), carved from the beautiful wilderness, full of heart and grit, hunted by a vengeful Preacher (Guy Pearce) - a diabolical zealot and her twisted nemesis. But Liz is a genuine survivor; she's no victim - a woman of fearsome strength who responds with astonishing bravery to claim the better life she and her daughter deserve. Fear not. Retribution is coming. Written by
According to Martin Koolhoven, when news got around that Mia Wasikowska had backed out of the movie, he got a late-night call from Warren Beatty who suggested another actress for the part on his voicemail. However, Koolhoven already had his eye on Dakota Fanning, and admitted that he did not even call Beatty back. See more »
The Accles & Shelvoke captive bolt pistol used to kill the pig was invented after 1913. Though the movie does not specify what year it is, the voice-over talks about 'the old century ', which means the epilogue is probably set in the 20th century and the rest in the three decades before. See more »
People think it's the flames that make Hell unbearable. It's not. It is the absence of love.
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Brutal. Harrowing. Unforgiving. Just a few words that come to mind that succinctly describe the experience of watching BRIMSTONE. If you like/don't mind the unsavory and uncompromising in your entertainment you'll probably enjoy this. If you like languidly paced art films, then you'll probably enjoy this. Otherwise, you might lose your patience. The narrative unfolds slowly and methodically, but the payoff is mostly worth the time taken to get there. Aiming to keep this spoiler-free, a brief synopsis is that a new minister (Guy Pearce) comes to a small Western town, and this puts a mute woman (Dakota Fanning) on edge, especially after a miscarriage puts her at odds with her fellow townsfolk. One further important detail is that the film is divided into four chapters, and the first three of these unfold in reverse chronological order. The movie centers around Dakota Fanning and Guy Pearce's characters, and the narrative structure allowed the director to withhold key information until the right time. Of course, like many other films with unique narrative devices, remove it and the film wouldn't be nearly as effective. That being said, there's plenty of stuff that goes on in nearly two and a half hours. A little indulgent? Sure, but all of the narrative elements are good enough to not make this much of a deal-breaker. I will say that the pacing, though slow, was steady and I never got bored. Thematically, Martin Koolhoven (the director) was able to use the period setting effectively to portray a world of religious coercion and the lengths men will go to justify oppressing women. Guy Pearce's character was basically evil incarnate, and it was a scarily brilliant performance. Dakota Fanning also did well, certainly better than I've seen out of her before. Kit Harrington also had a small role as a man that Dakota Fanning's character secretly nurses back to health, and who also teaches her a valuable lesson. From the more technical side, I greatly enjoyed the beautiful cinematography, and the haunting score by Tom Holkenborg (aka, JunkieXL). All things considered, this is one of the best films I've seen in a while, Western or not. For some reason, Europeans seem to do a better job nowadays tackling this genre, and BRIMSTONE is no exception. As long as you're a somewhat patient viewer, and not easily offended, I can highly recommend this.
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