A thief with a unique code of professional ethics is double-crossed by his crew and left for dead. Assuming a new disguise and forming an unlikely alliance with a woman on the inside, he looks to hijack the score of the crew's latest heist.
Mei, a young girl whose memory holds a priceless numerical code, finds herself pursued by the Triads, the Russian mob, and corrupt NYC cops. Coming to her aid is an ex-cage fighter whose life was destroyed by the gangsters on Mei's trail.
Frank Martin puts the driving gloves on to deliver Valentina, the kidnapped daughter of a Ukranian government official, from Marseilles to Odessa on the Black Sea. En route, he has to contend with thugs who want to intercept Valentina's safe delivery and not let his personal feelings get in the way of his dangerous objective.
When his mentor is taken captive by a disgraced Arab sheik, a killer-for-hire is forced into action. His mission: kill three members of Britain's elite Special Air Service responsible for the death of his sons.
Homeless and on the run from a military court martial, a damaged ex-special forces soldier navigating London's criminal underworld seizes an opportunity to assume another man's identity -- transforming into an avenging angel in the process.
Ex-con Jensen Ames is forced by the warden of a notorious prison to compete in our post-industrial world's most popular sport: a car race in which inmates must brutalize and kill one another on the road to victory.
Parker is a thief who has an unusual code. He doesn't steal from the poor and hurt innocent people. He is asked to join four other guys on a job. They pull it off flawlessly. They tell Parker that what they got can help them set up another job which will net them much more. But Parker doesn't want to join them and asks for his share. But they need it all so they try to kill him. They dispose of his body but someone finds him--he is still alive--and takes him to the hospital. After recovering he sets out to get back at the ones who tried to kill him, another one of his codes. Despite being told that they are working for a known mobster which he was not aware of, he still wants to go after them. He learns where they are and poses as a wealthy Texan looking to buy a house. So he hires a real estate agent, Leslie Rogers to show him around. He is actually trying to find out where they're holed up. And when he finds it, he sets out on his plan to get them. But when they learn he is alive, ... Written by
The first Parker film since author Donald E. Westlake's death in 2008. Westlake is credited under his famous pseudonym Richard Stark, which he wrote all of the Parker novels under. See more »
Parker hides two guns under tables, one under a tiled table and one under a wooden table. Spaces between the wood pieces of the tabletop are obviously wide enough to see anything attached underneath. See more »
[Leslie signs for a package, opens it, and wads of currency fall out. Her mother calls out from upstairs]
Leslie, who was that?
It's the mailman. Nothing but bills.
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Parker, a.k.a. "Every other Jason Statham film ever...but this time with a ten gallon". I won't be going in a detailed review, because if you've seen one Jason Statham flick you've seen every Jason Statham flick. Don't believe me? Here are some common trends I've noticed across his other films also present in this one: 1. Obligatory scene where he runs away from the hospital, minutes after waking up from being shot, beaten and/or mauled by a bear - check. 2. Semi-anonymous protagonist that is just a ridiculous badass for no apparent reason - check. 3. Whatever dubious activities he takes part in are explained to the viewer as honorable in a "everyone gets dirty" kind of way, because you know, JS has a code he adheres to and that automatically makes crime acceptable - check. 4. Women are magnetically compelled to his junk by his mere presence - check. Fast and fancy cars, because. (No I didn't forget the rest of the sentence) - check. 5.Walking around seemingly unfazed with broken appendages, ribs, collar bones, multiple gunshot wounds, knife stabbing wounds and/or bear mace - check.
All and all it's an okayish film, if you've never seen another Jason Statham flick before, but at this point it's just stupid to keep casting him in the same role, in the same film, over and over. It's obvious he's not a brilliant actor, but he has a lot more to offer than what is currently being churned out. Speaking of acting don't get me started on Jeniffer Lopez - her acting is just wince-inducing. Apparently the director thought the same and cast her in the film as a walking butt to centre shots around in the time Jason is off screen, presumably to make JS' male fans feel less awkward and have an excuse about having an erection throughout the movie, because we all know how unsure of themselves "bros" are.
It's a completely forgettable film you will probably regret paying actual real world money to see, because you will feel like you've seen this film at least 4 other times.
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