1921. An innocent immigrant woman is tricked into a life of burlesque and vaudeville until a dazzling magician tries to save her and reunite her with her sister who is being held in the confines of Ellis Island.
In the rail yards of Queens, contractors repair and rebuild the city's subway cars. These contracts are lucrative, so graft and corruption are rife. When Leo Handler gets out of prison, he ... See full summary »
Put in charge of his young son, Alain leaves Belgium for Antibes to live with his sister and her husband as a family. Alain's bond with Stephanie, a killer whale trainer, grows deeper after Stephanie suffers a horrible accident.
1921. In search of a new start and the American dream, Ewa Cybulska and her sister Magda sail to New York from their native Poland. When they reach Ellis Island, doctors discover that Magda is ill, and the two women are separated. Ewa is released onto the mean streets of Manhattan while her sister is quarantined. Alone, with nowhere to turn and desperate to reunite with Magda, she quickly falls prey to Bruno, a charming but wicked man who takes her in and forces her into prostitution. And then one day, Ewa encounters Bruno's cousin, the debonair magician Orlando. He sweeps Ewa off her feet and quickly becomes her only chance to escape the nightmare in which she finds herself. Written by
Marion Cotillard was cast after she met director James Gray during a dinner at a French fish restaurant where Gray and her boyfriend Guillaume Canet were talking about the script of Blood Ties (2013). Gray and Cotillard proceeded to get into an argument about an actor. "She threw bread at my head and she mentioned that she thought I was a jerk. And of course as consequence I immediately loved her." Gray told he had never seen Cotillard in anything before, but was instantly drawn to her. "I thought she had a great face, and not just physically beautiful because she is, but a haunted quality, almost like a silent film actress. I've talked about this, but she reminded me of Maria Falconetti in the Carl Theodor Dreyer film [The Passion of Joan of Arc (1928)]; able to convey depth of emotion without dialogue specifically. I watched every film of hers I could get my hands on. And then I knew I had to write something for her. So that's the genesis of this thing [The Immigrant]. I wrote the movie for her and Joaquin Phoenix, and if they hadn't wanted to do the movie, I'm not sure I would have made it", he told. See more »
The famous opera singer Enrico Caruso did sing at Ellis Island, but not in February 1921. Carusos's last performance was in late December 1920, after which his health deteriorated. See more »
[standing in line at Ellis Island speaking Polish]
We're almost there.
The doctors are looking, try to hold it in. You're just nervous. That brings it on. Try to close your ears and say a prayer, to the Mother of God.
We'll find Aunt Edyta soon, and we'll be safe. We'll be together. We'll make our own families, have lots of children.
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I just finished this movie and wanted to leave a review, while the credits are still rolling.
I'm one of the harsher critics on IMDb, but I enjoyed The Immigrant. This is a dark film about Prohibition-era New York, and the trials of Eastern European immigrants who have come here in the hopes of a better life.
Like most good films, good and evil are blurred. We aren't asked to judge the characters, but rather to observe them as they are.
The plot is solid and the performances are impressive, particularly Marion Cotillard and Juaquin Phoenix.
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