6.7/10
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Song to Song (2017)

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Two intersecting love triangles. Obsession and betrayal set against the music scene in Austin, Texas.

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Cast

Cast overview, first billed only:
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BV
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Rhonda
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Miranda
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Zoey
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Duane
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Lykke
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Emma (as Olivia Applegate)
Dana Falconberry ...
Faye's Sister
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BV's Mother Judy
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Mrs. Gansmer
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Angry Woman
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BV's Brother
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Storyline

Two intersecting love triangles. Obsession and betrayal set against the music scene in Austin, Texas.

Plot Summary | Add Synopsis

Genres:

Drama | Music | Romance

Motion Picture Rating (MPAA)

Rated R for some sexuality, nudity, drug use and language | See all certifications »
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Details

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Release Date:

17 March 2017 (USA)  »

Also Known As:

Weightless  »

Filming Locations:

 »

Box Office

Opening Weekend:

$50,559 (USA) (17 March 2017)

Gross:

$421,856 (USA) (14 April 2017)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The cast of the final version of Song to Song (2017) includes 3 Oscar winners (Cate Blanchett, Holly Hunter, Natalie Portman) and three Oscar nominees (Michael Fassbender, Rooney Mara, Ryan Gosling). See more »

Quotes

Cook: The world wants to be deceived.
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Soundtracks

Nuages
(from "Nocturnes")
Written by Claude Debussy
Performed by Orchestre National de Lyon
Conducted by Jun Märkl
Courtesy of Naxos
By Arrangement with Source/Q
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User Reviews

You gotta love the visuals. Malick is a painter with a story barely important.
3 April 2017 | by (United States) – See all my reviews

"The world wants to be deceived." Cook (Michael Fassbender)

Terence Malick's current cast of romantics are lost in themselves, searching how they can find fulfillment, largely through troubled relationships that on the surface look ethereal. Of course, that heavenly view happens because Malick's point of view is through his lens, which, with the help of his usual cinematographer, Emmanuel Lubezki, is other-worldly gorgeous and impressionistic.

Although Malick has taken inspiration from trees and landscapes in many other films, here he takes pleasure in the angles of modern Austin architecture with its glass-dominated homes and their infinity pools. All the better for the heroes Faye (Rooney Mara) and BV (Ryan Gosling) to be constantly thinking of themselves as the center of the universe and those outside the glass a part of the menagerie to be neglected.

The fly in the ointment of love is producer Cook, who is after Faye and succeeding without BV knowing it. The eternal triangle seems to flourish for much of the film because Malick not only sees like a painter with just images to contend with, but he also concentrates more on the physical properties of his characters and their stories and less on the corrosive result of promiscuity.

The glue to the multiple images is the soundtrack, about as eclectic as you'll ever hear and changing with most sequences. The songs evoke mood and meaning as well as the remembered past, Reinforcing the dominance of music are cameos from the likes of Iggy Pop, Tegan and Sara, Anthony Kiedis, and Lykke.

Music and memory are the stuff of Song to Song. Along with Malick's incomparable images, you'll be fully immersed in the impressions of people caught in the act of using love to give meaning to life. Just don't expect a tour of the Austin music scene. It's all about impressions, Baby.


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