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After breaking up with his childhood sweetheart, a young man finds solace in drugs. Meanwhile, a teenage girl is caught in the world of prostitution. Will they be destroyed, or will they find redemption?
The scene where Dr Ahmedi lands and is giving an interview to the Journalist the scene switches to TV (showing the same interview), here it is obvious that the scene is shot at a different time since Dr Ahmedi's Beard is heavier in the TV scene plus the men standing at the back between the switch. See more »
Dibakar Banerjee, Abhay Deol and Emraan Hashmi. There cannot be any better reason to watch this movie and well, it's worth the expectations. Shanghai, the Desi adaption of Z by Vassilis Vassilikos is a fine thriller.
First things first, you can feel the Dibakar Banerjee style in each and every frame of this around two hour movie. In first ten minutes itself, the culprits are revealed and there is no whodunit feeling in first half, but thanks to brilliantly panned screenplay (courtesy Urmi Juvekar and DB), the tension builds on in a continuum till the climax and climax pays it off.
The power of Shanghai lies in its characters and subplots. Director leaves much upon the imagination of viewers but, still it is amazing to witness such a powerful cinema with a short and simple story. Abhay, Emraan and Kalki play their milestone characters and they play with such an ease that it is impossible to picture any actors in their shoes. Prosenjit Chatterjee, though plays a cameo, makes his presence felt throughout the movie, which is incredible.
Shanghai could have been a loud political thriller with grungy background score and over the top acting, but DB chooses the path less traveled. Like his last three films he chooses his own subtle and proportionately dramatic storytelling that makes it a standalone from clichéd and crass political thrillers. In order to keep the intensity of such a mature subject, Dibakar has deliberately avoided soulful songs like Khudaya and Dua, and placed situational tracks like Bharat Mata Ki and Imported Kamariya, which is a courageous effort.
The negatives? First half takes a bit more of time to create the situations and subplots making the movie a bit drag occasionally. Apart from this, I can't find out any other loopholes in this movie.
Watch it or not? If you are a fan of "the real powerful cinema", do go for it.
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