Jack Reacher must uncover the truth behind a major government conspiracy in order to clear his name. On the run as a fugitive from the law, Reacher uncovers a potential secret from his past that could change his life forever.
Navy S.E.A.L. sniper Chris Kyle's pinpoint accuracy saves countless lives on the battlefield and turns him into a legend. Back home to his wife and kids after four tours of duty, however, Chris finds that it is the war he can't leave behind.
Christian Wolff is a math savant with more affinity for numbers than people. Behind the cover of a small-town CPA office, he works as a freelance accountant for some of the world's most dangerous criminal organizations. With the Treasury Department's Crime Enforcement Division, run by Ray King, starting to close in, Christian takes on a legitimate client: a state-of-the-art robotics company where an accounting clerk has discovered a discrepancy involving millions of dollars. But as Christian uncooks the books and gets closer to the truth, it is the body count that starts to rise. Written by
The fictional Harbour Institute is located in Hanover, NH, the real life location of Dartmouth College's Center for Cognitive Neuroscience, one of the leading institutes for the study of the brain and neural activity See more »
In the first act, our protagonist uses a .50-caliber Barret sniper rifle to splatter 3 melons on which he has drawn faces with a Sharpie. This gun creates a highly cinematic and very cool shock-wave that kicks up a lot of dust in a 10-foot radius each time it is fired. The director chose to hide/not-show this; breaking the heart of gun geeks everywhere. See more »
Did you ever see a match-grade round travelling three thousand feet per second go through a window?
[guard standing near window drops dead as shot shatters glass]
See more »
A largely entertaining, but deeply flawed, action-thriller.
Ben Affleck's acting resurgence of the last few years (Argo, Gone Girl, his take on Batman) notches up another tick in the box, this time with an introspective and multi-layered turn as the titular black-market bookkeeper who battles autism, assassins and federal agents. An intricately woven thriller boasting multiple twists and turnsof varying predictabilitythere's enough meat on the narrative bones to compensate for the over-utilisation of rote flashbacks and the occasional slip into genre cliché. The autism angle certainly lends a fresh viewpoint on old tropes but the film never feels completely confident to commit, becoming selective about when it depicts the mental condition warts-and-all and when it tames it down to suit the scene. That's possibly an unfair criticism though as this movie is an action-thriller first and foremost, and a damn good one at that. The set pieces are a mix of scrappy hand-to-hand fights, à la the Bourne series, and gunplay that emphasises practicality similar to that displayed in John Wick; combining to create sequences that are both brutal and stylish. Thankfully the editing isn't as impatient as it can be in a lot of action flicks, with shots held on the recognisable actors just long enough to convince you they're doing their own stunts, whilst the booming sound design gives the sniper scenes an extra bit of chest-pummelling oomph. It's a shame the otherwise exciting finale is at times lit so dimly it's like you're viewing it with sunglasses on, as it detracts slightly from what could have been an epic climax. But hey, that's a minor quibble. Sharing the screen with Affleck, Jon Bernthal's wild streak comes out to play in another menacing badass role and J.K. Simmons is dependably magnetic as a lead agent with a secret past, however Anna Kendrick's kooky numbers cruncher seems to have walked in from a completely different movie (Pitch Perfect 3 perhaps?). It's by no means flawless, yet the high calibre action, gripping central performance and a few plot-based surprises make The Accountant a largely satisfying cinematic outing.
28 of 46 people found this review helpful.
Was this review helpful to you?