6.8/10
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12 user 53 critic

Leap! (2016)

Ballerina (original title)
Trailer
2:23 | Trailer
An orphan girl dreams of becoming a ballerina and flees her rural Brittany for Paris, where she passes for someone else and accedes to the position of pupil at the Grand Opera house.

Directors:

(as Éric Summer),

Writers:

(original idea) (as Éric Summer), (original story) (as Éric Summer) | 4 more credits »
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Popularity
113 ( 34)

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Cast

Complete credited cast:
...
Felicie (voice)
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Victor (voice)
...
Odette (voice)
...
Camille (voice)
Terrence Scammell ...
Mérante / Postman (voice) (as Terence Scammel)
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Rudolph / Mathurin (voice)
...
Regine (voice)
...
Director of Opera (voice)
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Dora / Rosita (voice) (as Elena Dunkleman)
Shoshana Sperling ...
Nora (voice) (as Soshana Sperling)
Jamie Watson ...
Greasy Guard / Janitor (voice)
Bronwen Mantel ...
Mother Superior (voice)
Rest of cast listed alphabetically:
...
(voice)
...
Victor (voice)
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Storyline

An orphan girl dreams of becoming a ballerina and flees her rural Brittany for Paris, where she passes for someone else and accedes to the position of pupil at the Grand Opera house.

Plot Summary | Add Synopsis

Taglines:

Never give up on your dreams


Motion Picture Rating (MPAA)

Rated PG for some impolite humor, and action | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

Release Date:

30 August 2017 (USA)  »

Also Known As:

Leap!  »

Box Office

Budget:

$30,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

'Nat Wollf' replaces Dane DeHaan as Victor in the American release of the film. DeHaan voices Victor in the international English version of the film. See more »

Goofs

When they are practicing on the rooftops, Rudolph the Russian calls Felicie a "babooshka", which means grandmother. He would not call her this, as it is not a term of endearment.
  • In the version I saw, the word 'minushka' was used, not 'babooshka'.
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Connections

Referenced in The 89th Annual Academy Awards (2017) See more »

Soundtracks

Runaways
Written by Carly Rae Jepsen, Dana Parish and Andrew Hollander
Performed by Carly Rae Jepsen
Produced by Andrew Hollander
Mixed by Lawrence Manchester
Recorded and mixed at Sugarbox Studios, New York, NY
Piano, drums mellotron by Andrew Hollander
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User Reviews

Ballerina-Reuniting with a great art: Ballet
3 March 2017 | by (Canada) – See all my reviews

Tired of watching modern dance movies that has you say: Another one of Hollywood street dancer groups with all its acrobatics that must have come from America's got talent aiming for Hollywood that tosses aside the traditional dance of Ballet?

Produced at L'Atelier Animation in Montreal, Canada, Ballerina (2016) is majestic at all levels from the animation to the story itself.

A basic story of a young orphaned girl Félicie (Elle Fanning) who dreams to become a ballerina leaves with her friend Victor (Dane DeHaan) who also has a dream that of becoming a famous inventor, both go to Paris to meet their destiny.

What makes this a beautiful animation is that the story is not bogged by irrelevant metaphors or irony that distracts from the story that would have us distracted to the relevance of the movie based on something that could happen anywhere such as achieving one's goal. One does not say during the film that this scene is ridiculous that it diverts us from the message.

A success indeed.

First of all, the story itself. Set back in the 1800's where Paris is growing and where all hope is possible and notwithstanding the fact that Félicie (Elle Fanning) will take the identity of another person Camille Le Haut (Maddie Ziegler) is not new in the move world. Yet, the story progresses logically to have her be discovered as a fraud. What Merante (Terrence Scammell) sees in Félicie when he discovers the truth is what he sees in himself, one with passion. As a fact when he says to Camille and Felicie why they dance, in his harshness in his selection of candidates lies his humanity. He doesn't insult Camille but asks her why she dances?

Here we have the theme: Are we born to dance or do we become dancers that can be applied in all aspects of society? Are we born with a gift or do we become the gift?

Secondly, the choreography is absolutely amazing. It compares with all the acrobatics seen on America's got talent or in movies such as Rocky Balboa. Remember his training against this Russian guy? We see two types of training, the natural versus the mechanical training using modern equipment.

What about the competitive choreography between the two girls? Superbe!

If the film gave me shivers three times then I admit to the success of the film animation to have struck a chord in me. And, if my grandchild was able to relate to his life one scene which was the union of Félicie and as Odette (Carly Rae Jepsen) and which has also brought me back to when I bought tickets to the Ballet then I consider this animation a true marvel to which I give 10/10.


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