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Clouds of Sils Maria (2014)

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A film star comes face-to-face with an uncomfortable reflection of herself while starring in a revival of the play that launched her career.

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Popularity
4,563 ( 509)
19 wins & 42 nominations. See more awards »
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Cast

Cast overview, first billed only:
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Actress in Sci-fi Movie
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Aljoscha Stadelmann ...
Urs Kobler
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Maria's London Assistant
Stuart Manashil ...
Maria's Agent
Peter Farkas ...
Journalist in Zürich
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Journalist in London
Ricardia Bramley ...
Talk Show Host
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Storyline

At the peak of her international career, Maria Enders is asked to perform in a revival of the play that made her famous twenty years ago. But back then she played the role of Sigrid, an alluring young girl who disarms and eventually drives her boss Helena to suicide. Now she is being asked to step into the other role, that of the older Helena. She departs with her assistant to rehearse in Sils Maria; a remote region of the Alps. A young Hollywood starlet with a penchant for scandal is to take on the role of Sigrid, and Maria finds herself on the other side of the mirror, face to face with an ambiguously charming woman who is, in essence, an unsettling reflection of herself. Written by Cannes Film Festival

Plot Summary | Plot Synopsis

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for language and brief graphic nudity | See all certifications »

Parents Guide:

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Details

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Language:

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Release Date:

20 August 2014 (France)  »

Also Known As:

Sils Maria  »

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Box Office

Opening Weekend USA:

$61,810, 12 April 2015, Limited Release

Gross USA:

$1,811,138, 28 June 2015

Cumulative Worldwide Gross:

$4,733,798, 31 December 2015
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

| (archive footage)

Aspect Ratio:

2.40 : 1
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Did You Know?

Trivia

Daniel Brühl was originally cast for the role of Klaus Diesterweg. He dropped the role due to his promotional duties for his film Rush (2013). Lars Eidinger replaced him. See more »

Goofs

In the opening, the characters are riding in what is clearly a second-class rail car. This would be completely out of character, given what we see later in the movie. See more »

Quotes

Maria Enders: A sea of gray hair.
Valentine: Completely.
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Crazy Credits

During the closing credits, four of the actors are shown under the heading "guest appearance by". See more »

Connections

References X-Men (2000) See more »

Soundtracks

Contentment
Music by Marian McPartland
© Editions KPM Music - K Music
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Frequently Asked Questions

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User Reviews

 
One of the most intelligent films of recent years
2 December 2015 | by See all my reviews

This is a seriously clever film, with an almost watertight screenplay that keeps you completely engrossed from start to finish and some mesmerising central performances. It is a bit harder to unlock than more mainstream movies, but it provides a hugely satisfying and intriguing discussion when it comes to the end.

Unlike most Hollywood takes on the state of show business and celebrities in the modern world, which is more often than not pretty depressing (take recent films like Birdman and Maps To The Stars), this European film has a much more elegant atmosphere to it whilst it delves into the world of this ageing actress struggling to keep her cool under a lot of pressure.

The film has some absolutely fascinating insights into the world of show business. It looks at jealousy and media pressure on older actresses, whilst also putting across an ironic, satirical poke at the pretentiousness that so many of us have been guilty of with regards to art. There's a lot of talk in this film about reading into films perhaps more than they need to be, but also how more mainstream movies sometimes don't get the deeper recognition they deserve from elitist viewers because of their reputation, which I found absolutely enthralling to watch unfold.

Also, there are some very clever parallels between the relationship between the two main characters, this actress (Juliette Binoche) and her personal assistant (Kristen Stewart), and the characters in the play that they are rehearsing for. It seemed to me that the parallels were pretty deliberate, given that it was almost impossible to tell whether the two were rehearsing or talking to each other for real during the practice scenes, which I thought was a brilliant little touch that really helped to emphasise the confusion and deeper trouble that the characters were facing in the story.

Beyond that, there's so much more to think about in the plot, and I'm sure it requires multiple viewings to fully understand, but it's still a hugely captivating drama first time off anyway, which is absolutely brilliant to see.

Away from the story, the performances here are pretty fantastic too. Juliette Binoche perfectly captures her character's sense of confusion and loss as she goes through this time in her life, whilst also making her a recognisably snooty and diva-ish person that you can understand much clearer. Meanwhile, Kristen Stewart is excellent as the personal assistant, who tries hard to get to her employer, but often ends up feeling frustrated, and makes her character just as interesting, even if she is a side-player in the grand scheme of things.

Another point on the performances is that everyone, not only Binoche and Stewart, deliver their lines so brilliantly. It seems a pretty trivial thing to say, but in this film, I noticed what proper dialogue delivery sounds like so much more than anything else I've seen; every word was so clear and crisp, with fantastic emotion behind it, and that was just wonderfully impressive to witness for me.


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