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An elite counter-intelligence unit learns of a plot, masterminded by a maniacal madman. With the clock ticking, it's up to them to track the terrorists' international tentacles and prevent them from striking at the heart of India.
A man takes his thoroughly-British daughter to his home country, India. There, he arranges her marriage to someone she considers a fool. The daughter attempts to outwit them, but the groom quietly and patiently hatches his own plan.
When U.S.-based Siddharth visits his Indian home town with his new wife, he insists they stay at the ancestral home, laughing off family members' warnings of ghostly goings-on in the ... See full summary »
Virat (Akshay Kumar) is among a battalion of military officers that comes to Mumbai on vacation. Virat is also a secret Defence Intelligence Agent who cannot lie low, much to the irritation of his friend and sub inspector. During a bus ride, an attempt to frisk passengers for a lost wallet leads Virat to something much bigger. Within minutes, the bus is blown into pieces and he helps cops nab the carrier of the bomb, who escapes from the hospital only to be caught by Virat again. Using tact, Virat follows one clue at a time hoping to track down the terrorist on whose orders the sleeper cell terrorists plan to cause mayhem in Mumbai. Written by
Sadiq khan (firstname.lastname@example.org)
Akshay Kumar is an amazing actor. His stunts are jaw breaking no doubt. But, the film hits the write notes. Sonakshi Sinha was wasted. Freddy Daruwala makes a god villain.
This is an edge of the seat thrilled that will keep you hooked right till the end!
It's just as hard to imagine "Holiday" without Akshay as it is to imagine last week's elegiac and thoughtful "Citylights" without Rajkummar Rao.
They both breathe life into their characters from different respiratory systems.
We often tend to think the grammar and language of mainstream cinema to be far easier to convey than the language of the so-called serious cinema.
Wrong! A full-on massy product, which doesn't resort to outlandish inanities or outright vulgarity, is the most difficult form of filmmaking. In "Holiday", Murugadoss has some absolutely unflinching support from his writers and technicians, all out to create that increasingly elusive cinematic entity .
The perfect entertainer.
Not that "Holiday" is not without its flaws. What would life in the movies be without those?
Sonakshi Sinha's role and presence in the plot can at best be termed as comic relief. She is less diva, more Mehmood. It is interesting to see how the director weaves the romantic element into what is predominantly a rugged man-to-man confrontation between an armyman on leave and a super-intelligent terrorist, who is seen to work out not from a dingy warehouse, but a normal home teeming with the scents and images of domestic harmony.
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