WWII American Army Medic Desmond T. Doss, who served during the Battle of Okinawa, refuses to kill people, and becomes the first man in American history to receive the Medal of Honor without firing a shot.
A five-year-old Indian boy gets lost on the streets of Calcutta, thousands of kilometers from home. He survives many challenges before being adopted by a couple in Australia. 25 years later, he sets out to find his lost family.
Following the assassination of President John F. Kennedy, First Lady Jacqueline Kennedy fights through grief and trauma to regain her faith, console her children, and define her husband's historic legacy.
A look at tightrope walker Philippe Petit's daring, but illegal, high-wire routine performed between New York City's World Trade Center's twin towers in 1974, what some consider, "the artistic crime of the century".
Jean François Heckel,
Troy Maxson makes his living as a sanitation worker in 1950s Pittsburgh. Maxson once dreamed of becoming a professional baseball player, but was deemed too old when the major leagues began admitting black athletes. Bitter over his missed opportunity, Troy creates further tension in his family when he squashes his son's chance to meet a college football recruiter. Written by
While sharing the pint of gin the first Friday night, the label on the bottle keeps changing direction while Troy has it on the table next to him. See more »
[riding their garbage truck job]
Troy, you oughta stop that lyin'.
I ain't lyin'. The nigger had a watermelon this big. Talkin' about "What watermelon, Mr. Rand?" I liked to fell out... "What watermelon, Mr. Rand?" And it's sittin' there bigger than life.
What Mr. Rand said?
He said nuthin'. He figured the nigger too dumb to know he carryin' a watermelon, he wouldn't get no sense out of 'im. Trying to hide that great big watermelon under his coat. Afraid to let the white man see him...
See more »
When you pair up Denzel Washington with Viola Davis on screen, you know you're in for two of the most outstanding performances you'll see all year and that's exactly what you get from FENCES. That said, if only director Denzel Washington and his crew could've figured out some ways to lessen the stage play feel to it and make this seem more cinematic. But then again, breaking out of that format is indeed usually the challenge when dealing with straight up adaptations from stage plays, just like "August: Osage County" a few years ago.
Scripted by August Wilson, adapted by Wilson's own Pulitzer Prize-winning play, Denzel Washington plays an African-American father struggling with race relations in the United States while trying to raise his family in the 1950s. He's still bitter from his doomed baseball career in the past, blames it on the white man, so when his son tries to get into sports, he discourages him, telling him that the white man wouldn't give him a single opportunity out there in the field. Denzel's character's wife, played by Viola Davis, faithfully stands by his side despite the secret that would change their family forever.
Story-wise, it doesn't get more well-thought out than FENCES, it's dialogue-driven, it's performance-driven, this material is every actor's dream come true because it has so many layers and it provides room for you to showcase the best version of your chops. We know Denzel and Viola Davis are phenomenal, but FENCES allows them to venture into places and show us shades that may not have been seen before. And I'm sure it feels liberating for all the actors involved in this film to just dig deep down, tap into those emotions and lay them bare for the world to see, and there's no wrong way of doing it.
The conflicts in FENCES are powerful, like a fist through a wall. Nuances surround the characters so you end up understanding where they're coming from despite being in agreement or disagreement with many of their decisions. To a certain extent, I think Quentin Tarantino and Aaron Sorkin fans would find FENCES appealing since each of the characters has incredibly long lines that run like 100 mph. Marital affair, resentments, built up hatred, forgiving your past, there's no shortage of drama in FENCES, its cup overflows. But again, as I said earlier, I think there's a missed opportunity here, the film just didn't do enough to make itself appear cinematic. Composer Marcelo Zarvos' music is almost non-existent. Forget the backseat, many of film's elements are practically locked up in the trunk.
31 of 53 people found this review helpful.
Was this review helpful to you?