In the near future, a weary Logan cares for an ailing Professor X somewhere on the Mexican border. However, Logan's attempts to hide from the world and his legacy are upended when a young mutant arrives, pursued by dark forces.
It's time for a young African American to meet with his white girlfriend's parents for a weekend in their secluded estate in the woods, but before long, the friendly and polite ambience will give way to a nightmare.
An ambitious young executive is sent to retrieve his company's CEO from an idyllic but mysterious "wellness center" at a remote location in the Swiss Alps, but soon suspects that the spa's treatments are not what they seem.
First there was an opportunity......then there was a betrayal. Twenty years have gone by. Much has changed but just as much remains the same. Mark Renton (Ewan McGregor) returns to the only place he can ever call home. They are waiting for him: Spud (Ewen Bremner), Sick Boy (Jonny Lee Miller), and Begbie (Robert Carlyle). Other old friends are waiting too: sorrow, loss, joy, vengeance, hatred, friendship, love, longing, fear, regret, diamorphine, self-destruction and mortal danger, they are all lined up to welcome him, ready to join the dance. Written by
Sony Pictures Entertainment
Although Irvine Welsh wrote a follow-up to his novel Trainspotting in 2002 called 'Porno', this movie follow-up is actually only very loosely based on 'Porno.' It is mostly an original story which includes some unused parts of the Trainspotting novel, and some elements from Porno. That being said, during pre-production, this film was titled 'Porno.' See more »
When Renton and Sick Boy are performing on stage at the Protestant pub, the camera attached to Renton's microphone is briefly visible. See more »
You know, since we're having this conversation, I can tell you that fully consentual, emotionally driven, not-for-profit sexual intercourse has been attained.
Simon, you're a romantic.
See more »
Performed by Blondie
Written by Debbie Harry (as Deborah Harry) and Chris Stein
Courtesy of Capitol Records LLC
Under license from Universal Music Operations Ltd.
Published by Windswept Music (London) Ltd., a BMG Company See more »
Choose remakes. Choose re-imaginings. Choose sequels. Choose reboots. Choose life in 2017.
Following in the recent trend of dated sequels, reboots and kick-starts (literally and figuratively) here Danny Boyle's 90s cult classic gets a final shot in the arm; loosely hanging its narrative and character development around Irving Welsh's literary sequel 'Porno' and trying to circumnavigate a world two decades older and wearier than its predecessor (despite the book only giving way to nine).
All of the familiar faces are back and those who aren't are at least in some way alluded to or given a not-so-subtle nod but now generally referred to by their given names: Mark (Renton), Simon (Sick-Boy), Danny (Spud) and Frank (Begbie). And generally speaking, T2 is very much a nostalgia piece, revisiting all of the iconic imagery, scenery and/or moments which made the first movie so overtly unique, refreshing and unforgettable: from the worst toilet in Scotland, to parallel chase sequence moments, to snarky comments about the danger of underage girls; this follow-up seems almost determined to create an abstract sense of reflection. We as an audience are offered the chance to relive and reminisce on past glories in much the same way as the characters on-screen are. The misanthropic tone is a far cry from the jubilant anger of the first incarnation however and McGregor's lengthy 'Choose Life' explanatory diatribe (citing more modern pitfalls of Facebook, Twitter and "Slut Shaming") is the only real moment in which any character fully engages and communicates a sense of circumstantial disillusionment. On a positive note, the character development of Spud who emerges as the primary, sympathetic protagonist is excellent; despite what feels like a somewhat-forced, Hollywood-friendly, conclusive arc for Ewen Bremner's dim-witted addict. Overall, it's a serviceable enough cap tip to the original, but truthfully lacks the bark or bite to have the modern day resonance it craves (and the original so easily garnered).
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