Friends and admirers of iconoclastic film director Sam Fuller read from his memoirs.

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(autobiography A Third Face), (concept)
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Cast

Cast overview, first billed only:
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Himself - Reader (segment "Copy Boy")
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Herself - Reader (segment "Crime Reporter")
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Himself - Reader (segment "Freelance")
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Himself - Reader (segment "Chaos & Bewilderment")
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Himself - Reader (segment "The Big Red One: Johnson")
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Himself - Reader (segment "The Big Red One: Kaiser")
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Himself - Reader (segment "The Big Red One: Zab")
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Himself - Reader (segment "The Big Red One: Griff")
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Himself - Reader (segment "Sicily Black and Blue")
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Himself - Reader (segment "D-Day - an Invitation to Hell")
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Himself - Reader (segment "A River of Tears")
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Himself - Reader (segment "Vision of the Impossible")
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Himself - Reader (segment "The Pursuit of Happiness")
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Herself - Reader (segment "Grab 'Em. Slap 'Em. Shake 'Em up.")
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Himself - Reader (segment "My Ballsy Yarns")
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Storyline

Friends and admirers of iconoclastic film director Sam Fuller read from his memoirs.

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August 2013 (Italy)  »

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16:9 HD
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User Reviews

 
Inventive
1 April 2017 | by See all my reviews

Samuel Fuller is one of the best. He was largely an avant-garde filmmaker, which results in the quality of his films increasing over time. White Dog, for instance, is an unmitigated masterpiece that was actually shelved when it was released. Its anti-racist message was considered "racist" before anyone actually saw the film. "A Fuller Life," a documentary about Samuel Fuller, is one of the most ingeniously crafted documentaries in a long time. The film is by Fuller's daughter Samantha, who employs the help of several people to read from his autobiography (every word of the film was written by Samuel Fuller), and utilizes footage from his films to tell the story. Samuel Fuller's overbearing presence is felt throughout the film, to the extent that when each person reads from the book, the spirit they knew leaps off the pages and their voice, and into your unsuspecting brain, which decrypts it as Fuller's voice, his words, his presence. Most of the film, maybe somewhat disappointingly, is about Fuller's time before making films. What is left is actually better than you might anticipate; it traces his sources of interest for making films. This all assists in painting a portrait of Fuller that's almost like a movie camera. But perhaps Fuller should be remembered for being a great storyteller than anything else.


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