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Inferno (2016)

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When Robert Langdon wakes up in an Italian hospital with amnesia, he teams up with Dr. Sienna Brooks, and together they must race across Europe against the clock to foil a deadly global plot.

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(based in part on the novel by), (screenplay)
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1 nomination. See more awards »

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Cast

Cast overview, first billed only:
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Christoph Bouchard
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Elizabeth Sinskey
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Vayentha
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Marta Alvarez
Paolo Antonio Simioni ...
Dr. Marconi
Alessandro Grimaldi ...
Florence Hospital Taxi Driver
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Parker
Robin Mugnaini ...
Apartment Carabinieri Captain
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CRC Tech Arbogast
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Boboli Gardens Policeman
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Gallery Guard
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Storyline

Famous symbologist on a trail of clues tied to the great Dante himself. When Langdon wakes up in an Italian hospital with amnesia, he teams up with Sienna Brooks, a doctor he hopes will help him recover his memories. Together, they race across Europe and against the clock to stop a madman from unleashing a global virus that would wipe out half of the world's population. Written by Sony Pictures Entertainment

Plot Summary | Plot Synopsis

Taglines:

The Da Vinci Code and Angels & Demons were just the beginning See more »


Motion Picture Rating (MPAA)

Rated PG-13 for sequences of action and violence, disturbing images, some language, thematic elements and brief sensuality | See all certifications »

Parents Guide:

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Details

Official Sites:

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Language:

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Release Date:

28 October 2016 (USA)  »

Also Known As:

Cehennem  »

Filming Locations:

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Box Office

Budget:

$75,000,000 (estimated)

Opening Weekend:

$14,860,425 (USA) (28 October 2016)

Gross:

$34,257,924 (USA) (6 January 2017)
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Company Credits

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Technical Specs

Runtime:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Just a few weeks before the release of this film, Dan Brown announced the new book in the Robert Langdon series titled "Origin." It is expected to be released in September 2017. Something similar happened when Angels & Demons (2009) was released, but in that case, a book was released months after the film, which was "The Lost Symbol." See more »

Goofs

The movie shows the tomb of Enrico Dandolo as an elaborately carved, free-standing sepulcher on the ground floor of Istanbul's Hagia Sophia, right underneath its gigantic dome. But in fact, Dandolo's tomb (or rather a cenotaph marble slab placed there in the 19th century as the real tomb has been lost to history) is located on the upper Eastern gallery and is a simple marker virtually flush with the floor. See more »

Quotes

Robert Langdon: The greatest sins in human history were committed in the name of love
See more »

Connections

Featured in Breakfast: Episode dated 16 October 2016 (2016) See more »

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User Reviews

 
The third, and worst, of the Langdon-Hanks-Brown-Howard films
13 December 2016 | by (United Kingdom) – See all my reviews

Personally didn't mind 'The Da Vinci Code', though it was a long way from great, but 'Angels and Demons' while with some good things was lacklustre. Unfortunately, the latest film 'Inferno' is no better, in fact all the mistakes made in 'Angels and Demons' are made here and made bigger while a few more grievous ones are made.

There is not much that saves 'Inferno', but it does have to be said that the locations are truly stunning with some nice location work that makes one wish that they belonged in a much better film. Hans Zimmer's music score is haunting once again and accentuates the thriller mood of the film, though it was orchestrated more cleverly before. Tom Hanks again gives his role an easy-going charm and effortless authority, there is not much personal at stake seemingly here for Langdon but Hanks is always watchable and gives his all.

However, that is pretty much all that was good. As has been said already, the worst thing about 'Inferno' is the ending (which, also agreed, was the thing that elevated the book to a greater level, the ending in the book was that good), rendering everything seen in the film and all the events in the book useless in an ending that felt like a tacked on cop-out that reeked of production/studio interference. This said, the ending doesn't single-handedly bring 'Inferno' down, as there are other just as glaring problems too.

Ron Howard's direction is a mess, it is hard to believe that somebody who has a Best Director Oscar and has done some very good to outstanding work directed in a way that suggested more first time director learning (or more like struggling to learn) the ropes, finding urgency is a constant struggle and then he paces things in a rushed and erratic way.

Despite the stunning locations and nice location work, 'Inferno' is cheapened by some haphazard editing and over-reliance on high-speed tracking shots that suggest a cinematographer drunk on the job and have a dizzying effect, actually felt rather woozy and sick after seeing the film. Cast-wise, only Hanks rises above his material. Felicity Jones has a very underwritten character with little backstory and incomplete motivations and it shows in delivery and range lacking in expression, a very going-through-the-motions performance. The rest of the cast either overact or are wasted in caricature roles, with no sense of threat present.

Further disadvantaging them are a very corny script, with countless lines of clunky and awkward dialogue that sounds confused, overly-condensed and disorganised. Even worse a story that just doesn't compel, with its over-explanatory at times, but even more frequently convoluted, nature, and pacing that is so jumpy but at the same time so pedestrian that there is the sense that the writers and Howard had no idea what to do with the material and when and how to bring urgency into it.

On the whole, three or so good things but the rest makes Langdon's hair significantly less floppy in comparison. 3/10 Bethany Cox


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