A murder inside the Louvre and clues in Da Vinci paintings lead to the discovery of a religious mystery protected by a secret society for two thousand years -- which could shake the foundations of Christianity.
Jack Reacher must uncover the truth behind a major government conspiracy in order to clear his name. On the run as a fugitive from the law, Reacher uncovers a potential secret from his past that could change his life forever.
Arthur Bishop thought he had put his murderous past behind him, until his most formidable foe kidnaps the love of his life. Now he is forced to travel the globe to complete three impossible assassinations, and do what he does best: make them look like accidents.
Tommy Lee Jones
Academy Award® winner Ron Howard returns to direct the latest bestseller in Dan Brown's (Da Vinci Code) billion-dollar Robert Langdon series, Inferno, which finds the famous symbologist (again played by Tom Hanks) on a trail of clues tied to the great Dante himself. When Langdon wakes up in an Italian hospital with amnesia, he teams up with Sienna Brooks (Felicity Jones), a doctor he hopes will help him recover his memories. Together, they race across Europe and against the clock to stop a madman from unleashing a global virus that would wipe out half of the world's population. Written by
Sony Pictures Entertainment
Imagine if Spielberg had directed 'Godfather' and Coppola had directed the Indiana Jones movies. Both great directors, but it wouldn't have worked.
Same thing applies here. Like the first two in this franchise, 'Da Vinci Code' and 'Angels and Demons', there's just something terribly wrong with the direction. Yes, the Langdon movies are suppose to be fast paced, but if almost no scenes are allowed to breathe, does it matter?
And why do director Ron Howard keep on insisting insulting my intelligence? Like in the first two, many things are explained twice, so even the dumbest one in the audience knows what's going on.
Then there's the blatant mistake of shooting the movie in standard widescreen, instead of cinemascope, like the first two. When you make a movie with several visually looking fantastic locales around the world, it SCREAMS cinemascope.
And the best park of the book? They completely changed it. Guess they wanted to avoid any controversy.
Hans Zimmer's score was great, as usual, though.
The first two Langdon-movies are hovering at 6,6 on IMDb. So will this when the dust settles.
If the studio decides to make 'Lost Symbol' and - for once - have a Langdon movie getting great reviews, they should probably hire another director.
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