A prequel set before the haunting of the Lambert family that reveals how gifted psychic Elise Rainier reluctantly agrees to use her ability to contact the dead in order to help a teenage girl who has been targeted by a dangerous supernatural entity.
An American nanny is shocked that her new English family's boy is actually a life-sized doll. After she violates a list of strict rules, disturbing events make her believe that the doll is really alive.
In 1977, paranormal investigators Ed and Lorraine Warren travel to London, England, where single mother Peggy Hodgson believes that something evil is in her home. When Peggy's youngest daughter starts showing signs of demonic possession, Ed and Lorraine attempt to help the besieged girl, only to find themselves targeted by the malicious spirits.
Unlike the original film, which was filmed with hopes of getting a PG-13 rating (though the studio and filmmakers were ultimately OK with the R that the MPAA assigned), the sequel was both written and directed with the intention that it get an R rating, which is in fact what the MPAA granted it. See more »
During the establishing shots of London, the song "London Calling" by The Clash is heard. The film is set in the year 1977, but this song was not released until December 1979. See more »
After everything we've seen, there isn't much that rattles either of us anymore. But this one... this one still haunts me.
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During the credits, actual images of The Warrens and The Hodgsons are shown. See more »
The Conjuring 2 doesn't waste time in bringing the scares in. By that, I mean you're pretty much in the thick of it within three minutes or so, being given some background (via another very notorious haunting incident) for what is to follow.
The Warrens are sent on behalf of the church to investigate some paranormal activity which is whipping up a media storm in Enfield, England and, as per the first movie, they go and attempt to work their magic on the situation. As per the first movie, a family is being haunted and they fear for their sanity and lives. There are a few new twists this time round, so all does not play out as before - but it's not a complete departure from the format, which might have made it a bit more gripping in places.
James Wan's trademark visual style is repeated in this movie - his bag of tricks sometimes yielding a sense of deja vu but generally working like a charm. When it's intended to scare, it really does. The scares come a bit more frequently than in the first movie and do manage to build a lot of tension, even if you've seen the original, so well done to Wan for that.
What's really enjoyable about this movie, is its nostalgic recreation of 70s England. Wan has really done a great job of this, which is surprising given that he's not from there. Also, the central support role of Janet Hodgson is pretty crucial to empathising with the Enfield family and Madison Wolfe gives a solid performance.
It's arguable this one is as strong as the first. I really enjoyed it and would recommend it to anyone who enjoyed part one, or indeed likes movies of a haunting or possession theme.
Stick around for the credits - the music is seriously unsettling!
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