'Fantastic Beasts and Where to Find Them': Everything We Learned on Our Set Visit
IMDb worked its magic to apparate onto the set of Fantastic Beasts and Where to Find Them. Check out exclusive interviews with the cast and creators as well as new pictures and teasers from the movie and beyond.
In a city of humanoid animals, a hustling theater impresario's attempt to save his theater with a singing competition becomes grander than he anticipates even as its finalists' find that their lives will never be the same.
It's Harry's third year at Hogwarts; not only does he have a new "Defense Against the Dark Arts" teacher, but there is also trouble brewing. Convicted murderer Sirius Black has escaped the Wizards' Prison and is coming after Harry.
When Jacob discovers clues to a mystery that stretches across time, he finds Miss Peregrine's Home for Peculiar Children. But the danger deepens after he gets to know the residents and learns about their special powers.
Samuel L. Jackson
Holding a mysterious leather suitcase in his hand, Newt Scamander, a young activist wizard from England, visits New York while he is on his way to Arizona. Inside his expanding suitcase hides a wide array of diverse, magical creatures that exist among us, ranging from tiny, twig-like ones, to majestic and humongous ones. It is the middle of the 20s and times are troubled since the already fragile equilibrium of secrecy between the unseen world of wizards and the ordinary or "No-Maj" people that the MACUSA Congress struggles to maintain, is at risk of being unsettled. In the meantime, the voices against wizardry keep growing with daily protests led by Mary Lou Barebone and fuelled by the increasing disasters ascribed to a dark wizard, Gellert Grindelwald. At the same time, by a twist of fate, Newt's precious suitcase will be switched with the identical one of an aspiring No-Maj baker, Jacob Kowalski, while demoted Auror, Tina Goldstein, arrests Newt for being an unregistered wizard. To... Written by
Because so little architecture from the decade still exists, it was decided not to shoot the film on location. Instead, the production designers created, from scratch, their own painstakingly detailed version of 1920s New York City as a practical, physical set. See more »
In the scene where Jacob is showing the bank manager his suitcase of cakes -
Initially, the cakes are a bit tumbled about, unsuprising due to the case's rather rough treatment up to that point, and are rather piled up on the viewer's right hand side of the case.
However, after a cut, the cakes' arrangment within the case change. No more piles. See more »
Absolute Rubbish, no story, no characters, just special effects
It is unbelievable that JK Rowling's name is even attached to this film.
The discipline and thought that went into the Harry Potter characters and story certainly wasn't applied to this catastrophe, which, like the Hobbit and so many other Hollywood regurgitation(s), merely seeks massive profits by piggybacking on a successful franchise while being utterly devoid of substance.
It isn't even worth going into detail. There is only one truly likable character, though you can't relate to ANY character as we know absolutely nothing about them, nor do they have any developed relationships with each other.
The entire script is built around the magical creatures doing damage to NYC, again, a ridiculous premise, as the damage is massive and there is no backlash. The complicated boundaries between the magical and non-magical worlds and people, so well laid out in HP, are completely absent. The most ridiculous example of idiotic, careless detail is that for most of the scenes on the streets of NYC, it is practically a ghost town, whereas in reality, NYC in the 1920s was nearly as densely populated as it is now. Perhaps more so, not worth it to fact check this.
And Eddie Redmayne as the lead was totally inaccessible, not engaging and half of his speech literally unintelligible. Fully one third into the movie it is finally established that he, the lead character, is closer to magical creatures than humans, but by then, not only do we not care about him or like him, but really the script gives him not ONE real relationship wherein to show forth his character. Who is he? Where does he come from? We don't know. Anyway, a horrible choice for a lead character, someone who has no emotional connection to any characters. Even his relations to the animals is explored surface level, there is no one relationship with anyone or anything that develops throughout the story and makes the audience care about the character. Only superficial plot-related details are given and there is no emotional or human life at all.
This is the same way all the characters, every single one, is treated. They are merely 2 dimensional props, there to perpetuate a plot that is mostly centered around special effects and hubris action, magical creatures rampaging here and there, and, as I said, unrealistically, going on undetected.
Literally, not one shining point to this film. Another disgrace to storytelling, devoid of all substance and creativity, pumped out of the Warner Bros fecal-making factory. Utterly disappointed.
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