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Berlin Syndrome (2017)

R | | Thriller | 26 May 2017 (USA)
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IN THEATERS
A passionate holiday romance leads to an obsessive relationship, when an Australian photojournalist wakes one morning in a Berlin apartment and is unable to leave.

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(screenplay), (novel) | 1 more credit »
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248 ( 116)
2 nominations. See more awards »

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Cast

Credited cast:
...
Clare
...
Andi
...
Elodie Zadikan
...
Passenger
...
Erich
Emma Bading ...
Franka Hummels
...
Bar Member
Morgane Ferru ...
Young Tourist
Kristina Kostiv ...
Russian Girl
Charly Thorn ...
Young Woman
Malin Steffen ...
Swedish Girl
Thuso Lekwape ...
Billy Dharma
Vitus Wieser ...
Policeman
Lara Marie Müller ...
Silke
Nassim Avat ...
Aron Hurwitz
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Storyline

While holidaying in Berlin, Australian photojournalist, Clare meets Andi, a charismatic local man and there is an instant attraction between them. A night of passion ensues. But what initially appears to be the start of a romance suddenly takes an unexpected and sinister turn when Clare wakes the following morning to discover Andi has left for work and locked her in his apartment. An easy mistake to make, of course, except Andi has no intention of letting her go again. Ever. Written by Anonymous

Plot Summary | Add Synopsis

Genres:

Thriller

Motion Picture Rating (MPAA)

Rated R for disturbing violent content, strong sexuality, nudity and some language | See all certifications »
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Details

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Language:

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Release Date:

26 May 2017 (USA)  »

Also Known As:

Berlin Sendromu  »

Filming Locations:

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Technical Specs

Runtime:

Color:

Aspect Ratio:

2.39 : 1
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Did You Know?

Trivia

Teresa Palmer described her participation on the project as "one of the most transformational experiences" of her life, as well as "the most liberating film experience" of her career. See more »

Soundtracks

Gokyuzu (bio-mix)
Written by Özlem Ylmaz & Pat Jabbar
Performed by Kasbah Rockers feat. Özlem
Courtesy of Barraka El Farnatshi Prod.
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User Reviews

 
Review: Berlin Syndrome - A psychological tornado of violence and suspense.
12 April 2017 | by (Australia) – See all my reviews

I've never seen Teresa Palmer in a film before, which is especially weird because she's Australian. I'm sorry that I haven't, because she was utterly fantastic in Berlin Syndrome.

The story is fairly simple; an Australian tourist is swept off her feet by a charming local in Berlin, staying with him for a couple of days before realising that she isn't allowed to leave.

Palmer's performance as Clare is so excellent that counterpart Max Riemelt can barely keep up, but keep up he does. His character, Andi, can be dashing, friendly and witty, or he can be sinister, cold and (perhaps most frightening) entirely unreadable. While director Cate Shortland surely deserves an enormous share of the credit, a scene I found simply remarkable is one where Andi suffers a loss and we as an audience are still able to feel sympathy alongside Clare for this monster of a human being.

Presumably borrowing the title from Stockholm Syndrome, the lines in the relationship of Andi and Clare do begin to blur throughout the film. Where Clare feels resigned to her fate, she attempts to make the most of her situation. It's a heartbreaking journey into the human mind and what it will do to survive – or keep from going insane. In certain scenarios it's impossible to tell if Clare is so deluded as to be sincerely happy or not, though these scenarios are of course interspersed with descents back into crippling despair.

What's interesting is that we don't simply follow Clare for the duration of the film, but just as often see how Andi is spending his day. It's an interesting division of screen time that frequently has the audience seeing a scene from Andi's point of view as he arrives home; we wonder along with him what Clare has been up to while he's been gone. It's a strangely fun viewing experience watching him examine the apartment for anything amiss or askew.

The cinematography is great, the score fantastic. One thing I loved about the film was its ability to convey so much wordlessly. The two main characters are regularly away from each other, and these scenes are therefore obviously less reliant on dialogue. Despite this, we are able to see and almost breathe the raw, exposed emotion of the duo.

The flaws in this film lay with a couple of weird editing choices (at some point we seem to be misled as to whether a character is painting their own toenails or someone else is painting the toenails of a cadaver, for some reason, and elsewhere a flight of stairs and multiple apartments could absolutely have been less disorienting). Clare also has access to a kitchen, but never uses a knife in an escape attempt. Because of the exciting moment where she finds a screwdriver in an early scene, one would assume that the kitchen is knifeless… but we're never shown an empty drawer or anything to indicate a lack of knives. It just felt a little off.

The ending was disappointing; it manages to be both predictable and nonsensical, which isn't a great combination. I didn't let that ruin the film for me, though; Berlin Syndrome is a wonderful character-study and a psychological tornado of violence and suspense.

Sidenote: Do people in Berlin just hate calling the police, or something?

http://alexfalzon.com/berlin-syndrome/ - for spoilers (and more reviews)


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