In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into beasts and sent off into The Woods.
A retired orchestra conductor is on holiday with his daughter and his film director best friend in the Alps when he receives an invitation from Queen Elizabeth II to perform for Prince Philip's birthday.
Adèle's life is changed when she meets Emma, a young woman with blue hair, who will allow her to discover desire and to assert herself as a woman and as an adult. In front of others, Adèle grows, seeks herself, loses herself, and ultimately finds herself through love and loss.
A love story set in a dystopian near future where single people are arrested and transferred to a creepy hotel. There they are obliged to find a matching mate in 45 days. If they fail, they are transformed into an animal and released into the woods. Written by
Three members of the cast have spent a lot of time with James Bond. Lea Seydoux was the main love interest in "Spectre." Ben Whishaw played Q in"Skyfall" and "Spectre". And Rachel Weisz is married to Daniel Craig. See more »
After the heartless woman falls down from getting shot by David with a tranquilizer gun, her skirt falls open high enough to see her underwear. When David approaches her, her skirt is now covering up the underwear. See more »
The last thing I want right now is a kiss from a silly little girl.
[He kicks Elizabeth's left shin]
Come on, move away.
Don't cry Elizabeth, you should thank me. Now you'll have a limp and be more like your father.
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Don Quixote: Variation I and II
Composed by Richard Strauss
Published by C.F. Peters Leipzig
Licensed by Peters Edition Ltd, London
All rights reserved, international copyright secured
Performed by Staatskapelle Dresden
Conducted by Fabio Luisi
Courtesy of Sony Music Germany GmbH See more »
"The Lobster" takes the tropes and expectations of modern-day relationships and satirises them almost out of existence. The farcical "Hotel" aims to partner 'loner' humans with each other (based on 1 characteristic) in a stress-inducing timeframe of 45 days, often resulting in deception and the suppression of true feelings in order to garner a relationship as a means of escape. The other side of the coin is the outcast tribe living a meagre existence in the woods, where even flirting is punished with physical mutilation. The cold mechanical delivery of every single character's lines emphasises the absurdity of the situation, and bizarrely makes the jokes even funnier. Not since Richard Ayoade's "The Double" has cripplingly awkward humour been so effective. This film has a lot to say about the fickle nature of relationships, set against the background of a dystopian society. The cinematography is as flat as the actors' delivery; this contributes to the emotionally-stunted, often silent world that the characters inhabit. The ending is beautifully ambiguous and surprisingly tense for such an understated scene. A score which fluctuates from terse, rough string melodies to Italian opera heightens the sense of weird-art-film which pervades "The Lobster": definitely a film which requires full attention, reflection, and a mind open to arty weirdness, "The Lobster" is a remarkable oddity.
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