6.8/10
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Maestro (2014)

Henry, a young actor, finds himself involved in a film by cinema superstar, Cédric Rovere. Charmed by his benevolence, feelings hitherto unknown are aroused, while Rovere, intrigued by Henry's dream, lives this shoot as an unexpected gift.

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1 win & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Henri Renaud
...
Cédric Rovère
...
Gloria
Alice Belaïdi ...
Pauline Vatel
Nicolas Bridet ...
Nico
Dominique Reymond ...
Francine
...
José
...
Le druide
Grégory Montel ...
Sam
Marie-Armelle Deguy ...
Marie-Jeanne
David Léotard ...
L'ingénieur du son
Béatrice Clement ...
La chef-opératrice
Virginie Andreu ...
L'actrice rovérienne
...
Une nymphe
Laurianne Closse ...
Une nymphe
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Storyline

Henry, a young actor, finds himself involved in a film by cinema superstar, Cédric Rovere. Charmed by his benevolence, feelings hitherto unknown are aroused, while Rovere, intrigued by Henry's dream, lives this shoot as an unexpected gift.

Plot Summary | Add Synopsis

Genres:

Comedy

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Release Date:

23 July 2014 (France)  »

Filming Locations:

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Box Office

Budget:

€2,000,000 (estimated)
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Company Credits

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Technical Specs

Runtime:

Color:

Aspect Ratio:

2.35 : 1
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Trivia

French visa # 137710. See more »

Connections

References Les amours d'Astrée et de Céladon (2007) See more »

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User Reviews

 
Fresh French comedy inspired by Eric Rohmer's life
16 June 2015 | by See all my reviews

"Maestro" is a delightful "fish out of water" comedy about a young action-loving wannabe actor who succeeds in getting cast by an old brainy director in his bucolic masterpiece. The film is inspired by Nouvelle Vague doyen Eric Rohmer's collaboration with actor Jocelyn Quivrin (who co-wrote the script with Swiss director Léa Fazer) on the film "Les Amours d'Astrée et de Céladon".

"Maestro" plays on the stark contrast between the realities of film production and both our fictional director's conservative methods and our hero's glamorous expectations. But this last one will get a lot more than he bargained for in the end. And I also got more than I expected from this refined but unpretentious comedy, whose style, with its balance of witty dialogue and funny visual gags, reminded me more of Woody Allen's best comedies from the 70s than of Eric Rohmer's work.


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