Two hard-partying brothers place an online ad to find the perfect dates for their sister's Hawaiian wedding. Hoping for a wild getaway, the boys instead find themselves out-hustled by an uncontrollable duo.
'Nerve' is about an online dare game, in which people give participants anonymous dares for money. The participants compete with each other to win the grand prize as the dares get tougher. Things get worse when the tasks get increasingly dangerous and lives are at stake. Written by
Vee and Sydney, when saying goodbye to each other, touch their own noses. This is a nod to an element of the book being that Sydney and Vee learned the sign language alphabet to communicate with one another secretly See more »
Throughout the whole movie, Vee and others continuously touch the screen of their MacBooks as if they are touchscreen. This isn't necessarily a goof; It can be counted as artistic license, with the directors choosing to show it this way to fit in with the look of the film. See more »
With great internet power comes great irresponsibility. This is the premise behind "Nerve", a film whose producers must have wet themselves with excitement that the Pokemon Go craze aligned so nicely with the release of their film. I was delighted that at last this summer there is a film with a modicum of originality I can enthuse about.
'Vee', short for Venus (Emma Roberts, niece of Julia Roberts) is an NYC teen living in the shadow of a family tragedy and the claustrophobic presence of her over-protective mother (Juliette Lewis, "Cape Fear"). Always timidly in the shadow of her best friend the extrovert Sydney (Emily Meade) Vee pooh-poohs Sydney's compulsion with the new viral internet game 'Nerve': a social media 'Truth or Dare' ("but without the truth") challenge game where you can either be a "Player" or a "Watcher". In real time, Watchers set Players with challenges they have to complete for ever-escalating financial rewards but "Bail" or "Fail" and you lose all. And "snitches get stitches".
With their friendship at breaking point, Vee is provoked into playing the game by Sydney and teams with fellow gamer Ian (Dave Franco, younger brother of James Franco) someone with a history that could bring Vee into great danger. However, Vee's geeky wannabe boyfriend Tommy (Miles Heizer) is on the case .
What is so impressive about this film is that the screenplay by Jessica Sharzer (based on a novel by Jeanne Ryan) is genuinely original and is delivered with style and good humor. Sure, you can draw parallels for any film with many other sources: in here there are traces of Hunger Games/Allegiance; the "Simon Says" portion of Die Hard 3; perhaps a soupçon of "Gladiator" and Schwartznegger's "Running Man" in the mix. But this is a novel approach to a teen flick, bang on the topical money in bringing in the frenetically viral nature of social media and aspects of the 'dark web', cyber security and open source programming.
The film manages to generate significant credibility about the impact that a game like this would have among a teen audience. And there is a telling message in the finale: that it is easy to be a troll without responsibility hiding behind an internet ident, but when the masks come off and the message back becomes personal then your responsibilities as an individual human can come home to roost.
The film is delivered with style and verve as well, with innovative graphics (a great title and end title design) and an 'augmented reality' overlay of the action showing Players and Watchers across the city. Many of the challenges are executed really well, with a few seat-clenchingly tense moments, particularly if you have a poor head for heights.
But with all this potential it unfortunately fails to be a 10* classic, smelling at times of 'B' movie. Which is a great shame. Emma Roberts is fine at what she does, but at times I longed for the dramatic depth of a Shailene Woodley or Chloe Grace Moretz, with the scenes with the under-used but excellent Juliette Lewis rather highlighting this differential.
The otherwise excellent script is for me let down by a scene of male-on-female violence which I found both distasteful and unnecessary. And a coding 'geeks shall inherit the earth' moment towards the end is a little too glib for my liking.
But overall the directors Henry Joost and Ariel Schulman ("Paranormal Activity 3" and "4") have done a fine job with a $20M budget.
Regular readers of my blog (bob-the-movie-man.com) may recall my use of the "BvS quotient" the number of films that could be made from the budget of "Batman vs Superman": this one has a BvS quotient of 8% meaning you could make over 12 of these instead of the superhero dud. Yes please! Although if they had doubled the budget and rounded off some of the sharp corners, this could have been a true classic. It's still recommended for a memorable movie experience though, and probably makes it into my draft movies of the year list so far.
(For the graphical version of this review and to comment, please visit bob-the-movie-man.com. Thanks).
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