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The Music of Strangers (2015)

Cellist Yo-Yo Ma and other international artists of The Silk Road Project discuss their philosophies on music and culture.


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5 wins & 5 nominations. See more awards »





Credited cast:
Rest of cast listed alphabetically:
Jonathan Gandelsman ...
Nicholas Ma ...
Bobby McFerrin ...
Kevork Mourad ...
Kojiro Umezaki ...
Tong Wu ...


Cellist Yo-Yo Ma and other international artists of The Silk Road Project discuss their philosophies on music and culture.

Plot Summary | Add Synopsis


Documentary | Music

Motion Picture Rating (MPAA)

Rated PG-13 for brief strong language | See all certifications »




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Release Date:

22 September 2016 (Germany)  »

Also Known As:

The Sound of Silk  »

Filming Locations:


Box Office

Opening Weekend:

$24,612 (USA) (12 June 2016)


$1,161,574 (USA) (25 September 2016)

Company Credits

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Did You Know?


A poster for this film can be seen in The Big Bang Theory: The Line Substitution Solution (2016) when the guys are waiting in line at the theater. See more »


Referenced in The Big Bang Theory: The Line Substitution Solution (2016) See more »

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User Reviews

the silk road of sharing cultures
3 September 2016 | by (Herzlya, Israel) – See all my reviews

Music documentaries can be fascinating in many cases. This is the case of The Music of Strangers, the documentary produced and directed by Morgan Neville which tells the story of the wonderful musical adventure and inter-culture experience which is 'The Silk Road' ensemble and organization started in 1998 by the famous cellist Yo-Yo Ma.

The documentary deals both with the initial phases of the project (based on filmed material from their first encounters around the year 2000) and its later evolution. While the value of the cultural interaction is quite well presented, there is less mention if at all about the novelty of the approach of gathering together artists with very different backgrounds and having them play music in a fusion mode that was maybe acceptable in jazz, but much less in classical music where many of them (including Yo-Yo Ma) came from. Actually Ma is a pioneer from this perspective, using his almost pop star reputation to bring classical music to the wider audiences, but also the music of people and peoples to the classical musicians world.

There is no central story telling in the film which mainly builds itself by the interleaved personal stories told by Yo-Yo Ma and a few of the musicians, their own perspective about the work in the the ensemble, the interaction with other musicals, and their philosophies about the scope and the benefits of the project. We have the opportunity to meet Chinese lute virtuous Wu Man and hear her speaking about the challenges of learning and making music in China immediately after the Cultural Revolution, and Spanish bagpiper Cristina Pato about building her path as a woman artist in a less developed area of Spain, we see Syrian clarinetist Kinan Azmeh talking about his feelings about making music while his country is torn by war, and Iranian musician Kayhan Kalhor telling the story of his family broken by the political situation in his country and by exile. Most of all we see their opening to dialog and artistic collaboration, their passion of talking and especially playing music. A few of the meetings, concerts, family reunions and activities of volunteering with refugees are caught also on record.Watching them is a fascinating and beautiful cultural and musical experience.

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