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Mommy (2014)

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A widowed single mother, raising her violent son alone, finds new hope when a mysterious neighbor inserts herself into their household.

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(screenplay)
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2,327 ( 303)
49 wins & 59 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
Paul
...
Patrick
Michèle Lituac ...
Directrice du centre correctionnel
Viviane Pascal ...
Marthe (as Viviane Pacal)
Natalie Hamel-Roy ...
Natacha
...
Fille de Kyla
Ted Pluviose ...
Chauffeur de taxi
Reda Guerinik ...
Gardes de securite
Justin Laramée ...
Gardes de securite
Sabrina Bisson ...
DJ Karaoke
Huguette Gervais ...
Calssiere librairie
...
Joueur de billard
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Storyline

Forty-six year old Diane Després - "Die" - has been widowed for three years. Considered white trash by many, Die does whatever she needs, including strutting her body in front of male employers who will look, to make an honest living. That bread-winning ability is affected when she makes the decision to remove her only offspring, fifteen year old Steve Després, from her previously imposed institutionalization, one step below juvenile detention. She institutionalized him shortly following her husband's death due to Steve's attention deficit hyperactivity disorder (ADHD) and his violent outbursts. He was just kicked out of the latest in a long line of facilities for setting fire to the cafeteria, in turn injuring another boy. She made this decision to deinstitutionalize him as she didn't like the alternative, sending him into more restrictive juvenile detention from which he would probably never be rehabilitated. However, with this deinstitutionalization, she has to take care of him ... Written by Huggo

Plot Summary | Add Synopsis

Taglines:

"We still love each other, right?" - "That's we're best at, buddy."

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for language throughout, sexual references and some violence | See all certifications »

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 »
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Details

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Language:

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Release Date:

8 October 2014 (Belgium)  »

Also Known As:

Ana  »

Filming Locations:

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Box Office

Opening Weekend:

$22,204 (USA) (25 January 2015)

Gross:

$3,492,754 (USA) (15 March 2015)
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Company Credits

Show detailed on  »

Technical Specs

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Sound Mix:

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Aspect Ratio:

1:1
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Did You Know?

Trivia

Xavier Dolan said that the unusual aspect for the film is because he wanted to amplify the emotions from the characters. See more »

Quotes

Steve Després: [Waiting to surprise his mother] I had to piss so I tied a knot in my dick!
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Connections

References Rocky III (1982) See more »

Soundtracks

The Four Seasons
Concerto No. 2 in G minor Op. 8 No. 2 RV 315, 'L'estate', from 'I quattroni stagioni': III. Presto
Written by Antonio Vivaldi
Performed by Fabio Biondi and the Europa Galante Orchestra
Courtesy of Opus 111/Naive
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User Reviews

 
'Not a dull moment with Steve'
16 February 2015 | by (Romania) – See all my reviews

Five months ago, I had no idea who Xavier Dolan was. Now, after watching 'Mommy', I have no hesitation in saying that he's one of most talented artists to have come into prominence in the past few years.

What director and writer Xavier Dolan, who is 25, achieves with 'Mommy' is quite spectacular. Not only does he manage to impress with top-notch directorial skills and an impressive and complex understanding of human relationships, but he has successfully accomplished the ultimate goal of a filmmaker: transmitting emotions -- pure, unaltered feelings.

I was never a supporter of the idea of re-watching films; I thought that by re-watching a movie, you would lose precious time that could have been used to watch a potentially even better film. However, 'Mommy' has completely destroyed this concept for me. Leaving the cinema room, I had a sense of restlessness that went away only after watching it for the second time. And guess what? The feelings the film transmitted remained as fresh and relevant as they were the first time.

There are a myriad of aspects that are worth discussing when referring to this film: the fabulous actors, the impressive use of music, the clever use of colors, the numerous jaw-dropping cinematography-related details and the variety of raw feelings 'Mommy' explores. But, by analyzing each of these aspects in detail, you may risk to experience a film whose surprises will not be as poignant as they would be by discovering them yourself.

I can safely say that 'Mommy' left an indelible mark on me. Its honesty, the beauty it exudes and its life-affirming tone make for an enthralling chef d'oeuvre that will undoubtedly have a certain effect on whoever decides to watch it.

To sum up, 'Mommy' manages to do what an important piece of art does: communicate authentic feelings. And, for this, I am grateful. Bravo, Dolan!


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