A hard-working single mother and wife of a getaway driver who is about to be released is approached by an unassuming and gentle man, completely unaware though of his inscrutable and utterly impelling motives.
Antonio de la Torre,
Under Madrid's scorching summer sun, ordinary couples with real passion and the unquenchable desire to love and be loved, share the same irrepressible urge to investigate their own sexuality through five intertwined stories.
Natalia de Molina,
The story of a man who fooled an entire country. A tale of cheats and impostors, taking its inspiration from true facts and from one of the most intriguing characters of recent decades: the spy Francisco Paesa.
Miquel García Borda
Inspectors Velarde and Alfaro must find what appears to be a serial killer. This hunt against the clock will make them realize something they'd never thought about: neither one of them is that different from the killer.
Antonio de la Torre,
Alma is a young girl with emotional problems and a special relationship with her grandfather Ramón, an old country man who stopped talking about 12 years ago after his son, Alma's father, sold a 2000-years-old olive tree in order to open a restaurant. Dominated by the sadness and the melancholia by the loss of his most beloved tree, Ramon spends his days visiting the place where the olive tree was planted, hoping the day the tree returns. Unable to bear the situation any longer, Alma looking for the olive tree, discovering that it was acquired by a Germany's energy company located in Dusseldorf. Without money or resources, Alma convinces her uncle Alcachofa and her friend Rafa (who has a love interest for her) to go in a truck from Spain to Germany to recover the tree, starting a travel with unexpected consequences for everyone... Written by
The film opens with a telephone prank, reminding me as an American that it's to the Spanish we largely owe the art of pulling someone's leg and of amusing exaggeration. But the prank introduces an important theme, also Spanish, of who's getting the upper hand at whose expense. And the additional theme of how hard it is to retain a traditional sense of honor under 21st-century economic pressures. The plot is of the very simplest-- save the ancient olive tree!-- but the characters have side concerns of their own which, while not indispensable to plot, serve to humanize the movie and inspire empathy. The man beside me in the theater remarked two or three times, "Excellent acting." Nice music, too, and flashes of humor. My wife, who knows a little Spanish, let me know how colorless the English subtitles (here in Israel, anyway) were in comparison.
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