During the Cold War, an American lawyer is recruited to defend an arrested Soviet spy in court, and then help the CIA facilitate an exchange of the spy for the Soviet captured American U2 spy plane pilot, Francis Gary Powers.
In the cold war, a lawyer, James B. Donovan is recruited by the CIA and involved in an intense negotiation mission to release and exchange a CIA U-2 spy-plane pilot, Francis G. Powers. The pilot was arrested alive after his plane was shot down by the Soviet Union during a mission and stays in the company of a KGB intelligence officer, Rudolf Abel, who was arrested for espionage in the US. Written by
For Mark Rylance, an actor best known for his acclaimed stage work in such productions as "Jerusalem" and "Boeing-Boeing" and the then recent PBS miniseries Wolf Hall (2015), the opportunity to work with Steven Spielberg was incredibly humbling. And while Rudolf Ivanovich Abel was a divisive figure, his selfless patriotism earns the respect and admiration of James Donovan, which Rylance found tremendously appealing. Rylance also found the story moving and incredibly entertaining, and he appreciated the fact that it had the potential to really cause people to think. Rylance said: "This is a film about a man who does the right thing at the right time in the right place, and it's an important story." See more »
In the opening scene, when Abel leaves his apartment, a 1968-1973 Checker Taxicab drives by, despite this scene taking place in 1957. See more »
Francis Gary Powers has been released from prison in the Soviet Union, and turned over to American authorities early this morning in Berlin. The President has commuted the sentence of Rudolf Abel. Mr. Abel has been deported, and has been released in Berlin. Efforts to obtain Mr. Powers' release, had been underway for some time. In recent efforts, the United States government has had the cooperation and assistance of Mr. James B. Donovan, a New York attorney. Frederic L. Pryor, an ...
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Concerto N. 2 for Piano and Orchestra Op 102
Written by Dmitri Shostakovich (as Dmitrij Dmitievi Shostakovich)
Performed by Andrey Gugnin, piano with The Moscow Chamber Orchestra
Conducted by Konstantin Orbelyan (as Constantine Orbelian)
Courtesy of Delos Productions
By arrangement with Source/Q See more »
An unshowy Steven Spielberg does a master's job with Cold War tensions, honoring a real-life attorney's victory over fear.
A feel-good Cold War melodrama, Bridge of Spies is an absorbing true-life espionage tale very smoothly handled by old pros who know what they're doing. In its grown-up seriousness and basis in historical conflict, Steven Spielberg's first feature since Lincoln three years ago joins the list of the director's half-dozen previous "war" films, but in its honoring of an American civilian who pulled off a smooth prisoner exchange between the East and West during a very tense period, the film generates an unmistakable nostalgia for a time when global conflict seemed more clear-cut and manageable than it does now. Spielberg's fourth collaboration with Tom Hanks, which world- premiered at the New York Film Festival and opens commercially on October 16, looks to generate stout box-office returns for Disney through the autumn season. For people of Spielberg's generation, the early years of the nuclear era and the stand-off between the United States and the Soviet Union represents a significant part of the fabric of childhood. With the passage of time, it's possible to tell stories of the time without furnishing them with overt propagandistic overlays, and for Westerners there is the added built-in appeal of the "we won" factor and the perception that dealing with adversaries was so much simpler then than it is now. As their focus in this impeccably rendered recreation of a moment in history, most palpably represented by the building of the Berlin Wall, Spielberg and screenwriters Matt Charman and Ethan and Joel Coen have chosen a sort-of Atticus Finch of the north, a principled, American Everyman insurance attorney unexpectedly paged to represent a high-level Soviet spy caught in New York. There is no question that Rudolf Abel (Mark Rylance) is guilty, but James B. Donovan (Hanks), a proper and decent family man with a professional dedication to his client and an abiding loyalty to the principles of the U.S. Constitution, has a quick and intuitive read of any legal situation and shrewdly stays at least one step ahead of the game in almost any situation.
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