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Kong: Skull Island (2017)

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A team of scientists explore an uncharted island in the Pacific, venturing into the domain of the mighty Kong, and must fight to escape a primal Eden.

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3 nominations. See more awards »

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Cast

Cast overview, first billed only:
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San
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Mills
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Cole
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Slivko
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Reles
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Landsat Steve
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Young Marlow / Marlow's Son
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Storyline

A washed up monster chaser convinces the U.S. Government to fund a trip to an unexplored island in the South Pacific. Under the guise of geological research, the team travels to "Skull Island". Upon arrival, the group discover that their mission may be complicated by the wildlife which inhabits the island. The beautiful vistas and deadly creatures create a visually stunning experience that is sure to keep your attention. Written by Jason Burns

Plot Summary | Plot Synopsis

Plot Keywords:

70s | island | soldier | monster | vietnam | See All (321) »

Taglines:

All hail the King See more »


Motion Picture Rating (MPAA)

Rated PG-13 for intense sequences of sci-fi violence and action, and for brief strong language. | See all certifications »

Parents Guide:

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Details

Official Sites:

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Language:

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Release Date:

10 March 2017 (USA)  »

Also Known As:

Kong: Skull Island  »

Box Office

Budget:

$185,000,000 (estimated)

Opening Weekend:

$61,015,000 (USA) (10 March 2017)

Gross:

$167,986,460 (USA) (9 June 2017)
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Company Credits

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Technical Specs

Runtime:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

In April 2016, Artist Joe DeVito sued the producers of this film, for using elements of his Skull Island universe, which he claimed that he created, and the producers used without his permission. See more »

Goofs

When Packard is about to shoot at the bird, we see him aiming with his left hand. After he shoots the bird, he puts the rifle down, and it is on his right hand. See more »

Quotes

Hank Marlow: Who's winning the war?
Captain James Conrad: Which one?
Hank Marlow: ...That makes sense, I guess.
See more »

Crazy Credits

The Warner Bros, Legendary Pictures and Tencent Pictures logos are set in the air and made of metal, representing the aerial dogfight in the prologue. See more »

Connections

References King Kong (1976) See more »

Soundtracks

Bad Moon Rising
Written by John Fogerty
Performed by Creedence Clearwater Revival
Courtesy of Fantasy Records
By permission of Concord Music Group, Inc.
See more »

Frequently Asked Questions

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User Reviews

 
Sorry, there is no king here.
17 March 2017 | by See all my reviews

King Kong (1933) was a perfect movie in its proposal. A simple, direct and clear message. No remakes or sequels required. This is why all sequels and remakes are always inferior in impact to the original. Filmmakers always want to add anything new and unnecessary.

In this new film, Kong leaves the territory of quality and embarks on a trip to the territory of blockbusters, in other words, special effects and jokes (just watch the retarded and unnecessary joke scene about the Skullcrawlers name with Hiddleston, Larson and John C. Reilly) overlap the story, and so the film is passable and totally forgettable in a week.

Once again, Hollywood treats scientists as idiots when the character of Corey Hawkins can not even open a can of canned food and feels intimidated by a woman. Not to mention the macho colonel, who wants an unnecessary revenge with Kong, because Kong killed his men (in a casual meeting).

And not to mention the idiotic plans that Jordan Vogt-Roberts uses to focus the eyes of the Samuel L. Jackson character with the eyes of King Kong. It seems like the director Jordan Vogt-Roberts wants to make a kind of (unnecessary) fight in the old west style. Pure waste of time, as we know that the macho colonel, is no challenge for Kong, so why waste precious screen time with these situations? Because Kong's story can be told as in the original in just 90 or 100 minutes. And the filmmarkers have to put 2 hours of film and for this they have to put unnecessary situations and scenes.

As the disposable soldier of the colonel, who gets lost from the group, just to see Kong crush a giant squid (and then Kong eats it), then after some scenes, be killed by another giant monster. What could be an interesting conflict between the characters of Tom Hiddleston and Samuel L. Jackson, but that ends up in nothing. Because people are written from a stupid one-dimensional way (like the stupid macho colonel). That is, more movie time, for less story. This is because Kong never leaves the island in this movie, Kong will only leave the island in 2020 in the movie Godzilla vs. King Kong. Yes this movie aims to create another shared universe (MCU type of crap), and in the end this compromises the quality of this film. The filmmakers have their hands tied, because they can not put their best on this film, however they have to think how this movie will work with another movie from another guy, three long years into the future.

I went into the movie hoping to see a good and fun Kong movie, and I ended up seeing a crap and bad one, because of the ambition of the studio that compromised the quality of the movie, for the money. Not to mention, even as a fun movie, this movie fails so much.

You see, the scenes with special effects, you can see that the scenes were all filmed on a green screen. And the final fight between Kong and the giant lizard is even inferior to the T-rex fights in Peter Jackson's 2005 remake. Yes, the fights and clashes between Kong and the other giants monsters were better, bigger, more epic, more brutal and vicarious than in this pathetic 2017 movie. I'm not defending the Peter Jackson movie, that film obviously had its flaws, but in the department of special effects and action scenes (this department that does not save a movie, nonetheless) is vastly superior to this Jordan Vogt- Roberts movie. Even as an action movie and blockbuster, this movie fails in a big way.

But if you were disappointed, and if you were sad that you had lost money unfairly, you can wait until 2020 to see the rest of the film in Godzilla VS King Kong.

My God, that's why commercial filmmaking is in the mud. The commercial cinema has as main target children, teenagers and young people. And this is why the quality bar is so low.


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