In the near future, a weary Logan cares for an ailing Professor X somewhere on the Mexican border. However, Logan's attempts to hide from the world and his legacy are upended when a young mutant arrives, pursued by dark forces.
A movie crew, travelling to a mysterious island to shoot their picture, encounter a furious gorilla, taking their leading actress and forming a special relationship with her, protecting her at all costs.
A washed up monster chaser convinces the U.S. Government to fund a trip to an unexplored island in the South Pacific. Under the guise of geological research, the team travels to "Skull Island". Upon arrival, the group discover that their mission may be complicated by the wildlife which inhabits the island. The beautiful vistas and deadly creatures create a visually stunning experience that is sure to keep your attention. Written by
Thomas Mann, who plays Slivko, talks about the Chicago Cubs and who would win in a fight, a tiger or a cub. In the movie Project X (2012), Thomas Mann's character is named Thomas Cubb. See more »
The graphics on the seismic devices are far beyond the capabilities of computers in 1973, let alone portable computers. See more »
Kong's a pretty good king. Keeps to himself, mostly. This is his home, we're just guests. But you don't go into someone's house and start dropping bombs, unless you're picking a fight.
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The opening credits are a montage of 1940-70s news videos. See more »
Long Cool Woman (In A Black Dress)
Written by Allan Clarke, Roger Cook and Roger Greenaway
Performed by The Hollies
Courtesy of Epic Records
By arrangement with Sony Music Licensing
Courtesy of Parlophone Records Ltd
By arrangement with Warner Music Group Film & TV Licensing See more »
Movies used to be fun. Genuinely fun. Kong: Skull Island is a throwback to the era when movies were fun - like, Stars Wars fun. Like Jaws fun. That kind of fun. The leads embody characters that are all understandable and genuinely likable. The plot isn't stuffed with technical geek references and "easter eggs" that weigh down other universe-building films. From the fire- singed Kong fur to the slick skull crawler tongues, the special effects are brilliantly detailed and animated. And it's genuinely refreshing to watch an action/monster film in which native peoples are depicted with dignity and respect, and where black and Asian characters aren't used as props or fodder for violence (admittedly, the film could have gone further with this, but I sensed some progress being made). Kong: Skull Island isn't Life is Beautiful. It isn't Casablanca. But it is genuinely, thrillingly, rigorously fun. It has heart, scales, teeth and a ferocious roar. Monster movies are back. Get in line. Hail to the King.
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